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This state study has preserved its unique décor created in walnut
brought from Persia between 1716 and 1719. The general idea for
this interior is believed to have come from Jean-Baptiste LeBlond.
The wall covering takes the form of elements of architectural décor
- panels assembled from pieces of wood are framed in the pilasters
that support the entablature and complemented by gilded ornament.
The ceiling canvas (Philippe Pillement(?), 1717-18) was restored
in 1991. It conceals two layers of earlier painting directly on
the ceiling, a fragment of which has been left visible. Above a
Flemish cabinet decorated with ebony, tortoiseshell and gilded bronze
fittings (second half of the 17th century) we can see a portrait
of Peter the Great (1697) by Jan Weenix . The visitor's attention
is inevitably caught by the mirror in an amber frame, a gift from
Fredrich I of Prussia to Peter the Great, and the walnut long-case
clock (the Fromanteel and Clark company, England, 1690s-1710s) that
is said to have belonged to Peter's cabinet secretary Alexei Makarov.
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