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1779: Purchase of the Walpole collection
One of the most important acquisitions made for the Hermitage
picture gallery was a collection of 198 paintings which once
belonged to Sir Robert Walpole, Prime Minister of England
during the reigns of Kings George I and George II. He was
also a notable collector of the first half of the 18th century,
keeping his many paintings scattered amongst his London and country
residences. After he fell from power, most of the collection
was moved to his estate, Houghton Hall, in Norfolk.
But the collector's grandson, George Walpole, third Earl
of Orford, decided to sell the paintings to Russian Empress Catherine
II. The deal was concluded through the Russian envoy
in Great Britain, Alexei Musin-Pushkin, despite a great outcry from Parliament
and British society as a whole.
The Hermitage gained such remarkable works as Bacchus
and Vulcan's Forge by Luca Giordano, The
Prodigal Son and Democritus and Protagoras
by Salvator Rosa and Guido Reni's The Fathers of the Church
Disputing the Christian Doctrine of the Immaculate Conception.
The collection of Flemish painting was considerably
enriched and that section of the picture gallery now remains
essentially the same as it was then: Rubens's The Stone
Carters, The Feast in the House of Simon the
Pharisee and several sketches in oil of triumphal
arches came from the Walpole collection, along with many
of the works by Anthony van Dyck (such
as The Virgin with Partridges and
portraits from his London period); there were
four enormous canvases from the Shops series and Birds'
Concert, all by Frans Snyders. The other artistic schools
were not neglected, with Moses Striking the Rock and
The Holy Family by Nicolas Poussin,
The Immaculate Conception and The Adoration of
the Shepherds by Bartolome Esteban Murillo and The
Sacrifice of Isaac by Rembrandt Harmensz
van Rijn.
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Portrait of Elizabeth and Philadelphia
Wharton
Dyck, Anthony van
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Walpole Immaculate Conception
Murillo, Bartolome Esteban
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Sacrifice of Isaac
Rembrandt Harmensz. van Rijn
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