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Spazialismo. Riccardo Licata and Venetian Painting at the end of the 20th Century
5 February 2010 - 18 April 2010

The State Hermitage presents the exhibition of one of the trends of Italian art of the second half of the 20th century - spazialismo.

Italian trend spazialismo (from Italian Spazio - space) is a tendency in art that considers painting and sculpture as one type of art that unites colour, sound, space, movement and time. Its origin is, first of all, connected to the name of Lucia Fontana (1899 - 1968), native of Argentina who moved to Paris in 1947.

Fontana appealed to art that should embrace contemporary science and technology; in his works he used such materials as neon light, radio and television. So in 1949 Fontana showed his Ambiente Spaziale (Spatial Environment) performed in phosphorescent paint and illuminated by neon light. That work was the first example of what later on became known as art of installation. Later Fontana made works on canvas, to which he gave a common name Concetto Spaziale (Spatial Conception), at the same time proceeding to make installations with the use of light. The basis for Spatial Conception was dissection of canvas with a razor in order to create actual spatial three-dimensional perspective. In 1950 Fontana created a number of similar works by developing idea of sculpture and interpreting it in his Spatial Conception.

Approximately 80 works by painters-spatialists are presented at the exhibition in the Twelve-Column Room of the State Hermitage. Among them, besides Lucia Fontana, there are Edmondo Bacci, Mario Deluigi, Ennio Finzi, Luciano Gaspari, Bruna Gasparini, Virgilio Guidi, Gino Morandis, Saverio Rampin, Tancredi, Vinicio Vianello. The most part of the exhibition is comprised of works by Riccardo Licata.

Open bright colour traditional for the richest culture of the sunny Mediterranean, graphic expressiveness neighbouring with symbolic abstract shapes reminiscent of ancient letters are incarnated in the works of Italian painter Riccardo Licata, which have been exhibited at the Hermitage for the first time.

Motifs of antique and Byzantine art are combined with ornamental pattern of Northern European countries. Appealing to the heritage of the past the painter is working by developing aesthetics and stylistics of abstract expressionism that won over Western artistic stage of Italy during the post-war years.

Riccardo Licata was born in Turin on December 20, 1929. Soon his family moved to Rome, where they lived until the end of the Second World War, after which they settled down in Venice. In 1947 Licata entered the Lyceum of Arts and started to study Bauhaus culture and took great interest in mosaic. In 1950 he entered the Academy of Fine Arts in Venice.

Licata started exhibiting in 1949 when the open exhibition of a group of young painters-abstractionists took place in Venice. The first personal exhibition of Riccardo Licata took place in Venice in 1951. Since 1952 he has been repeatedly taking part in biannual exhibitions in Venice, Sao-Paulo, Tokyo, Paris, Ljubljana and other grand international shows of contemporary art. Since then the artist has had 300 personal exhibitions in 35 countries.

In 1957 after being awarded the grant from the French government Licata moved to Paris, where he was engaged in painting, as well as engraving, mosaic, sculpture and set design.

Licata joined the ranks of 25 artists selected by the international commission of experts for realization of a large-scale Madonna in Contemporary Art project. That exhibition took place in the Roman Pantheon and in the building of the European Parliament in Brussels in 2003 and was timed to the 25th anniversary of pontificate of John Paul II.

Works by Riccardo Licata are kept in museums of contemporary art in Florence, Milan, Venice, Paris, New York, Chicago, and Vienna as well as in private collections. At present the artist is living and working in Paris and in Venice.

The exhibition curator is Alexey Mitin, the research associate of the Department of Western European Art of the State Hermitage.

   


Tragedy in the delta
1951

Larger view


Compozizione N.17
1953

Larger view


Situation
1965

Larger view


Unititled
1986

Larger view


Unititled
2007

Larger view


Unititled
2009

Larger view


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