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The Color of Heaven is Blue... Cobalt on the Porcelain of the Imperial (Lomonosov) Porcelain Factory 18th - 19th Centuries. From the Christmas Gift series
25 December 2007 - 30 March 2008

As part of the traditional Christmas Presents series, an exhibition has been opened which relates the history of glazed paintings using cobalt at a famous St. Petersburg enterprise. The exposition, held in Hall 152 (Eastern Gallery of the Winter Palace) introduces viewers to the works of masters of imperial and Soviet porcelain, and also with the creativity of contemporary artists at the factory.

Underglazed painting using cobalt is one of the most ancient and most complicated techniques for decorating ceramic, demanding a high level of mastery. This technique developed over a thousand years in the East, experienced a bloom with European porcelain.

Shortly after the foundation in 1744 of the first porcelain factory, the Nevsky Porcelain Manufactory (from1765 – The Imperial Porcelain) experiments were undertaken here trying to achieve blue underglazes. Early productions by the founding father of Russian porcelain, D.I. Vinogradov, bearing the author’s trademark, carried out in cobalt, have been preserved. From the mid 18th century cobalt began to be widely used in the factory’s decorative productions. It is used as a background for gold ornamentations and landscape miniatures, and inscribing with various techniques for inscribing.

Cobalt plays an important role in the painting palette for underglaze, polychrome paintings at the end of the 19th century – beginning of the 20th century.

In the post revolutionary years, to create new themes artists often used the dinner services produced by the former Imperial Factory, executed cobalt decorations and ‘spots’, designed for the final painting layer before glazing. In the 1920s – 1930s the laboratory attached to the factory carried out work to produce paints from Russian resources, including paints for underglazes, which before the war had been used for decorating sculptures.

For the 200th anniversary of the Lomonosov Leningrad Factory in 1944, the artist Anna Yatskevich created a dinner service, The Cobalt Net which has become a signature piece for the enterprise. Following the war production was fully restarted; at that time also a workshop for underglaze painting was established. At the same time as the traditional methods were being used, new, decorative approaches were adopted.

In the mid 1960s equipment was introduced into the factory for silk screen printing with cobalt.

The exhibition Heavenly Colours Blue includes approximately two hundred works which demonstrate cobalt techniques in decorative porcelain, and also the mastership and variety of many creative artists.

Among the works created before 1917 is the Vase and Lid with an Allegorical Painting in Medallions (late 1780s - 1796), made in honour of Empress Catherine the Great. The vase Frost (1910) which is mentioned in the production lists of the Imperial Porcelain Factory to be brought to the Christmas celebrations of 1911 for Emperor Nicholas II and Empress Alexandra Feodorovna.

The variety in the works displayed by the masters of the Soviet period bear the visiting card of the oldest porcelain factory in Russia, the dinner service Cobalt Net (1950); the Snow Maiden dinner service (1922), made to the storyline of the opera by Rimsky-Korsakov; the porcelain vase, specially made for the porcelain factory museum North Sea Route (1937), embodying the heroism of Cheluskin’s crew which had been trapped on Arctic ice and were heroically rescued.

Among the work of contemporary artists at the factory one can draw attention to the plates from the Polar Sky series (2007), dedicated to military aviators from the anti-aircraft defense regiments (PVO) of the Leningrad Military District, which were named after the months of winter: December, January and February. In the paintings of the composition Stanza (2007) a Russian translation of a poem by Kanagaki Robun, is used to decorate the porcelain which was painted for a memorial portrait of the artist Utagawa Kuniyoshi.

A coloured catalogue has been produced for the exhibition (State Hermitage Publishing House, 2007). The exhibition curator is N.L. Pavlukhina, a scientific researcher at the Department for the Museum of the Imperial Porcelain Factory attached to the State Hermitage Museum.

 


Tête-à-tête service bearing the monogram "SAT" under the count’s coronet
1796-1801
Larger view


Medallion from the series dedicated to the Patriotic War of 1812
1890-1891
Larger view


Vase Winter Forest
1913
Larger view


Cup from service Snow Maiden
1922
Larger view


Cup and saucer Grotesque
1948
Larger view

 


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