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In the Baroque era furniture acquired more luxurious forms. The
straight backs of chairs became tall, while legs were strengthened
by stretchers. Armchairs were often upholstered with painted leather.
There was a vogue for cabinets raised on table-like bases, a particular
form of furniture with a host of little drawers and niches. Each
country had its favourite way of decorating such cabinets. In Flanders
they were quite often faced with sheets of tortoiseshell and embellished
with bronze mounts. Armchairs steadily acquired ever more Baroque
forms; their arms were carved in the form of volutes; their legs
were given s-shaped curves. The gradual translation to Rococo furniture
brought lighter-weight constructions. This is seen particularly
clearly in the designs of seating. Armchairs became lower and their
seats grew larger as the arms became splayed in order to accommodate
the dress fashions of the time. Furniture was often gilded or painted
and upholstered with tapestry, embroidery or silk. Chest of drawers,
a convenient type of furniture, came into fashion. Marquetry using
veneers of different kinds was often used as decoration. There was
an increasing variety of different types of furniture, with a hot
of small tables, desks and secretaries appearing. This period also
saw the development of furniture decorated in an oriental manner.
The vogue for such chinoiserie accorded perfectly with the character
of the period.
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