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Aztecs. Unknown origin Gold State Hermitage Museum, St. Petersburg The bell pendant is made in the form of a halfman-halfeagle.
The hollow body of the pendant has the form of a pear with a copper bead
within. At even a slight movement, the bead strikes against the walls
and rings. That is why such pendants are called bells. The two halves
of the eagle beak make sort of a helmet in which one can see a stern-looking
face with well-shaped, though tiny, features. The ears have big round
inserts; the helmet is surmounted by a feather decoration. Master put
an oval pectoral on the warrior's breast. In real life such decorations
were worn on a rope whose knotted ends are depicted on the figure's back.
One of the warrior's feather-covered hands holds a scepter, the other,
three javelins and a small round shield. The scepter and shield are also
decorated with feathers. Eagle talons can be seen in the figure bottom.
The composition is enclosed within a rectangular frame made of wave-like
lines. Two big loops at the head back show that the bell was worn on a
chain or rope. Many details of this pendant give the impression of golden
wires soldered to the surface, however, the whole bell is made in the
lost wax technique, common for Mexico. Sometimes because of the deceptive
resemblance of such details to separate wires they are called false filigree.
The idea of such decorations most probably came to Aztecs from Mixtecs
who had renowned goldsmiths. Mixtec pendants resembling the Hermitage
bell are known. After the Aztec takeover, Mixtec craftsmen went on working,
creating masterpieces for their new overlords. |
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