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The primary points of the presentation
by M.B. Piotrovksy, the General Director of the State Hermitage Museum
and President of the Union of Museums of Russia at the meeting with V.V. Putin, the Prime Minister of the Russian Federation in Saratov
Concept and Strategy.
We requested this meeting because there are many urgent problems and
sore spots in museum work. We think that we have the right to talk about
them in an equally sharp way, since in the last twenty years museums in
Russia have demonstrated the huge role they play in society and their
ability to do their job in the most difficult of circumstances. In certain
circles, however, there is a notion that our museums lag behind certain
“mythical” examples from the outside world and that we must bring in people
who know what to do so that they can teach us. In fact, what we need to
do is develop the remarkable and original contribution that our museums,
big and small, have made to world museum practice in recent years.
I’m referring to the unique audit that we recently conducted, which gave
us a complete picture of the makeup of Russia’s museum holdings. No one
else has anything like it. Only on this foundation it is possible to apply
the latest information technology to manage these riches. The audit indicated
that museums managed to preserve our national treasures in the most difficult
years that were full of attempts to seduce them. Compared with all the
other segments of the public domain, this fact is unique. We have special
museum legislation, which is being improved, admittedly with difficulty.
Our museums have worked out a clear, working system of public/private
partnership, which many other countries are learning from. Our charitable
foundations are creating museums that are equal to anything they have
in the west.
Our museums have realized unprecedented cultural expansion in the world.
They create a positive image of Russia and promote our perspective on
world culture and history. In this area, the museums of the world follow
our lead. It was here that the innovative concept of open storage areas,
which solves the problem of making collections accessible, was developed.
It was our museums that have managed to apply the latest technological
innovation for scientific, educational and entertainment purposes. Museum
websites are an important alternative to the vulgarity that dominates
the internet. We have model technical museums, like the Museum of Communications,
which was somehow forgotten by the ministry that was meant to be running
it. We are attentively managing the reconstruction of the Polytechnic
Museum and its potential transfer to a warehouse.
Only we have had the Union of Museums of Russia for ten years now, which,
on the basis of the audit, presented the government with a program for
preserving Russia’s museum holdings, a development strategy for museum
work and a national report on the condition of our country’s museums.
This last report was discussed in the Federation Council. Our request
and proposal to the government on the basis of these documents, which
were both in the museum community, is to approve the concept for the development
of museums in Russia.
It can serve as a good basis for changes to legislation that will make
it less hostile to culture.
There is a distinct lack of proper public understanding of the role of
museums (and of culture in general). A museum is not a leisure institution
and not a tourist attract. It does not provide a service; rather, it fulfills
a very important government function, that of preserving cultural heritage,
historical memory, and the very right to memory. Museums cultivate a sense
of historical worthiness in people and ensure the level of culture and
taste necessary to make correct, modern decisions, and the ability to
follow through on them. The tourist and entertainment functions must be
subordinated to the educational mission.
We are very concerned about the financial aspects of our work. Embarrassingly
low funding will become a social and class problem. On the other hand,
rather than a social program to ensure accessibility, we have populist
orders on prices without a system to compensate museums for the discounts
they offer.
Museums, as is well known (though not to everyone) have four main tasks.
There are urgent questions and potential cultural catastrophes associated
with each of them.
The first task is PRESERVING CULTURAL HERITAGE. In essence, this means
protecting museum holdings. Museums must be inviolable. Government insurance
guarantees and return guarantees are absolutely necessary for museums.
This is critically necessary both in the country and outside it. The system
of storage areas has already been mentioned. It is not only objects and
buildings that must be protected, but historical places and landscapes
as well. The best approach would be to work out a solution based on the
practices of museum/conservation areas.
The second task is STUDYING MUSEUM HOLDINGS. A museum is not a warehouse
for storing things (or even treasures), it is a cultural product, created
by scientific work. We have to legally recognize museums’ right to conduct
scientific work. It is also critically necessary for us to remove archeological
and tour operations from the notorious law 94.
The third task is EXPANDING OUR COLLECTION. It is currently being fulfilled
poorly. There isn’t enough money. We may wind up with a history of the
20th century without genuine artifacts. We have missed a great deal. The
Hermitage missed the silver garniture from the chambers of Nikolai II,
and we are now missing a portrait by van Dyck that was once sold by the
Hermitage. We are proposing the creation of a special-purpose capital
center for the acquisition of museum pieces. We cannot forget that the
basis and foundation of a museum is a GENUINE OBJECT, an antidote the
virtual that society is drowning in. Expanding our holdings may lead to
the birth of new museums. A remarkable treasure was recently discovered
in Petersburg. In our view, it should become the basis for turning the
palace of the Naryshkiny- Trubetskiye into a museum. While the restoration
is underway, the items may be stored temporarily at the Hermitage, where
restoration and research will be performed and a book will be prepared
(as was done with the buried treasure of factory owner Likhacheva).
The fourth task, which is impossible without the first three, is MAKING
MUSEUM PIECES AVAILABLE FOR EDUCATIONAL PURPOSES. This is a tremendously
important governmental function, and not a service. In our opinion, the
EDUCATIONAL (and scientific) function of museums must be officially recognized.
Museums, like culture as a whole, do not satisfy demand; rather, they
cultivate that high demands that politics and economics ought to be based
on in the 21st century. In order to perform that function throughout the
united space of Russia, it is vital to create the necessary exhibition
halls and transportation system. Then it will be possible to talk seriously
about exhibits from major museums throughout Russia. We have experience
forcing the authorities to construct museums. For example, the museum
in Tomsk was reconstructed in order to accept an exhibit from the Hermitage.
This was the result of an agreement between the museum and Rosatom. The
year of Russian history, the celebration of the 1150th year of our status
as a sovereign state, the memory of the War of 1812 - none of these things
have meaning until it is given to them by museums. So museums do have
program.
Museums play a key role in cultivating a feeling and historical worthiness,
a solid sense of one’s own history. In this context, military museums
are extremely important, as are the military programs of regular museums.
The Union of Museums of Russia is currently in dialogue with the Ministry
of Defense about the need to preserve the Museum of Artillery and the
Naval Museum in Saint Petersburg as independent entities. The fate of
regimental museums is a cause for concern. Joint work with the Ministry
of Defense is necessary. It has already begun. The Museum of the Russian
Guard remains on the agenda.
Throughout the world, museums are an important element of quality of
life, and throughout the world museums are indicators of the quality of
society. Our museums are the most democratic cultural institutions. This
year, Russian museums were visited by about 80 million people. We demonstrated
that we are performing our state function. We are waiting for society
(not only the government, but society as a whole) to fulfill its obligations
to ensure that that function can be performed.
M.B. Piotrovsky
President of the Union of Museums of Russia
General Director of the State Hermitage Museum
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