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Disappearance of 226 exhibits uncovered during routine inspection at the State Hermitage List of Works of Art 1. Crystal vase in the shape of a shell, on a crystal
base, with carved ornamentation in a varicolored enamel coated silver
frame. The lower part of the stem is in the shape of a dolphin, and the
handle is shaped like two snakes. 2. Vase made from variegated brown agate, oval on a silver support that
is covered in light blue enamel with gilded vegetal pattern; silver stem
in the shape of the gilded trunk of a tree, around which a grapevine is
wound, its leaves covered in green enamel and carrying red glass fruit,
supported by two silver tritons. 3. Clock in the shape of a gilded armchair with the face fixed onto the
back of the chair; the clock face and the seat are enameled and bear pictures:
the clock face shows a courtier beside a spinning-wheel; the seat shows
a girl and young man under a tree with baskets of flowers. 4. Oval-shaped desk clock, enameled, fixed to the gilded silver figure
of an ostrich standing on an enamel pedestal shaped like a hemisphere
with painting of mythological scenes 5. Two-sided Oranta (Panagia) with colored enamel, colored glass lined
with foil, 30 low grade emeralds and pieces of red glass. On one side,
the depiction of Christ; on the other side, the Virgin. In the upper part,
there is an intricate crown on a hinge. 6. Enamel salt cellar made of gilded silver, round in cross section,
narrows towards the top, on a stem and round base, heavily decorated in
cloisonne enamel of predominantly light blue color. Two silver marks:
Grachev Brothers and in an oval - 84 hallmark silver and the emblem of
St Petersburg 7. Gilded salt cellar in the shape of a figure box, fully covered with
light blue, red and white cloisonne enamel; on the cover - a gilded two-headed
eagle; the joint-pin of the cover is copper; on the cover there are two
hallmarks - NA and 88 8. Altar cross in niello with depiction of the crucifixion, the Virgin,
John and God the Father; below, a column with instruments of the Passion.
On the reverse side, in the middle, the deposition of Christ in the tomb;
to the left, the descent from the cross, and to the right, the bearing
of Christ; above, the resurrection; below the center, the flagellation
of Christ, the Apostle Peter and prayers over the chalice. At the lower
end there are 4 hallmarks: Ì1806; ÀΘÂ; 84 and ÀÀ 9. Four-sided tankard, partly gilded and with ornamentation in relief.
Handle in the shape of bound ears of wheat; along the body there are painted
inserts depicting the vodka distillery of the Yerofeev Brothers. In the
upper part there is a gilded insert with enamel, inscriptions and escutcheons
of arms. At the bottom there are 4 hallmarks: Ë.Î.1896; 84; ÌÒ and the
emblem of the city of Moscow. 10. Cross - reliquary, gilded, chased and with mounted crucifixion. On
the reverse, chased leaf ornament with five circular medallions. Two hallmarks:
emblem of the city of St Petersburg with the date "1760" and
"ÍΘ" 11. Cross - reliquary, gilded, with six enamel painted plaques bearing
depictions of the crucifixion, God the Father, two saints, a skull and
prayer over the chalice. 4 hallmarks: 1Â 1814; ÎÍ; 84 and the emblem of
the city of Moscow 12. Chalice, gilded, with beaded filigree tracery on the body and four
oval enamel images; the boot and base are chased, with four rectangular
enamel pictures. At the edge of the base are 4 hallmarks: ÍÄ1830; Àß;
84 and the emblem of the city of Moscow 13. Chalice, gilded, with filigree tracery on the body and cross-shaped
apertures holding four oval enamel pictures. The base has chased rocaille
ornamentation and four oval enameled inserts depicting the Passion. At
the edge of the base there are 4 hallmarks: ÐÌ; 1779 ÂÀ; and two hallmarks
with the emblem of the city of Moscow. 14. Chalice, gilded, with beaded filigree tracery on the body and four
oval enamel images in radiating light made of glass elements. Stem in
the form of a baluster and pedestal with four rectangular images framed
in glass elements. Base is chased, with the heads of cherubs. Along the
edge of the chalice and on the stem are the hallmarks: ÀË; ÍÄ; ....; 84
and the emblem of the city of Moscow 15. Chalice, gilded, with beaded filigree tracery on the body, four oval
enamel images framed in glass elements, a stem in the shape of a chased
baluster. On the pedestal there are enamel images in the same kind of
frames in the shape of a trapeze; on the base, there is chased ornamentation
and a gift inscription of 1845. At the edge of the chalice and on the
stem are the hallmarks ÀÊ; ÊË; 84 and the emblem of the city of Moscow
with the date "43" 16. Chalice, gilded, body covered in tracery with four images in oval
frames made of garnets. On the base are four images in rectangular frames
made of granites. Fastened together with a copper screw and nut. At the
edge of the chalice are 4 hallmarks: ÄÒ 1841; 84; ÌÁ; and the emblem of
the city of St Petersburg 17. Open watch, gilded, with smooth top. On the edge, carved ornamentation.
Has a golden key with raspberry colored glass. The inner cover is made
of copper. Made by the company Dore. 18. Gold clock, in the form of a lady bird with red and black enamel,
with two chrysolites and three roses. The clock face is under the wings.
Under the lower cover is a medallion with a photograph under glass. 19. Image of Christ the Almighty on wood, rectangular in a gilded silver
frame with filigree; with four square plates and 8 aquamarines. The image
is surrounded by a string of small pearls. Below there are three pendants:
an eight-pointed cross and two chains with green stones from the Urals.
Above there are two chains joined by a medal depicting a dove in white
enamel with a ring. 20. Image of St Hermogenus on wood. Rectangular in a gilded silver frame
with enameled square plaques and eight aquamarines. The image is surrounded
by a string of small pearls. Below there are three pendants: an eight-pointed
cross and two chains with rose and green stones from the Urals. Above
there are two chains joined by a medal depicting a dove in white enamel
with a ring. 21. Image of John the Baptist on tin. Rounded from above, with silver
frame and blue and red enamel topped off by a cross. From the back panel
an insert of stretched red velvet. Three hallmarks: Õëåáíèêîâú; in the
oval - 88 assay silver and the emblem of the city of St Petersburg, plus
a two-headed eagle. 22. Frame of white maple in the form of a trapeze with two enamel panels
with roses and pale blue ribbons. Under glass, in gilded silver mounting.
A photograph of a girl under glass. 23. Powder box with round lid, silver, gilded, with white enamel. On
the lid there is a small gilded ornament with stars. 24. Powder box with lid, round, silver, gilded with pale blue enamel
and patterned fascia. 25. Icon on wood of Our Lady of Tikhvin, in silver carved setting (oklad)
with gilding. With aureole; on the aureole, copper nails and tin solder.
The icon is set with raspberry colored velvet. Four hallmarks: ÏÅÃ; ÈÅ
1878; 84 and emblem of the city of St Petersburg 26. Icon on wood of St. Nina in silver frame decorated with volutes on
a pale blue enamel with blue crosses on a white background. In the corners
there are 4 quartz stones in clusters. Silver aureole, gilded, with 3
quartz elements. On the reverse, on red satin, there is a gilded silver
panel with engraved inscription and dates: "1860-1910". There
are two hallmarks: ÊÊ and, in an oval, a depiction of a framed female
head in profile and the mark for 84 assay silver. 27. Icon on wood of Our Lady of Tender Emotion (Umilenie). Riza with
sewn on pearl tracery and semiprecious stones from the Urals. Gilded silver
setting (oklad) with chased rocaille ornamentation. Aureole and five colored
glass elements. The back panel covered in red velvet. 28. Icon on wood of the Virgin Mary in a gilded silver frame with chased
rosettes, palmettes and gemstones along the corners. In the aureole there
are four amethysts. On the reverse, a rose colored brocade and silver
plaque with gift inscription to P.S. Sheremetiev. On the setting there
are two hallmarks: ÊÊ and in an oval, the depiction of a woman's head
in profile, and the sign of 84 assay silver. 29. Icon on wood of St Nicholas the Miracle Worker. Green chased setting
(oklad), with three amethysts on the miter and a string of glass elements
in the aureole. The riza is sewn with natural and artificial pearls and
with colored glass set in silver. 30. Icon on wood of the Virgin Mary in gilded chased silver setting (oklad)
with floral ornamentation. On the aureole there are the heads of cherubs.
On the reverse, there is rose colored velvet 31. Icon on wood of Christ in gilded silver setting (oklad) with enamel
in pale blue, dark blue and white, and with an aureole. The riza is sewn
with pearl and small sequins with a silver Gospel. On the reverse side
there is red velvet. Four hallmarks: Ï.ÎÂ×ÈÍÍÈÊÎÂÚ; ÀÊ1889; 84 and the
emblem of the city of Moscow. 32. Icon on wood of the Savior Nerukotvorny ("Not Made by Human
Hands") in a gilded silver setting (oklad) with red, pale blue and
white enamel on the edges and on the aureole. Framed. On the reverse side,
raspberry colored velvet, on which there is a gilded silver plaque with
gift inscription to P. P. Shuvalov dated 4 June 1875. Four hallmarks:
Ï. ÎÂ×ÈÍÍÈÊÎÂÚ; 84; ÀÑ1873 and the emblem of the city of Moscow. 33. Icon on wood of Christ the Almighty, in a gilded chased silver setting
(oklad) with aureole. In the aureole there is a rectangular plaque with
glass elements and aquamarine. On the reverse side there is red velvet.
On the setting there are 4 hallmarks: Ì:Ñ; Àß; 84 and the emblem of the
city of Moscow with the date "1816" 34. Icon on wood of Our Lady of Vladimir, in a gilded chased silver setting
(oklad), with inscription in niello below and an aureole. On the aureole
there is a crown with rosette of glass elements. On the reverse, there
is red velvet. Three hallmarks: Àß; 84 and the emblem of St Petersburg
with the date "1827" 35. Icon on wood of the Virgin Mary, Joy of all those who Grieve. In
silver chased setting (oklad) with edge in the form of a braid and gilded
aureole. 4 hallmarks: ÀÏ; 84; ÏÄ1866 and a rectangular seal with depiction
of a shield and the date "1865" 36. Icon on wood of Christ the Almighty in a gilded silver setting (oklad)
with aureole and with inscriptions on white enamel. On the reverse side
there is rose moire. Four hallmarks: ÍÄ 1824; MIT; 84 and the emblem of
the city of Moscow 37. Icon on wood of Christ, in a smooth silver setting (oklad) with gilding
and with chased clothing. The aureole has colored enamel. On the reverse
side there is red velvet. It is stored in a pale oak case on white satin.
Along the edge of the setting there is the inscription - 1915. On the
setting there are two hallmarks: 7À and in an oval there is a depiction
of a woman's head in profile to the right and the 84 silver assay mark.
38. Icon on wood of Our Lady of Kazan with aureole, colored enamel and
filigree riza. On the reverse side there is red velvet and a panel with
engraved inscription about the donation of the icon by E.V. Shuvalova
on 12 June 1899. 39. Glass box, glass, rectangular in silver frame on the upper part.
With netting in the shape of a star with silver lid and stopper inside.
Along the edge of the frame and lid there are engraved fasciae (from a
toilet-bag - "necessaires" - ¹ 8610). 40. Sugar bowl, oval, gilded, in the shape of a wicker basket with two
handles. On four tracery legs made of wire. On the sugar bowl a napkin
seems to lie, with fringe and design imitating a material design made
and made from whitened silver. Fastened to the basket is a rectangular
panel with the engraved initials "Ô:ÑÁ" and the date "1865
XXV 1890 1 January." On the handles there are traces of two hallmarks:
"Ë" and the emblem of the city of Moscow. 41. Cross, gilded silver, four-pointed, on a round support, framed with
tracery volutes. Topped by a crown with rosette. Inside the cross, under
mica, there is a wooden carved crucifixion. The cross, crown and volutes
are decorated with beaded filigree, multicolored enamel and pearls, as
well as rose-colored glass elements in clusters. There is a double support,
with the upper one in openwork from filigree and beading. The support
and the crest are joined by a screw on which there is mounted a rosette
of leaves with engraved design. 42. Goblet in the form of a tree whose crown contains a cup. The base
has the shape of a hill with an outline decorated with grass and flowers.
The cup is gilded inside; along its rim there is a ribbon with engraved
inscription in German and with 3 shields affixed containing engraved coats
of arms. Four hallmarks: 84, ... 1855, the mark on the bottom is illegible 43. Teapot with hinged lid, silver with gilding inside. Shaped like a
flattened sphere with curving spout and handle, with two ivory plates.
Stands on four bent legs. The body is decorated with chased medallions
executed in vegetal pattern with volutes. Between the medallions there
are bas relief four-petal rosettes. 44. Coffee pot with hinged lid, silver, gilded inside. Shaped like a
flattened sphere with high neck and curved spout and handle with two ivory
elements. Stands on four bent legs. The body is decorated with chased
medallions executed in a vegetal pattern with volutes. Between the medallions
there are bas relief four-petal rosettes 45. Milk pitcher, silver, gilded inside; shaped like a flattened sphere
with shaped neck and handle and with a wide spout. Stands on four bent
legs. The body is decorated with chased medallions filled with a vegetal
design and volutes. Between the medallions there are bas relief four-petal
rosettes 46. Sugar bowl with lid, silver, gilded inside; shaped body. Stands on
four bent legs, with two shaped handles. Decorated with chased and carved
ornamentation consisting of flowers in cartouches, palmettos of vegetal
scrolls and leaves 47. Sugar bowl, silver, oval with shaped rim. Stands on four legs. Has
a reversible intricate handle, decorated with chased ornamentation consisting
of intertwined volutes and leaves 48. Chalice with enamel, silver, on a stem, round in cross-section. Inside
and partially outside gilded with stylized vegetal ornamentation made
from multicolored enamel: pale blue, green, white and rose. With the engraved
initials ÎÌÌ and date 19 IV 1911. On the bottom there are two hallmarks:
[Ï.ÎÂ×ÈÍÍÈÊÎÂ] and in an oval, the silver assay mark 84 and depiction
of a woman's head 49. Tankard with hinged lid, with niello, gilded inside and partially
outside. On the body there are four medallions. In the middle one there
are the engraved initials "PhB." The side ones have depictions
of St Basil's cathedral and the Ivan the Great Belltower. The fourth medallion
is empty. Around the medallions there is stylized vegetal ornamentation.
Along one part is the inscription "Ïèâî íå äèâî è ìåä ...." (Beer
is no wonder and mead..." On the lid the medallion contains the date
"XL" and there is stylized vegetal ornamentation. On the bottom
there are 3 hallmarks: [À.Ñ./1874], [84] and the emblem of the city of
Moscow 50. Chalice, gilded silver, with four enamel medallions depicting the
Virgin Mary, Jesus Christ, John the Baptist and Jesus Christ, surrounded
by frames made of colorless glass elements. Between the depictions there
are inserted flower garlands and the heads of cherubs. On the upper edge
of the chalice there is an engraved inscription. The lower part is decorated
with floral and leafy ornamentation in relief. The stem is in the shape
of a baluster with floral ornamentation in relief. On the lower part of
the stem there are four enamel inserts with depiction of the Last Supper,
Jesus Christ and two apostles at the table, the prayer over the chalice,
the bearing of the cross and the deposition in the tomb. The base is decorated
with a cluster of grapes and four heads of cherubs, as well as a fascia
of leafy ornamentation. Along the edge of the chalice there are 4 hallmarks:
[ÏÃ]; [ÍÄ/1824]; [84] and the emblem of the city of Moscow 51. Cross - reliquary, gilded silver, four-pointed with multi-blade extensions
at the ends and handles. On the obverse, chased depictions of the Crucifixion
with pearl and carved Urals gems in setting around the aureole, the Last
Supper, the Descent from the Cross, the deposition in the tomb, the procession
to hell. On the handle is the instrument of the Passion. On the reverse
side there are cartouches in relief with engraved inscriptions. On the
handle there is the hallmark "ÂËÑ" 52. Cross - reliquary, gilded silver, four-pointed with three-blade extensions
at the ends and at the handle. On the obverse there are five seals and
a cross with depiction in niello of the Crucifixion and saints, God the
Father, the skull and bones. Along the edge the cross is outlined in low
pearl and green glass elements. The reverse side of the cross is smooth.
On its sides there are engraved inscriptions. On the cross there are three
hallmarks: 1793/ÀÒ, ÀÎÏ, and the emblem of the city of Moscow 53. Cross - reliquary, gilded silver, four-pointed with multi-blade extensions
at the ends and at the handle. On the obverse there are four insert seals
with niello depictions of the Crucifixion, God the Father and the Apostle
Paul. Below on the handle there are chased depictions of the instruments
of the Passion. On the reverse there is chased stylized floral ornamentation
with pearl strings along a karfan-treated metal background. Three hallmarks:
ÀÎ/Ï, À.Ò. and the emblem of the city of Moscow with the date 1797 54. Cross - reliquary, gilded silver, four-pointed with three-blade extensions
on three ends and an extension on the handle. On the obverse there is
a relief depiction of the Crucifixion and saints, God the Father and the
instruments of the Passion. On the reverse side there are five round seals
with engraved inscriptions; a background of curling bas relief vegetal
ornamentation. Inside there is a wooden cross. Two hallmarks: [AR] and
the emblem of the city of Moscow with the date 1743. 55. Cross - reliquary, gilded silver, four-pointed with three-blade extensions
at the ends and on the handle. On the obverse, a cast insert of the Crucifixion
with tracery crown decorated in pearl. On the handle and the ends of the
cross there are depictions of the Last Supper, the Descent from the Cross,
the Deposition in the Tomb, the Resurrection. On the handle there is a
bas relief depiction of the Passion. On the reverse side there are five
round seals with engraved inscriptions; the background is decorated with
winding vegetal ornamentation. On the handle there is an engraved inscription
indicating ownership and date. Three hallmarks: [1731], IΘ and a depiction
of the two-headed eagle with the initials "HS". 56. Cross - reliquary, gilded silver, four-pointed with three-blade extensions
at the ends and at the handle. On the obverse, there is an inserted enamel
four-point (Orthodox) cross on copper with depiction of the Crucifixion.
Along the sides and above there are three enamel images with depiction
of saints and God the Father surrounded by frames made of colorless glass
elements with crowns above. On the handle there is a round enamel surface
depicting a skull and bones and the prayer over the chalice, as well as
rounded frames made of colorless glass. On the reverse side, in the center
is an engraved depiction of the cross. Three hallmarks: [ÌÊ], [84], [1807] 57. Silver cross, four-pointed with three-blade extensions at the ends,
on a rectangular pedestal over a stepped base. The cross and the pedestal
have a floral design and are covered in multicolored enamel. The cross
and pedestal carry depictions of the Crucifixion, skull and bones and
the four Evangelists; carved, made of bone, at three ends of the cross
there are three amethysts each in round clusters, with rays in the middle
of the cross having three aquamarines each. Under the Crucifixion there
is an oval medallion of enamel depicting the Madonna. The pedestal is
decorated with a turquoise, amethysts, almandines, chrysolites, garnets
and two twigs made of malachite; in the bottom, a small copper plate on
wooden foundation with engraved inscription. In the black leather case,
the inside is lined with velvet and silk 58. Cross - reliquary, gilded silver, four-pointed (Orthodox) with three-blade
extensions at three ends and handles, with shaped lower end. On the obverse
there is a cast Crucifixion. On the sides, a bas relief depiction of saints.
At the upper end - God the Father and the Holy Spirit. Below, the procession
into hell and a full-length depiction of St Jacob. At the middle of the
cross, there are openwork vegetal volutes. On the reverse, there are five
rhomboid seals surrounded by an ornamentation consisting of crowns and
flowers with leaves. Along the background there are engraved inscriptions
showing the date and ownership of the cross. Along the edge there is a
free-form fascia made of pearls. Inside there is a wooden cross. 59. Chalice, gilded silver. The cup is smooth and has a bent rim and
openwork housing. The stem is shaped like a baluster. The base is round
and convex. The housing has the shape of a squamosal net with pearl along
the upper edge, with four oval filigree parts depicting the Crucifixion,
the Virgin Mary, Jesus Christ and John the Baptist. The stem has been
chased with a design of narrow shallow indentations. On the base are four
filigree oval sections with depictions of the Prayer over the chalice,
the bearing of the cross, Pilate's judgment and the flagellation. Between
the medallions are the chased heads of cherubs and garlands of leaves
and flowers. At the bottom of the base are three hallmarks: ÀÎÏ, [ßÌ]
and the emblem of the city of Moscow with the date 1780 60. Chalice, gilded silver. The cup is smooth, with turned-up rim and
openwork gilded housing. The stem has the shape of a baluster. The base
is funnel-shaped. The casing has a funnel-shaped edge made of intertwined
stylized stalks, with four bas relief heads of six-winged seraphims alternating
with oval enamel sections depicting the Crucifixion, the Virgin Mary,
Jesus Christ and John the Baptist surrounded by frames made of faceted
colorless glass. On the stem there are chased acanthus leaves. The upper
part of the foundation has narrow, shallow depressions; the lower part
has frames made of colorless glass containing bas relief scenes of the
flagellation (two scenes), the Crucifixion and descent from the cross,
between which are the figures of angels. On the base there are 4 hallmarks:
[ÀÊ/1856], [ÏÀ], [84] and the emblem of the city of Moscow, enamel on
copper 61. Chalice, gilded silver. There is a double cup with turned-up rim.
The stem has the shape of three female figures. The base is funnel-shaped.
The first cup is smooth, with superimposed fascia consisting of palmettos;
decorated with turquoise and colorless glass. The second cup has three
bas relief depictions of Jesus Christ, John the Baptist and the Virgin
Mary surrounded by oval frames made of colorless glass; and between the
medallions there are two bas relief garlands of flowers, and heads of
cherubs below. Between the stem and the cup there is a connecting rosette
and plug. On the base are three bas relief scenes: two with depictions
of the Crucifixion and one of the descent from the cross. Between the
depictions are three rows of lilac-colored glass surrounded by turquoises.
Four hallmarks: [ÍÄ/1824], [ÌÎ], [84] and the emblem of the city of Moscow 62. Chalice, gilded silver. The cup is smooth, with turned-up rim and
openwork gilded housing. The stem has the shape of a baluster. The base
is rounded and convex. The housing has the shape of intertwined rocaille
volutes, with four enamel sections depicting the Crucifixion, the Virgin
Mary, Jesus Christ and John the Baptist. The stem is cast with four convex
parts. On the base are four enamel oval areas depicting the prayer over
the chalice, the bearing of the cross and two scenes of flagellation;
between the medallions there is a chased rocaille ornamentation and under
the medallions there are flowers which alternate with carved cartouches
containing the carved inscriptions: "ñåé ñîñóä çäåëàí ùàíèåì ñûçðàíñêîãî
êóïöà Ôåäîðà Ïåòðîâà ñûíà Ïàíîâà... 1773 ãîäó ìàðòà 10 äíÿ..." ("this
vessel was made for ...the merchant Fedor Petrov, son of Panov...1773 March
10"). The hallmarks are "ÆÐ" and the date "1772."
The other hallmarks are illegible. 63. Cross, gilded, four-pointed (Orthodox) with cast Crucifixion and
crown of roses, on a silver cross with dark blue enamel on the obverse
and ruby on the reverse. The housing of the cross is made of jasper in
oval gilded frames with carinate top and inserts of roses and four rubies.
In the upper part is a crown with roses; in the lower part, a pendant
in the form of shield with a large ruby in the center and roses along
the sides. In the middle of the cross there are rays of roses and four
rubies along the corners. All the frames of roses are silver. Two hallmarks:
"ÍÈ" and in a circle the depiction of a male head in profile
to the right 64. Chalice, gilded silver. Cup with turned-up rim. Faceted stem. The
upper part of the base is faceted; the lower part is funnel-shaped. The
cup is fitted with an openwork housing of flowers, leaves and palmettos.
On the housing are four oval enamel medallions depicting Jesus Christ,
the Virgin Mary, Jesus Christ and John the Baptist. The medallions are
surrounded by frames made of uncolored glass with ribbons above. On the
facets of the stem there are convex edges. On the upper part of the base
there are four rectangular enamel overlays depicting the prayer over the
chalice, the deposition in the tomb, the bearing of the cross, and Christ
in prison. The overlay is surrounded with frames of colorless glass with
ribbons above. The base is decorated with two fascia of chased ornamentation:
alternating heads of cherubs and baskets of flowers, as well as a fascia
consisting of flowers and leaves. On the base there are 4 hallmarks: ÍÄ/1882,
ÌÎ, 84 and the emblem of the city of Moscow. On the cup there the 4 hallmarks:
ÈÀ, ÂÑ/1884, and the emblem of the city of Moscow. 65. Chalice, gilded silver. Cup with turned-up rim. The stem has the
shape of a round sphere with six-pointed stars and with sheaves of grain
emerging from it gathered by a ribbon and pointed down from the cup. The
base is funnel-shaped. The cup is decorated with overlaid symbols of the
Evangelists, with clusters of grapes and enamel medallions surrounded
by frames made of colorless glass and depicting Jesus Christ, the Virgin
Mary, Jesus Christ and John the Baptist. Along the upper edge there is
a fascia of amethysts. On the base are four enamel plates surrounded by
frames made of colorless glass depicting the prayer over the chalice,
Christ amidst the brigands, the Crucifixion, the deposition in the tomb;
and between the plates are bas relief heads of six-winged seraphims. Along
the edge of the base and on the bottom there is an engraved inscription
explaining that the chalice was donated to the Iversky Monastery. On the
base are four hallmarks: ÍÄ/1830, ÌÎ, 84 and the emblem of the city of
Moscow 66. Chalice, gilded silver. The cup has three oval enamel medallions
in frames made of glass and depicting Jesus Christ, the Virgin Mary and
John the Baptist; between the medallions are overlaid garlands of roses
and on the upper edge there is a cluster of grapes made from colorless
glass. The stem has the shape of three female figures. The base is funnel-shaped,
with an upper part in the shape of a flattened sphere decorated with three
eight-sided enamel plates surrounded by frames of colorless glass and
depicting the Last Supper, the prayer over the chalice and the bearing
of the cross, between which are rosettes of colorless glass. On the base
there are three bas relief scenes: the Crucifixion, the descent from the
cross, the deposition in the tomb. Between the depicitons there is a strip
of colorless glass with four inserts made of amethysts. Four hallmarks:
"ÂÌ", "ÍÀ/1829", "84" and the emblem of
the city of Moscow. Enamel on copper 67. Icon on wood of Our Lady of Kazan, in a silver, largely gilded setting
(oklad), with silver openwork aureole. The edge of the setting has the
shape of a frame with chased geometric ornamentation. Along the four corners
are bas relief bouquets of roses and other flowers. The back side of the
icon is fitted with a raspberry colored silk. On the silver oklad there
are 4 hallmarks: "ÀÊ/1879", "ÀÌ", "84" and
the emblem of the city of Moscow 68. Icon on wood of the Archangel Gabriel in solid silver setting (oklad)
with chased full-length depiction of the Archangel Gabriel and in the
upper left corner, Jesus Christ in the clouds; with two gilded silver
aureoles in the form of radiating light. The edges of the setting have
the shape of a frame with bas relief palmettos and rosettes of flowers.
The back side of the panel is covered with brown velvet. On the silver
oklad there are 4 hallmarks: "ÍÔ", "ÌÊ/1834", "84"
and the emblem of the city of Petersburg 69. Icon on wood of Our Lady of Smolensk, in a gilded silver setting
(oklad) with red glass in a cluster. Along the edge of the frame there
is chased ornamentation in the form of palmettos. The back side of the
icon is covered with red velvet. 70. Icon on wood of the Saint Prince Vsevolod in gilded silver chased
setting (oklad) with golden aureole. Depicted full length in an ermine
mantle, with armor on the left. Along the edge of the frame there are
overlays along the corners. Four hallmarks: "ÌÊ/1826", "ÏÁ",
"84" and the emblem of the city of Petersburg. 71. Icon on wood of John the Much-Suffering in solid silver, gilded and
chased setting (oklad) with golden aureole. In the upper part are bas
relief figures of three angels. Along the edge there is ornamentation
consisting of vases and flowers as well as a fascia of mother of pearl;
the background is kanfar-technique metalwork. There are 4 hallmarks: ÀÎÏ,
"1793/ÀÒ", "1.1" and the emblem of the city of Moscow. 72. Icon on wood of Christ the Almighty in gilded silver setting (oklad),
with chased riza and frame. The background of the setting is decorated
with small faceted vegetal ornamentation. The aureole and corners of the
frame are covered with multicolored enamel. The back of the icon is covered
with velvet. On the silver setting there are 4 hallmarks: "Ï.ÎÂ×ÈÍÍÈÊÎÂ"
and the two-headed eagle, "ÀÀ/1893", 84 and the emblem of the
city of Moscow. 73. Icon on wood of Christ the Almighty in a gilded silver setting (oklad),
with golden aureole. Along the sides there are depictions of two saints.
Along the corners there is large rocaille ornamentation. The face is covered
with mica. The back is covered with calico. Four hallmarks: "ÑÏ",
"IC", ËΘ and the emblem of the city of Moscow. 74. Icon on wood of Our Lady of Kazan in gilded silver setting (oklad)
and with golden aureole, decorated with beading and turquoise. The frame
and background are decorated. The aureole consists of palmettos alternating
with six-winged seraphims. Along the edges are two angels. The back of
the icon is covered in silk. 75. Icon on wood of Our Lady of Kazan in gilded silver setting (oklad),
decorated with bas relief rocaille ornamentation and with gilded aureole
in the shape of rays. The back of the icon is covered in raspberry colored
velvet. Four hallmarks: "ÄÒ/1843", "ÊÔ", "84"
and the emblem of the city of Petersburg. 76. Icon on wood of Christ the Almighty in gilded silver setting (oklad)
with gilded aureole in the form of rays. The oklad and aureole are decorated
with overlaid enamel sections with inscriptions. Along the edge of the
setting, frames made of bas relief vegetal ornamentation. The back is
covered in silk. The silver setting has 4 hallmarks: "ÍÀ/1837",
"ÔÂ", "84" and the emblem of the city of Moscow. 77. Silver charm-frame, rectangular with faceted ornamentation, with
handle and ring, with oval photograph of a portrait of Peter the Great.
The handle has two hallmarks: [84], [ÃÐ] 79. Egg-shaped charm made of red glass in gilded silver openwork basket
with glass bottom, with a leaf of clover, on a gilded silver ringlet,
with hallmark of 84 grade silver and woman's head in profile 80. Cross - reliquary, wooden, eight-pointed, in gilded silver frame
in the same shape. On the cross there is a painted depiction of the Crucifixion
with saints. Under mica in a frame on the obverse is an engraved ornament;
on the reverse, a silver cross. There are two hallmarks: "ÊÊ"
and in a circle the depiction of a male head in profile facing right 81. Icon with depiction on mother of pearl of Serafim Sarovsky with an
axe against a forest background, in gilded silver setting (oklad) with
multicolored enamel, with an oval opening surrounded by white enamel band
of pearls. Handle and ringlet, wooden base. Dark rose velvet covers the
reverse. Two hallmarks: ÀÊ and in an oval the 84 assay mark, depiction
of a woman's head in profile and the letters "ÌÏ" 82. Icon on wood, rectangular, with painted depiction of Our Lady of
Georgia, in a gilded silver setting (obramlenie) with engraved ornamentation.
The frames and aureole are decorated with multicolored cloisonne enamel.
The riza is sewn with kafim pearls. On the reverse is an engraved inscription
and the signatures of four of Maria Fedorovna's ladies in waiting with
the date "10 May 1883." 83. Icon with depiction of the Virgin Mary. A bas relief silver engraved
riza with two stars and a similar aureole. Decorated on the edges with
red and green enamel. Background is silver, gilded, engraved, with overlaid
letters on the sides. In a gilded silver shaped setting (obramlenie).
Decorated with multicolored enamel and the inscription: "îòðàäà,
óòåøåíèå ..." ("joy, comfort"). Above, there is a movable
shaped handle. The reverse side is smooth, gilded and has two hallmarks:
in an oval, the depiction of a woman's head in profile facing to the right
and 84 silver assay mark, and part of a hallmark with the letter "À". 84. Icon on wood, triptych with painted depiction of Our Lady of Kazan
and two Archangels, under mica, in a silver frame with bas relief of vegetal
ornamentation and with six gemstones in clusters: two emeralds, a ruby,
two aquamarines and a rose tourmaline. On the frame there are two hallmarks:
"ÊÊ" and "84". 85. Icon on wood, semi-oval, with painting depicting St Panteleimon,
in gilded silver frame with ornamentation of cloisonne enamel in pale
tones. On the reverse, a silver plaque with engraved inscription. On the
frame are two hallmarks: "Ï.ÎÂ×ÈÍÍÈÊÎÂ" and in an oval hallmark
"84", plus a depiction of a head in profile facing left. 86. Icon on wood of Our Lady of Kazan, in a silver frame and with a silver
aureole and openwork crown decorated with cloisonne enamel of white, light
blue, green and dark blue tones. Along the corners there are four ring
pendants in the shape of clusters of grapes from seven pearls with three
gilded leaves. The back of the icon is covered with material. 87. Icon on wood of Our Lady of Iversk in gilded silver setting (oklad)
with overlaid chased clothing and openings for the head, hands and legs,
and with similar overlaid openwork aureole with an overlaid chased aureole
of flowers and leaves of lily of the valley. Overlaid setting (obramlenie)
along the side covered with a gilded grille with opening at the corners
and inscriptions in blue paint. In the middle of the frame there are oval
depressions with inlaid garlands of flowers in them. The reverse side
is covered with lilac colored satin. The oklad has 5 hallmarks: "Ï×",
"ÀÑ/1866", "84" and the emblem of Moscow. 88. Icon of The Almighty Lord in gilded silver setting (oklad), with
silver filigree riza, silver aureole, decorated with cloisonne multicolored
enamel. The frame is decorated with bas relief vegetal ornamentation.
The back side is covered in red velvet. 89. Icon on wood depicting Our Lady of Kazan, completely covered by a
silver setting (oklad), decorated with cloisonne multicolored enamel with
floral ornamentation and with a similar aureole with crown and tsata decoration.
Along the corners are overlaid sections in the shape of tulips. The back
side is covered in raspberry colored velvet. There are 4 hallmarks on
the oklad: "ÂÑ", "ÀÀ/1894", "84" and the
emblem of the city of Moscow. 90. Icon on wood with depiction of the Ozerianskaya Virgin Mary with
Child in a gilded silver setting (oklad), with bas relief oxidized silver
riza with overlaid double aureole and crown of multicolored cloisonne
enamel bearing silver inscriptions and letters in dark blue enamel. The
back side is covered with raspberry colored velvet. On the oklad there
are 2 hallmarks: "ÑÃ" and the 84 silver assay mark in an oval,
as well as a depiction of a woman's head in profile looking to the right. 91. Icon on wood of St Sofia in the form of an angel seated on a bench.
To the left is the Virgin Mary with Christ in radiant light; to the right,
John the Baptist with three gilded silver aureoles having three amethysts
and six aquamarines. Over them is a depiction of Christ and still higher,
angels. In a gilded silver frame with inserted filigree setting holding
four gemstones along the corners: cornelian, chrysoprase, rhodonite-orlets
and blue stone from the Urals. On the reverse side there is blue brocade.
On the oklad there are 2 hallmarks: "ÄÎ" and the depiction of
a head in profile facing right. 92. Icon on wood of St Sophia in the form of an angel seated on a bench.
To the left side is the Virgin Mary with Christ in radiating light; to
the right, John the Baptist. Over them are six angels in the heavenly
vault. In a gilded silver frame with bas relief floral ornamentation.
In the corners are four overlaid squares decorated with multicolored cloisonne
enamel. Below there is an overlaid silver plaque with inscription in enamel.
The back side is covered in raspberry colored velvet. On the frame and
plaque are two hallmarks: 1ÿÀ and depiction of a female head in a circle. 93. Icon on wood of Lord the Almighty in a partially gilded, chased silver
setting (oklad) covering the surface except for openings for the face
and hands. Gilded silver aureole. Decorated with multicolored cloisonne
enamel. On the corners of the long sides of the oklad are shaped gilded
silver overlaid sections with the same multicolored enamel. Below there
is a silver plaque with inscription in dark blue enamel, and a similar
inscription on the Evangel. The back side is covered with raspberry colored
satin. On the oklad there are 2 hallmarks: "ÑÊ" and in a rectangle
the 84 silver assay and the emblem of the city of Moscow. 94. Icon on wood of the Sign of Our Lady, in a gilded silver filigree
setting (oklad) and in a smooth gilded silver frame, with two overlaid
silver aureoles. On the aureole of Our Lady there are two framed aquamarines
and an amethyst. On the oklad there are four overlaid gilded silver plaques
in the shape of triangles, decorated with four gemstones in frames: emerald,
tourmaline, aquamarine and amethyst. The back side of the icon is covered
in red brocade bearing a silver drawing. On the frame are two hallmarks:
"ÊÊ" and in an oval, the depiction of a woman's head. 95. Icon on wood depicting Our Lady Skoroposlushnitsa, with double silver
aureole, decorated with multicolored cloisonne enamel, with four gilded
overlaid plates with inscriptions and letters in blue enamel, in a silver
frame with smooth gilded sides and convex obverse shaped like columns,
decorated with multicolored cloisonne enamel. The back side of the icon
is covered with dark cherry-colored velvet and has an attached gilded
plaque with inscription in dark blue enamel. On the frame there are 4
hallmarks: "Ô.ÎÂ×ÈÍÍÈÊÎÂ, "ÀÀ/1891," "84" and
the emblem of the city of Moscow. 96. Icon on wood with depiction of Our Lady of Kazan in double smooth
gilded aureole with crown, decorated with two amethysts and four aquamarines.
In the gilded silver frame an enamel pattern in the shape of small green
leaves lined up in two rows and separated by a gold band placed aslant.
In the corners and middle of each side of the frame are eight round overlaid
sections with blue enamel alternating with a golden pattern and white
eagles. The back side of the icon is covered in lilac-colored velvet.
On there frame there are two hallmarks: "ÄÎ" and in an oval,
the depiction of a woman's head in profile facing right and the assay
mark 84. 97. Icon on wood of the Assembly of Saints in a silver frame with gilded
bas relief of vegetal ornamentation. Decorated with inlaid gemstones in
clusters: five emeralds, four sapphires, eight almandines and two turquoises.
Along the edge of the frame are two convex fasciae of tinted multicolored
cloisonne enamel. The back side is covered in raspberry colored velvet.
On the frame there are 3 hallmarks: "ÏÎÑÒÍÈÊÎÂÚ", "À /1893"
and the emblem of the city of Moscow. 98. Icon on wood of Our Lady of Vladimir. Waist-length depiction. In
a gilded silver frame with bas relief vegetal ornamentation. The corners
and the middle of the sides of the frame are decorated with overlays of
multicolored cloisonne enamel. The back side of the icon is covered in
lilac-colored velvet. On the frame there are two hallmarks: "À.ÊÓÇÌÈ×ÅÂÚ"
and in an oval the silver assay mark 84, and the depiction of a woman's
head facing to the left. 99. Icon in wood of the Holy Trinity, in gilded and chased silver setting
(oklad), with three silver and multicolored enamel aureoles and three
gilded staffs. In a gilded silver frame with rounded top inside. Decorated
with multicolored cloisonne enamel. Three overlaid round badges in the
corners. The back side of the icon is covered in lilac-colored velvet
with an attached gilded silver plaque with inscription in blue enamel.
On the frame are two hallmarks: "ÃÌ", "Ã.ÌÅØÊÎÂÚ"
and in an oval, the 84 silver assay mark and depiction of a woman's head
in profile. 100. Three-part icon (skladen) in gilded silver, decorated with multicolored
pitted enamel; the leaves are bound by a cross, decorated with red and
dark blue enamel that is attached to the right leaf. Inside there is painting
on copper with depiction of the Savior, St Catherine and Sergius of Radonezh.
Has a handle, which bears two hallmarks: in an oval, the 84 silver assay
mark and the emblem of the city of Petersburg, and the letters "ÎÌ." 101. Three-part icon (skladen) carved from wood of the cypress tree,
in a setting (oklad) of oxidized silver. On the leaves there is ornamentation
imitating basket weaving. Above, there are three silver crosses. The back
side is smooth; there is a grip and hook. On the oklad are 4 hallmarks:
"Ï.ÎÂ×ÈÍÍÈÊÎÂ", "Â. /1...", ". 4", and the
emblem of the city of Moscow. 102. Beaker, gilded silver, six-faceted; on the stem is the kneeling
figure of an angel. The base is shaped. The cup, stem and base and decorated
with inlaid lapis lazuli. On the reverse side of the pedestal is the inscription:
"Froment menrige 1846". 103. Pendant egg made of rose-red veined jasper, in a silver filigree
setting with round rosettes at the ends. In the upper rosette a sapphire
and four mother of pearl inserts have been set; in the lower rosette,
there is a lapis lazuli. The rosettes are joined by two crosses consisting
of a sapphire and four drop-shaped pearls each between the crosses along
a round mother of pearl insert. There is a pendant in the form of a chain
with carnelian. Two chains come from the upper rosette; they are linked
above by a cross piece on which there is attached a brown moon-shaped
stone; above is a double ring. 104. Inkstand in the form of a silver egg covered with dark blue enamel
on a network background. Stands on three legs in the shape of volutes.
Has a silver button with a sapphire and an overlaid element in the shape
of a crown with 16 rosettes. Gilded inside, with a rubber stopper on a
spring. 105. Sugar bowl, chased silver, in the form of a square woven basket.
Gilded inside and with a semicircular twisted handle. On the bottom are
two hallmarks: "ÏÅÄ", 84/ÀÔ and the emblem of Petersburg with
the date 1883 106. Icon of the Miracle of St George and the Dragon. Upper part covered
with a silver and multicolored enamel setting (oklad). In a silver frame
with vegetal ornamentation placed on mica. Along its corners, the frame
is connected by four silver rectangular overlaid elements decorated in
filigree, dark blue enamel. Five inserts in clusters: in the: in the center
is a tourmaline; along the corners are turquoises. The reverse side is
covered in rose-colored silk fabric with a vegetal design woven using
golden thread (18th century fabric). There are two hallmarks on the frame:
"Ôß ÌÈØÓÊÎÂÚ" with a triangle in an oval, and a woman's head
in profile facing right with the 84 silver assay mark. 107. Icon with depiction of Nikola. In the upper part it is covered with
a silver and multicolored enamel setting (oklad). Has three aureoles.
The central aureole is decorated with low pearls, two tourmalines and
an emerald. In a silver frame with cut vegetal ornamentation placed on
mica. Along its corners the frame is joined by four silver rectangular
overlaid elements decorated with filigree, blue enamel and five inserts
in clusters: in the center, tourmaline and in the corners - turquoise.
The back side is covered in pale blue silk damask with a floral pattern
(19th century material) and has a silver plaque with inscription about
the presentation of the icon to G.M. Kuznetsov by the Moscow Old Believers'
Society of the Rogozhsky Cemetery. On the frame there are two hallmarks:
"ßÔ ÌÈØÓÊÎÂÚ è í-êè" and a triangle in an oval, as well as a
woman's head in profile facing right and 84°. 108. Icon on wood with waist-length depiction of Lord the Almighty. Covered
with a gilded silver setting (oklad) with openings for the head and arms.
Has a silver aureole decorated with multicolored enamel. Gospel covered
in dark blue enamel and a similar inscription - Lord the Almighty (Ãîñïîäü
Âñåäåðæèòåëü). Along the edge of the oklad there is a stylized vegetal
ornamentation. The back side is covered in raspberry colored velvet. The
oklad has the hallmark "ÑÒ" and another which is illegible. 109. Icon on wood with depiction of Our Lady of Kazan. In a full setting
(oklad) of silver with gilding having openings for the head and arms.
With a gilded silver aureole having an openwork edge. Chased riza of the
Virgin and Child. Along the edge of the oklad there is stylized vegetal
ornamentation. The back side of the icon is covered in raspberry colored
velvet. On the aureole there are two hallmarks: "ÅÊ" and "8". 110. Silver brooch in the shape of an oval, wavy leaf. Covered with bright
blue enamel, with a branch and flower, with two leaves and volute with
bud. Decorated with diamonds and rosettes. The reverse side of the leaf
is gilded and has part of a golden fastener 1st half of the 19th century. 111. Icon on wood depicting the Resurrection in the middle and Twelve
Festival Days in vignettes. In a gilded and chased silver setting (oklad)
which copies the same subjects as are on the icon and has openings for
the faces, hands and figures. With 18 aureoles of saints decorated with
turquoise. A single aureole for Christ, decorated with turquoise and paste.
The vignettes are framed in pearls. In the upper part there are engraved
inscriptions. The center has a frame of bas relief stylized leaves. Along
the edge of the oklad is a chased frame of acanthus leaves, with rosettes
along the corners. The oklad has 4 hallmarks: "ÌÊ/1821"; "84",
"ÏΘ" and the emblem of the city of Moscow. 112. Silver cigar case, rectangular, with a hinged lid, decorated with
multicolored enamel in a stylized vegetal pattern; gilted background with
metalworking in the kanfar technique. On the lid there is an overlaid
element with silver monogram. The back side has a section for matches
with hinged lid. On the opposite side there is a wick. Hallmarks: "ÔÎ";
"84" and the emblem of the city of Moscow. 113. Icon on wood of Our Lady of Vladimir, in a riza with river pearls,
mother of pearl and colored glass and in a chased silver setting (oklad)
decorated with stylized vegetal ornamentation, with gilded aureole and
a rosette of glass elements. The reverse side of the panel is covered
in raspberry colored velvet. The rosette on the aureole is a later addition. 114. Silver tankard, gilded inside, broadening out at the top, with a
handle ending at the top in a man's head in helmet. In the upper part
of the tankard there are three oval medallions in eight-sided frames having
overlaid depictions of antique subjects. The frames are decorated with
a vegetal design. Along the lower edge of the body there are also overlaid
stamped depictions of three dancing graces and cupid, repeated thrice.
Along the edge of the tankard there is a bas relief fascia consisting
of vegetal design, volutes and vases with swans. At the bottom there are
4 hallmarks: "P.MULLER"; "ÌÊ/1830", "84"
and, in a circle, the emblem of Petersburg. Silversmith Peter Muller,
Petersburg. 115. Ladle (kovsh), large and decorative, in partly gilded silver, with
enamel along filigree, and with two green glass elements and an aventurine
in clusters. The enamel on the body is located in four areas with stylized
vegetal design and birds made in green, rose and turquoise tones; the
sides of the handle are similarly executed. Along the upper edge of the
ladle which is decorated in white string pearls and the upper side of
the handle, there is a floral ornamentation on a dark red background.
At one end of the ladle is a small barrel as decoration. On the bottom
there are traces of hallmarks. 116. Pendant brooch, golden, in the form of a floral twig consisting
of a flower, a bud and three leaves. The lower part of the brooch is framed
in a volute. Pin and eye closure to suspend from clothing. In the flower
there is one large diamond. In the leaves there are 11 brilliants. On
a clasp in 56 or 54(?) assay gold. 117. Icon on wood of Nicholas the Miracle-Worker in a chased silver setting
(oklad), with aureole in the shape of rays and miter in the middle. The
riza on the setting is in high relief, with chased vegetal design, the
Gospel and a cross. In the upper part of the oklad there is a depiction
of saints in the clouds. Along the edge there is a bas relief frame consisting
of acanthus leaves. The hallmarks: "ÀÒ", "ÍÄ/1835",
"84" and the emblem of the city of Moscow. 118. Icon on wood of the Joy to All Who Grieve, in a chased silver setting
(oklad) with aureole. Along the edge of the oklad is a frame with bas
relief vegetal design. On the oklad there are ornamental frames with inscriptions.
The hallmarks: "ÔÒ", "84", "ÍÄ/1827" and
the emblem of the city of Moscow 119. Icon on wood of Nicholas the Miracle Worker in a chased silver setting
(oklad) with aureole, with rays decorated with (colored) paste glass and
ornamentation in colored glass. The riza on the oklad is in high relief,
with a chased vegetal design and enamel Gospel. In the upper part there
is a depiction of Christ and the Virgin in the clouds and enamel overlays
with inscriptions: two rectangular and two oval. Along the edge of the
oklad there is a high frame of chased acanthus leaves. Along the corners
there are overlaid rosettes with paste glass. The hallmarks: "ÌIÒ",
"ÍÄ/1825", "84" and the emblem of the city of Moscow. 120. Icon on wood of Our Lady of Iversk in gilded and chased silver setting
(oklad) with overlaid relief riza. Fine engraved ornamentation. Silver
aureole decorated with multicolored enamel along filigree in the form
of a floral pattern. The background of the oklad is a small net; along
the edge a frame formed of geometric ornamentation. Below there is the
inscription in dark blue enamel: "èâåðñêiå Ï. Áóï". Hallmarks:
"ÀÇ", "ËÎ/1894", "84" and the emblem of
the city of Moscow. 121. Icon on wood of Our Lady of Kazan in a gilded silver setting (oklad)
with ornamental engraved frame. The panel is covered from below by a rose-colored
velvet. In wooden icon case. Hallmarks: "ËÎ/1891", "84"
and the emblem of the city of Moscow 122. Icon on wood of St Alexander Nevsky in Prayer, waist length. In
a silver setting (oklad) with stylized ornamentation on the fields: the
aureole is decorated with multicolored enamel along filigree; below, in
the center, there is an overlaid plaque with the inscription: "Ñâ.
êí. Àëåêñàíäðú Íåâ." Hallmarks on the plaque: À.À./1894, 84, emblem
of Moscow and Khlebnikov under a two-headed eagle. 123. Small ladle in gilded silver with shaped handle. Decorated with
vegetal ornamentation with colored enamel along filigree. On the handle
there is an overlaid gilded monogram "AÎ" under a crown. Inside
the ladle there is an engraved inscription: "19 IX 1927". On
the bottom are two hallmarks: Â.À., a woman's head in profile and the
silver assay mark 84, ÈË 124. Icon on wood the the Madonna with Child, in a silver setting (oklad)
with enamel along filigree. The oklad is in the shape of a frame decorated
with stylized vegetal ornamentation, overlaid corners and two aureoles.
The reverse side of the icon is covered in velvet. On the lower frame
there are the hallmarks: "Ô.ÎÂ×ÈÍÍÈÊÎÂÚ", "ÀÐ/1890",
"84" and the emblem of the city of Moscow. 125. Icon on wood of Savior, the Almighty, in a gilded silver setting
(oklad) with enamel and filigree. The aureole, the sides of the clothing
and the corners are decorated with white, pale blue, green, dark blue
and red enamel. The clothing is made of four types of filigree. In the
left hand of the Savior is an open Gospel. Along the lower edge are the
hallmarks: "ÑÃ", "ÀÀ/1896", "84" and the
emblem of the city of Moscow. All the enameled overlays have the hallmarks
"ÑÃ", "84" and the emblem of the city of Moscow. 126. Silver cigar case with hinged lid. On the lid there is a depiction
on enamel of a woman with an umbrella. Hallmarks: "ÊΨS", "935". 127. Icon of St Nikola with vignettes of his life, in a gilded silver
setting (oklad) with overlays of multicolored enamel and a silver overlaid
aureole. Along the lower border there are the hallmarks: "Ï.ÎÂ×ÈÍÍÈÊÎÂÚ"
and under a two-headed eagle, the factory. 128. Icon of the Apostles Peter and Paul in gilded silver setting (oklad)
with chased and engraved vegetal ornamentation; with 3 overlaid aureoles,
the Gospel and plaques with inscriptions in multicolored enamel. On the
background, an engraved depiction of a cathedral. The reverse side of
the icon is covered in silk. Along the border of the icon there is the
Savior and on overlaid riza there are the hallmarks: "ÀÌÌ" -
the silversmith and the assay inspector I. Lebedkin and the standard "84". 129. Icon of St Nikola in chased silver setting (oklad) with overlaid
gilded silver aureole. Chased and engraved vegetal ornamentation on the
background. Three overlaid aureoles. Along the lower edge, there is the
inscription: "âåñó 1 ôóí. 30/ 1/4 çîëî". Hallmarks on the oklad
and aureole: "ÀÊ/1865" - the assay master A.S. Kudrin, the assay
standard "84" and the city hallmark of Nizhny Novgorod, as well
as "ÏÏ" - a silversmith (?). 130. Icon of St Mary of Egypt, in chased silver setting (oklad) with
six silver overlaid elements with inscriptions and two aureoles. On the
corners of the oklad are chased roses. On the lower edge there are the
hallmarks: "ÀÊ/1876" - the assay master A.S. Kudrin, the silver
standard "84", the city hallmark of Nizhny Novgorod, "ÈÓ"
- the silversmith I.I. Udalov. On the reverse side the icon is covered
with velvet. I.I. Udalov, N. Novgorod 131. Cigarette case with white transparent enamel on a guilloche silver
background with rims of colored gold and sapphire; the button of the fastening
framed in gold. On the rim, the lid and bottom there are hallmarks. 132. Clasp brooch made from a pendant with two suspended elements. In
the center of the brooch and at the end of the pendants there are one
emerald each (3 pcs). Around the emeralds and on the pendants there are
four diamonds and 86 roses. No hallmarks. 133. Golden brooch with sapphire (asterisk) and four diamonds on a strap.
No hallmark. In a leather case. 135. Icon on wood of Our Lady of Smolensk, Odigitria in a gilded silver
setting (oklad) with doubled aureole and pearl riza. Hallmarks: "ÀÁ/1",
"Â.À. Ìîñêâà", 1760s. The silver mark "76" has been
scratched out. 136. Icon of Our Lady of Czestochowa in gilded silver setting (oklad)
with filigree riza, with doubled enamel aureole and four silver enamel
overlays with inscriptions. Hallmarks: "ÑÆ" -atelier owner S.I.
Zharov, Moscow assay administration with "84" silver standard. 137. Icon on wood of Nikolai the Miracle Worker in chased silver frame
(the frame has been selected from another icon). Saints are on the frame.
No hallmarks. Russia. 138. Gilded silver egg, with multicolored enamel on filigree. On the
flatter end, a two-headed eagle. Hallmarks: "84," by the Moscow
Assay Administration. 139. Powder case, silver, round, with a hinged lid. Gilded inside. The
entire surface is covered with stylized vegetal ornamentation in enamel.
Hallmarks: "6ÌÀ", "84", by the Moscow Assay Administration. 140. Icon on wood of Lord the Almighty in a gilded stamped silver setting
(oklad) with overlaid enamel aureole and enamel overlays. In raspberry
colored silk. Hallmarks: "ÍÃ", "84" by the Moscow
Assay Administration, 1908-1917. On the reverse side, a paper sticker
- "Ñ.È. Ùåêëååâú. Õàðüêîâú. Ãîñòèí. Äâîð ¹ 23721 126-ð." 141. Icon on wood of Our Lady of Iversk in a gilded stamped silver setting
(oklad) with overlaid gilded silver aureole, with enamel overlays, in
a wooden icon case. Hallmarks: "ÑÃ", "84" of the Moscow
Assay Administration, 1899-1907. 142. Icon on wood of Our Lady of Kazan in a gilded silver setting (oklad)
with enamel overlays in the corners and overlaid enamel aureole. Filigree
riza decorated in beading. Dressed in lilac-colored velvet. Hallmarks:
"ÑÃ", "84", city of Moscow 143. Icon on wood of Our Lady of Vladimir in gilded and stamped silver
setting (oklad) with overlaid gilded silver aureole, dressed in blue velvet.
Hallmarks: "ÔÊ", "84" of the Petersburg Assay Administration,
1899-1907. 144. Icon on wood of Our Lady (Fedorovskaya) in silver setting (oklad)
with overlaid chased gilded silver aureole (possibly unmatched). On the
back there is the inscription: "ãîäà 1842 ßêîâà Âÿëîâà" (1842,
Yakov Vyalov). Hallmarks: "ËÓ", "À:Á/184..", "84"
of the city of Nizhny Novgorod. 145. Icon on wood of Our Lady (Strastnaya) in a chased silver setting
(oklad) with traces of gilding, with overlaid gilded silver aureole. Hallmarks
on the oklad: "ÊÊ/1848", "84", "ÀÈ", city
of Moscow. 146. Icon on wood of the Savior, the Almighty in gilded stamped silver
setting (oklad) and frame, with enamel overlays, with overlaid gilded
silver aureole, decorated with four violet glass elements. Hallmarks:
"ÑÆ", "84", Moscow Assay Administration, 1908-1917.
On the background under the aureole there is scratched out - "ôîíú
çîëî÷åíûé" (background gilded). 147. Icon on wood of Saints Pelagey, Paraskev, Andrew, the Martyr Irene,
the Martyr Claudia depicted full length, in a chased silver setting (oklad)
with traces of gilding. In the upper part is the Protection of the Virgin.
Hallmarks: "84", "ÑÊÇ", city of Moscow. 148. Icon on wood of Our Lady, Comfort and Joy in gilded and stamped
silver setting (oklad) with overlaid gilded silver aureole, dressed in
raspberry colored silk. Hallmarks: "ÑÆ", "84", Moscow
Assay Administration. 149. Icon on wood of Our Lady (Tolgskaya) in chased silver setting (oklad).
In the fields, St. Sergius and St. Merimian. Dressed in lilac colored
velvet. Hallmarks: "ÍÃ", "84", Moscow Assay Administration.
150. Icon on wood of the Savior, the Almighty in a stamped silver setting
(oklad) with traces of gilding, with overlaid enamel aureole, dressed
in red velvet. Hallmarks: "84", "IÃ", Moscow Assay
Administration. 151. Silver lamp, partly gilded, with stylized chased vegetal ornamentation,
on three chains and with a lid. Hallmarks: city of Moscow, 84 À.À/1884,
"ÎÌ" - silversmiths O.F. Mukhin, A.A. Mukhin. 152. Icon on wood of the Savior, the Almighty in chased silver setting
with overlaid gilded silver aureole. Hallmarks: "ÔÑ", "84",
"Â:Â/1834", city of Kostroma; silversmith F.S. Syromiatnikov. 153. Icon on wood of Lord the Almighty in chased and gilded silver setting
(oklad) with overlaid gilded silver aureole, decorated with eight enamel
overlaid sections, and dressed in rose-colored velvet. Hallmarks: "ÍÄ/1824",
"84", city of Moscow. "ÌÃ" - Matvei Grechushnikov 154. Icon on wood of Savior, the Almighty in a chased and gilded silver
setting (oklad) with overlaid gilded silver aureole, decorated in colorless
glass and turquoise. On the background - four overlaid sections of white
enamel. Dressed in rose-colored velvet. Hallmarks: "84"",
"AK/1857", "ÀÒ", city of Moscow 155. Icon on wood of Our Lady of Tikhvin in a selected chased silver
frame with overlaid double silver aureole. Hallmarks: city of Moscow,
"1793/ÍÒ", illegible. 156. Icon on wood of Our Lade of Mercy (Umilenie) in a chased and gilded
silver setting (oklad) with double gilded silver aureole. Riza decorated
with filigree and beading, with a mounting of colored foil. Dressed in
rose-colored crepe. On the lower edge there are the hallmarks: "ÀÊ/1846"
- the assay master A.A. Kovalsky, "ÍÌ" - the silversmith N.
Mikhailov, the emblem of Moscow, the assay standard "84". Master
N. Mikhailov, Moscow 157. Salt cellar, silver, in the shape of a jug. Along the entire surface
it is decorated with floral ornamentation in painted enamel over false
filigree and beading. Hallmarks: "ÔÌ" - the silversmith F.D.
Mishukov; Moscow Assay Administration with assay inspector Ivan Lebedkin
- "ÈË". 158. Silver tea canister, partly gilded, with lid and plug. On its lateral
sides are views of Moscow in niello. On the borders there is stylized
vegetal ornamentation. On the bottom, on the lid and on the plug there
are hallmarks: "ÂÑ" - the factory of Vasily S. Semenov, "ÀÀ/189"
- the assay master Anatoly Appolonovich Artsibashev, the emblem of Moscow
and "84" 159. Sugar bowl with hinged lid, partly gilded. On the lateral sides
views of Moscow in niello. Along the borders, stylized vegetal ornamentation.
On the bottom and on the lid the hallmarks: "ÂÑ" - the factory
of Vasily S. Semenov, "ËÎ/1890" - the assay master Lev Federovich
Oleksa, the emblem of Moscow and "84" 160. Silver plate, gilded, decorated with colored enamel; in the central
medallion - birds looking to the left. 161. Silver plate, gilded, decorated with colored enamel; in the central
medallion - birds looking to the right. 162. Gilded silver beaker; entire surface decorated in multicolored enamel.
163. Gilded silver beaker; entire surface decorated with colored enamel. 164. Easter egg, silver; entire surface decorated with colored painted
enamel. 165. Figurine of a frog made of green jasper with glass eyes; in the
mouth a golden arrow with 18 leicosapphires and enamel. Fake Faberge;
false hallmarks. 166. Figurine of rhinoceros made of crocodelite; eyes of leicosapphires.
Fake Faberge. 167. Figurine of bear made of obsidian playing with a golden and enamel
drum; the eyes, decoration of the chain and drum are made from leicosapphires.
Fake Faberge. 168. Figurine of a monkey seated on a pillow with a ladle in its hands;
made of semiprecious stones. Fake Faberge. 169. Icon on wood of Our Lady of the Sign (Znamenie) in a gold-embroidered
setting (oklad), riza of mother of pearl, decorated with glass, in a gilded
silver frame with filigree and beading. Hallmarks: "BG" - an
unknown master, "ÏÌ/1867" - an unknown assay master; city hallmark
of Petersburg and "84" assay standard. 170. Icon on wood of the Annunciation, in chased silver setting (oklad)
with three overlaid gilded silver aureoles. Hallmarks: "ÀËÊ"
- an unknown master, "ÌÊ/1834" - the assay master, city mark
of Petersburg, "84". 171. Icon on wood of Our Lady of Kazan, Joy to All Who Grieve in chased
silver setting (oklad). The figure of the Madonna has a gilded silver
riza and aureole. Dressed in red velvet. Hallmarks: "ÂÊ" - owner
of a silversmith atelier V.A. Kovalevsky, "ÈÄ/1841" - the assay
master, city mark of Moscow, "84". Kovalevsky Workshop, Moscow 172. Icon on wood of Our Lady of Kazan, in chased and gilded silver setting
(oklad) with double gilded silver aureole, dressed in violet velvet. Hallmarks:
"À", "ÀÔ/1888", "84", city mark of Petersburg.
Petersburg 173. Icon on wood of Our Lady of Kazan in gilded silver setting (oklad)
with overlaid enameled silver aureole, dressed in Bordeaux colored velvet.
Hallmarks: "ÀÇ", "ÀÀ/1893" - the assay master A. A.
Artsibashev, "84", city mark of Moscow. 174. Icon on wood of Our Lady of Iversk, in chased silver setting (oklad)
with overlaid gilded silver aureole, dressed in blue velvet. Hallmarks:
"ÅÃÏ" - an unknown silversmith, the Petersburg Assay Administration.
1899-1908. 175. Icon on wood of Our Lady of Kazan, in stamped silver setting (oklad)
with traces of gilding and double silver and enamel aureole, dressed in
brown velvet. Hallmarks: "ÀÑ/1895" - the assay master, city
of Moscow, last quarter of the 19th century, "84". 176. Icon on wood of the Martyred St. Kunsha, in chased and gilded silver
setting (oklad) with overlaid gilded silver aureole, dressed in violet
velvet. Hallmarks: "ÈÂ", "ÀÀ/1895" - the assay master
A.A. Artsibashev, city mark of Moscow of the last quarter of the 19th
century, "84". 177. Icon on wood of the Savior Nerukotvorny ("Not Made by Human
Hands") in a stamped and partially gilded silver setting (oklad)
with overlaid silver and enamel aureole. Hallmarks: "ÑÃ", Moscow
Assay Administration, 1899-1908. 178. Icon on wood of the Burning Bush in chased and gilded silver setting
(oklad) with two overlaid plaques with niello inscription. Dressed in
violet velvet. Hallmarks: "ÔÈ", "ÌÊ/1835" - the assay
master M. Karpinsky, "84", the city of Petersburg 179. Icon on wood of St Nil Stolbensky in chased and gilded silver setting
(oklad). Hallmarks: city of Moscow with the date "1771", "ÀÅ/I"
- unknown silversmith 180. Figurine of seal made of jasper with red stone eyes. 181. Figurine of courtier made of semiprecious stones. 182. Figurine of a seated pug dog made of chalcedony with eyes of white
colored stone, wearing a collar, decorated in black enamel. 183. Figurine of a seated monkey made of chalcedony with eyes of colorless
stones, in a case. 184. Rectangular silver cigar case with rounded corners. On the obverse,
an enamel overlay. Gilded inside. Button with blue glass. Hallmark of
the Moscow Assay Administration, 1908-1917. 185. Icon on wood of St John, St Evdokia, and the seven young men of
Ephesus, in a silver setting (oklad) with three overlaid gilded silver
aureoles. Hallmarks: "ß.182..", "84", "ÐÌ",
city mark of Nizhny Novgorod. 186. Icon of the Savior, the Almighty in a chased and gilded silver setting
(oklad) with overlaid gilded silver and enamel aureole and enamel overlay.
Dressed in red velvet. Hallmarks: "ÑÃ", 84, Moscow Assay Administration,
1908-1917. 187. Icon of Our Lady of Tikhvin in chased silver setting (oklad) with
overlaid silver and enamel aureole and four enamel overlaid sections.
Reverse side dressed in violet velvet. Hallmarks: "ÑÃ", "84",
"ÈË", head facing left, 1899-1908, Moscow. 188. Icon of Our Lady of Kazan in chased and gilded silver setting (oklad)
with overlaid gilded silver aureole with colored enamel and an overlaid
section in enamel. Reverse side dressed in red velvet. Hallmarks: "ÑÃ",
city of Moscow, 1908-1917. 189. Icon on wood of Lord, the Almighty in stamped and gilded silver
setting (oklad) with overlaid gilded silver aureole. Dressed in red velvet. 190. Icon on wood of St. Peter, St Alexei and St. Ustin (full length)
in gilded silver setting (oklad) with three overlaid gilded aureoles and
the figure of the Savior above. Dressed in lilac colored velvet. Hallmarks:
"ÍÄ/1829", "84", "ÍÈ", city of Moscow 191. Chalice, gilded silver with engraved medallions and inscriptions
on the cup and chased stem. Hallmarks: "ÍÀ", "ÀÊ/1852",
"84", city of Moscow. 192. Icon on wood of St John the Theologian in Silence, in a chased silver
setting (oklad), with two selected saints on the fields, with three overlaid
silver aureoles. Hallmarks: "ÍÍ", "ÌÄ/1876", "84",
city of Petersburg. Inscription: "âåñó.1.ô.32.çî" with a poincon 193. Icon on wood of Our Lady of Kazan in a chased silver setting (oklad)
with overlaid gilded silver aureole. Hallmarks: "ÄÒ/1850", "ÑÊÈ",
84, city of Petersburg 194. Icon of Our Lady, Joy to All Who Grieve in a chased and gilded silver
setting (oklad) with gilded silver overlaid aureole, overlaid casts with
colorless glass on the aureole and two green glass elements on the cross;
with two overlaid sections with niello inscriptions. Hallmarks: "84",
"ÀÂ", city of Moscow/1799. 195. Icon on wood of the Madonna with Child in a stamped and gilded silver
setting (oklad), with double gilded aureole. Reverse side covered with
fabric. Hallmarks: "ÀÔ", "ÂÑ/1867", "84",
city of Moscow 196. Icon of the Madonna with Child with four saints in the fields, in
a chased silver setting (oklad) with chased and gilded silver aureole.
Hallmarks: "ÒÐ", "Àß", "84", city of Petersburg
197. Icon of Our Lady, Joy to All Who Grieve in a chased and gilded silver
setting (oklad) with gilded silver aureole. Hallmarks: "Ì Ë I",
"Àß", city of Petersburg, "1802", "84". 198. Icon on wood of Selected Saints Before the Icons of Our Lady (Tolgskaya),
Our Lady of Joy to All Who Grieve, and Our Lady of Vladimir, in a chased
silver setting (oklad) with 22 overlaid aureoles. Hallmarks: "ÔÔ",
"ÄÒ/1844", "84", city of Petersburg. Inscription on
the upper edge: "âåñó âú ðèçû 1 ôó. 23/3 ÷åòâåð." 199. Three-part icon of Our Lady Ease My Sorrow; the Resurrection; and
the Old Testament in a chased silver setting (oklad) with overlaid aureoles
of the Virgin. Hallmarks: "[È]Ç", "Àß", "84",
"1816", city of Petersburg. 200. Brush, round, in a gilded silver setting, decorated with colored
enamel on filigree. 201. Brush, round, in a gilded silver setting, decorated with colored
enamel on filigree 202. Holder for chalk, gilded silver, decorated with colored enamel on
filigree. 203. Holder for chalk, gilded silver, decorated with colored enamel on
filigree, with a piece of chalk 204. Frame for a photograph, desktop, oval, with a retractable leg. Band
of the frame in lilac-colored transparent enamel on a guilloche background.
The frame is decorated on the external edge; on the inner edge by a sprig
of laurel leaf. In the upper part of the frame there are overlaid laurel
garlands, crossed torches intertwined with ribbons. Hallmarks: "ßÀ",
"ÔÀÁÅÐÆÅ". 205. Set of knives and forks in a wooden case lined with green velvet
and silk. Two-tine forks, silver, gilded on the handle - with pseudo-antique
ornamentation. Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers Ltd), Petersburg
Assay Administration. 206. Two-tine fork, silver, gilded, pseudo-antique decoration on the
handle. Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers Ltd), Petersburg
Assay Administration. 207. Two-tine fork, silver, gilded, pseudo-antique decoration on the
handle. Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers, Ltd), Petersburg
Assay Administration. 208. Two-tine fork, silver, gilded, pseudo-antique decoration on the
handle. Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers Ltd), Petersburg
Assay Administration. 209. Caviar scoop, silver, gilded, pseudo-antique decoration on the handle.
Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers Ltd, Petersburg Assay
Administration. 210. Cheese knife, silver, gilded, pseudo-antique decoration of the handle.
Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers Ltd), Petersburg Assay
Administration. 211. Fork, rounded, four-tine, silver, gilded, pseudo-antique decoration
of the handle. Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers Ltd), Petersburg
Assay Administration 212. Service knife with broad, semi-circular blade, silver, gilded, pseudo-antique
decoration of the handle. Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers
Ltd), Petersburg Assay Administration 213. Icon on wood of Our Lady of Kazan in a gilded silver setting (oklad)
with double gilded silver aureole, decorated with white, red and green
glass; on the fields - the Guardian Angel and St Nikifor. Hallmarks: "ÌÔ",
Moscow Assay Administration, 1908-1917. 214. Icon on wood of a four-part Our Lady of Kazan, Resurrection of Christ,
St George, and Selected Saints: Nikola, Anna, Anastasia, Nikita. Selected
saints on the fields. Above - the Old Testament Trinity. In a chased silver
setting (oklad). Hallmarks: 1794/ÀÂ- assay master A.I. Vikhlyaev, ÀÎ/Ï-
an unknown alderman, city mark of Moscow. 215. Gold pendant in the form of stylized vegetal volutes, decorated
with 9 diamonds and roses, white gold casta. Hallmark on the chain: "ÂÇ"
- an unknown jeweler, Petersburg Assay Administration 1908-1917, assay
standard - 56 216. Lady's cigar case, rectangular, with rounded corners, silver, gilded
inside. Its entire surface is decorated with polychrome enamel on filigree
with depiction of flowers and leaves. Hallmarks: "ÕËÅÁÍÈÊÎÂ",
"ÈÕ", "ÂÑ/1883", "84", city mark of Moscow,
last quarter of the 19th cerntury. 217. Pectoral cross, four-sided (Orthodox), silver, gilded. On the cross
there is a Crucifixion scene on overlaid blue enamel background. Around
the enamel there are pearls. The ends of the cross are shaped, decorated
with rosettes with amethysts and pearls. On the top there is an amethyst
and three pearls. Hallmarks: "ÕËÅÁÍÈÊÎÂÚ" and the Moscow Assay
Administration, 1896-1903. 218. Gold signet ring, decorated with 5 diamonds, 24 roses and 7 emeralds.
Hallmark of the Petersburg Assay Administration, 1908-1917 219. Hand-held oval mirror in a silver setting, with bas relief depiction
of irises on the reverse side. Hallmarks: "Ê.ÔÀÁÅÐÆÅ", Moscow
city hallmark of the end of the 19th century with 84 silver standard.
Moscow, K. Faberge & Co. 220. Desk clock with week-long mechanism; face in white enamel; round
frame; on a background of yellow enamel there are decorations in the form
of floral garlands tied with a ribbon. Hallmarks: "ÌÏ" - master,
"ÔÀÁÅÐÆÅ", "ÑÏá 1890", "88". Faberge &
Co., master artist M. Perkhin 221. Silver cigar case. Inside and out, partly gilded. Its entire surface
decorated with painted enamel vegetal ornamentation. Hallmarks: ÅÏÐ -
an unknown silversmith, the Moscow District Assay Administration and the
initials of the assay inspector Ivan Lebedin - "È.Ë." Moscow. 222. Gilded silver frame, square, with patterned blue enamel, bone back
plate. Silver mark on the frame and leg: 'ÀÃ' and silver mark in the oval
- '88' as well as depiction of woman's head in profile facing right. 223. Flat oval flask made of rock crystal, neck with cap in a frame shaped
like a crown with enamel on gold; crown of 300 rubies and 24 pearls. 224. Open gold watch; guilloche ornament on the lid and on the edge and
rim - a carved ridge; white face with Arabic numerals. Breguet ¹ 2436 225. Figurine of rabbit, in cast silver with eyes of red colored stone.
Imitation Faberge. 226. Engraved copper seal, with elongated handle of blue enamel with
silver vegetal pattern; at the end - an engraved copper top.
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