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Disappearance of 226 exhibits uncovered during routine inspection at the State Hermitage

List of Works of Art

1. Crystal vase in the shape of a shell, on a crystal base, with carved ornamentation in a varicolored enamel coated silver frame. The lower part of the stem is in the shape of a dolphin, and the handle is shaped like two snakes.
19th century
Rock crystal, silver, enamel, carving, engraving
10.610.84.8
156.1 g.

2. Vase made from variegated brown agate, oval on a silver support that is covered in light blue enamel with gilded vegetal pattern; silver stem in the shape of the gilded trunk of a tree, around which a grapevine is wound, its leaves covered in green enamel and carrying red glass fruit, supported by two silver tritons.
19th century
Silver, agate, enamel, carving
12.79,66.3
194.25 g.

3. Clock in the shape of a gilded armchair with the face fixed onto the back of the chair; the clock face and the seat are enameled and bear pictures: the clock face shows a courtier beside a spinning-wheel; the seat shows a girl and young man under a tree with baskets of flowers.
19th century.
Silver, enamel, glass, brass, steel, casting, engraving
11.15.6
103.64 g.
State of preservation: the glass has a crack

4. Oval-shaped desk clock, enameled, fixed to the gilded silver figure of an ostrich standing on an enamel pedestal shaped like a hemisphere with painting of mythological scenes
19th century
Silver, enamel, glass, brass, steel. Casting, engraving
14.54,46.3
211.96 g.

5. Two-sided Oranta (Panagia) with colored enamel, colored glass lined with foil, 30 low grade emeralds and pieces of red glass. On one side, the depiction of Christ; on the other side, the Virgin. In the upper part, there is an intricate crown on a hinge.
18th century.
Silver, low-grade emeralds, enamel, glass, foil
12.17.9
134.2 g.
State of preservation: the pin in the hinge is missing; one nest is empty; below there are four rings from pendants, with two leaves in a flower missing.

6. Enamel salt cellar made of gilded silver, round in cross section, narrows towards the top, on a stem and round base, heavily decorated in cloisonne enamel of predominantly light blue color. Two silver marks: Grachev Brothers and in an oval - 84 hallmark silver and the emblem of St Petersburg
Late 19th century
Silver, enamel, gilding
6.29.59.5
282,2 g.

7. Gilded salt cellar in the shape of a figure box, fully covered with light blue, red and white cloisonne enamel; on the cover - a gilded two-headed eagle; the joint-pin of the cover is copper; on the cover there are two hallmarks - NA and 88
Late 19th century.
Silver, enamel, copper, gilding
8.16.26.2
160.4 g.
State of preservation: the eagle has come unsealed

8. Altar cross in niello with depiction of the crucifixion, the Virgin, John and God the Father; below, a column with instruments of the Passion. On the reverse side, in the middle, the deposition of Christ in the tomb; to the left, the descent from the cross, and to the right, the bearing of Christ; above, the resurrection; below the center, the flagellation of Christ, the Apostle Peter and prayers over the chalice. At the lower end there are 4 hallmarks: 1806; Θ; 84 and
1806.
Silver, niello, gilding.
32.219.0
552.3 g.

9. Four-sided tankard, partly gilded and with ornamentation in relief. Handle in the shape of bound ears of wheat; along the body there are painted inserts depicting the vodka distillery of the Yerofeev Brothers. In the upper part there is a gilded insert with enamel, inscriptions and escutcheons of arms. At the bottom there are 4 hallmarks: ..1896; 84; and the emblem of the city of Moscow.
1896.
Silver, enamel
18.314.38.7
1885.0 g.
State of preservation: one insert with inscription has come off.

10. Cross - reliquary, gilded, chased and with mounted crucifixion. On the reverse, chased leaf ornament with five circular medallions. Two hallmarks: emblem of the city of St Petersburg with the date "1760" and "Θ"
1760.
Silver, gilding, chasing
35.020.0
633.7 g.

11. Cross - reliquary, gilded, with six enamel painted plaques bearing depictions of the crucifixion, God the Father, two saints, a skull and prayer over the chalice. 4 hallmarks: 1 1814; ; 84 and the emblem of the city of Moscow
1814.
Silver, gilding, enamel
37.023.0
758,0 .

12. Chalice, gilded, with beaded filigree tracery on the body and four oval enamel images; the boot and base are chased, with four rectangular enamel pictures. At the edge of the base are 4 hallmarks: 1830; ; 84 and the emblem of the city of Moscow
1830.
Silver, enamel, gilding, chasing
32.012.512.5
941.0 g.

13. Chalice, gilded, with filigree tracery on the body and cross-shaped apertures holding four oval enamel pictures. The base has chased rocaille ornamentation and four oval enameled inserts depicting the Passion. At the edge of the base there are 4 hallmarks: ; 1779 ; and two hallmarks with the emblem of the city of Moscow.
1779.
Silver, enamel, gilding, chasing
27.019.019.0
1048.0 g.
State of preservation: one of the pictures is broken, the base layer is creased

14. Chalice, gilded, with beaded filigree tracery on the body and four oval enamel images in radiating light made of glass elements. Stem in the form of a baluster and pedestal with four rectangular images framed in glass elements. Base is chased, with the heads of cherubs. Along the edge of the chalice and on the stem are the hallmarks: ; ; ....; 84 and the emblem of the city of Moscow
First half of the 19th century.
Silver, enamel, glass, gilding, chasing
34.518.018.0
1256.0 g.

15. Chalice, gilded, with beaded filigree tracery on the body, four oval enamel images framed in glass elements, a stem in the shape of a chased baluster. On the pedestal there are enamel images in the same kind of frames in the shape of a trapeze; on the base, there is chased ornamentation and a gift inscription of 1845. At the edge of the chalice and on the stem are the hallmarks ; ; 84 and the emblem of the city of Moscow with the date "43"
1843.
Silver, enamel, glass, gilding
28.518.518.5
905.5 g.

16. Chalice, gilded, body covered in tracery with four images in oval frames made of garnets. On the base are four images in rectangular frames made of granites. Fastened together with a copper screw and nut. At the edge of the chalice are 4 hallmarks: 1841; 84; ; and the emblem of the city of St Petersburg
Middle of the 19th century.
Silver, enamel, garnets, gilding, chasing
29.516.516.5
1010.0 g.

17. Open watch, gilded, with smooth top. On the edge, carved ornamentation. Has a golden key with raspberry colored glass. The inner cover is made of copper. Made by the company Dore.
First half of the 19th century.
Gold, brass, steel, glass
5.25.2; key - 3.10.8
119.03 g. total

18. Gold clock, in the form of a lady bird with red and black enamel, with two chrysolites and three roses. The clock face is under the wings. Under the lower cover is a medallion with a photograph under glass.
Second half of the 19th century
Gold, brass, steel, glass, enamel, chrysolites
6.13.01.7
4.01 g.

19. Image of Christ the Almighty on wood, rectangular in a gilded silver frame with filigree; with four square plates and 8 aquamarines. The image is surrounded by a string of small pearls. Below there are three pendants: an eight-pointed cross and two chains with green stones from the Urals. Above there are two chains joined by a medal depicting a dove in white enamel with a ring.
Early 20th century.
Silver, wood, aquamarines, fabric, Urals gemstones
13.75.6
76.0 g

20. Image of St Hermogenus on wood. Rectangular in a gilded silver frame with enameled square plaques and eight aquamarines. The image is surrounded by a string of small pearls. Below there are three pendants: an eight-pointed cross and two chains with rose and green stones from the Urals. Above there are two chains joined by a medal depicting a dove in white enamel with a ring.
Early 20th century
Silver, wood, aquamarines, Urals gemstones, fabric.
13.55.6
89.83 g.

21. Image of John the Baptist on tin. Rounded from above, with silver frame and blue and red enamel topped off by a cross. From the back panel an insert of stretched red velvet. Three hallmarks: ; in the oval - 88 assay silver and the emblem of the city of St Petersburg, plus a two-headed eagle.
Late 19th century.
Silver, tin, enamel, velvet, carton.
18.09.1
161.60 g.
State of preservation: the velvet is torn

22. Frame of white maple in the form of a trapeze with two enamel panels with roses and pale blue ribbons. Under glass, in gilded silver mounting. A photograph of a girl under glass.
Early 19th century
Silver, enamel, glass
19.012.5
291.6 g.
State of preservation: flaws, chips, scratches, abrasions in places, dimness of enamel

23. Powder box with round lid, silver, gilded, with white enamel. On the lid there is a small gilded ornament with stars.
Early 20th century
Silver, enamel
2.05.35.3
60.5 g.
State of preservation: abrasions

24. Powder box with lid, round, silver, gilded with pale blue enamel and patterned fascia.
Early 20th century
Silver, enamel
2.47.87.8
142.93

25. Icon on wood of Our Lady of Tikhvin, in silver carved setting (oklad) with gilding. With aureole; on the aureole, copper nails and tin solder. The icon is set with raspberry colored velvet. Four hallmarks: ; 1878; 84 and emblem of the city of St Petersburg
1878
Silver, wood, velvet, copper, tin, carving, engraving, painting
15.311.0
306.2 g.

26. Icon on wood of St. Nina in silver frame decorated with volutes on a pale blue enamel with blue crosses on a white background. In the corners there are 4 quartz stones in clusters. Silver aureole, gilded, with 3 quartz elements. On the reverse, on red satin, there is a gilded silver panel with engraved inscription and dates: "1860-1910". There are two hallmarks: and, in an oval, a depiction of a framed female head in profile and the mark for 84 assay silver.
1910.
Silver, wood, quartz, enamel, satin, painting, engraving
13.37.7
184.7 g.

27. Icon on wood of Our Lady of Tender Emotion (Umilenie). Riza with sewn on pearl tracery and semiprecious stones from the Urals. Gilded silver setting (oklad) with chased rocaille ornamentation. Aureole and five colored glass elements. The back panel covered in red velvet.
1770.
Silver, wood, pearls, semiprecious stones from the Urals, glass, velvet, chasing, painting
32.027.2
1558.0 g.
State of preservation: painting is damaged; two empty clusters on the riza; setting is torn in three places on the side.

28. Icon on wood of the Virgin Mary in a gilded silver frame with chased rosettes, palmettes and gemstones along the corners. In the aureole there are four amethysts. On the reverse, a rose colored brocade and silver plaque with gift inscription to P.S. Sheremetiev. On the setting there are two hallmarks: and in an oval, the depiction of a woman's head in profile, and the sign of 84 assay silver.
1915.
Silver, wood, amethysts, semiprecious stones, brocade, chasing, painting
31.727.4
1757.0 g.
State of preservation: painting slightly scratched

29. Icon on wood of St Nicholas the Miracle Worker. Green chased setting (oklad), with three amethysts on the miter and a string of glass elements in the aureole. The riza is sewn with natural and artificial pearls and with colored glass set in silver.
First half of the 19th century.
Silver, pearls, wood, amethysts, enamel, glass, chasing, painting.
31.526.5
Setting: 415.5 g
Riza 22.416.5
109.35 g.
State of preservation: painting is severely damaged; in the lower corner of the miter the lower part in glass inserts, the sewing is torn, pearls and beads have dislodged, the frame is dented and torn on the sides.

30. Icon on wood of the Virgin Mary in gilded chased silver setting (oklad) with floral ornamentation. On the aureole there are the heads of cherubs. On the reverse, there is rose colored velvet
18th century.
Silver, wood, velvet, chasing, painting.
31.527.0
Setting: 467.0 g.
State of preservation: edges of the frame are dented, painting is damaged

31. Icon on wood of Christ in gilded silver setting (oklad) with enamel in pale blue, dark blue and white, and with an aureole. The riza is sewn with pearl and small sequins with a silver Gospel. On the reverse side there is red velvet. Four hallmarks: .; 1889; 84 and the emblem of the city of Moscow.
1889
Silver, pearls, enamel, beads, wood, painting
33.529.0
1314.9
State of preservation: edges of the frame are somewhat scratched

32. Icon on wood of the Savior Nerukotvorny ("Not Made by Human Hands") in a gilded silver setting (oklad) with red, pale blue and white enamel on the edges and on the aureole. Framed. On the reverse side, raspberry colored velvet, on which there is a gilded silver plaque with gift inscription to P. P. Shuvalov dated 4 June 1875. Four hallmarks: . ; 84; 1873 and the emblem of the city of Moscow.
1873.
Silver, pearls, enamel, wood, chasing, painting
30.426.8
1372.7 g.
State of preservation: Setting has been disassembled into parts and the frame and plaque are separate.

33. Icon on wood of Christ the Almighty, in a gilded chased silver setting (oklad) with aureole. In the aureole there is a rectangular plaque with glass elements and aquamarine. On the reverse side there is red velvet. On the setting there are 4 hallmarks: :; ; 84 and the emblem of the city of Moscow with the date "1816"
1816.
Silver, glass, aquamarine, wood, chasing, painting
31.325.8
365.8 g.
State of preservation: aureole is broken, the frame is dented, the painting is damaged.

34. Icon on wood of Our Lady of Vladimir, in a gilded chased silver setting (oklad), with inscription in niello below and an aureole. On the aureole there is a crown with rosette of glass elements. On the reverse, there is red velvet. Three hallmarks: ; 84 and the emblem of St Petersburg with the date "1827"
1827.
Silver, wood, glass, velvet, niello
31.326.0
Setting: 401.2 g.
State of preservation: edges of the frame and aureole are dented, on the head and shoulder there are two holes where inserts are missing; the velvet is torn at the edges; the wooden board has bent out of shape.

35. Icon on wood of the Virgin Mary, Joy of all those who Grieve. In silver chased setting (oklad) with edge in the form of a braid and gilded aureole. 4 hallmarks: ; 84; 1866 and a rectangular seal with depiction of a shield and the date "1865"
1865.
Silver, wood, velvet, chasing
31.527.5
Setting: 438 g.
State of preservation: Edge of the frame is dented, velvet is torn, and the wooden plank has bent out of shape

36. Icon on wood of Christ the Almighty in a gilded silver setting (oklad) with aureole and with inscriptions on white enamel. On the reverse side there is rose moire. Four hallmarks: 1824; MIT; 84 and the emblem of the city of Moscow
1824.
Silver, enamel, wood, silk, chasing, painting
32.027.2
Setting: 455.0 g.
State of preservation: Corners of the frame are dented; one enamel plaque is broken; the silk is torn; the painting is damaged.

37. Icon on wood of Christ, in a smooth silver setting (oklad) with gilding and with chased clothing. The aureole has colored enamel. On the reverse side there is red velvet. It is stored in a pale oak case on white satin. Along the edge of the setting there is the inscription - 1915. On the setting there are two hallmarks: 7 and in an oval there is a depiction of a woman's head in profile to the right and the 84 silver assay mark.
1915.
Silver, enamel, wood
27.022.5
Setting: 197.6 g.
State of preservation:: the clothing, setting and aureole have separated, the setting is dented

38. Icon on wood of Our Lady of Kazan with aureole, colored enamel and filigree riza. On the reverse side there is red velvet and a panel with engraved inscription about the donation of the icon by E.V. Shuvalova on 12 June 1899.
1899.
Silver, enamel, filigree, wood, velvet
31.226.8
Setting: 570.0 g.
State of preservation: the painting is damaged; the plaque is bent; the edges of the setting are bent; the setting has holes from two missing inserts.

39. Glass box, glass, rectangular in silver frame on the upper part. With netting in the shape of a star with silver lid and stopper inside. Along the edge of the frame and lid there are engraved fasciae (from a toilet-bag - "necessaires" - 8610).
19th century
Silver, glass, stopper, engraving
4.13.93.9
103.32 g.
State of preservation: stopper has been damaged

40. Sugar bowl, oval, gilded, in the shape of a wicker basket with two handles. On four tracery legs made of wire. On the sugar bowl a napkin seems to lie, with fringe and design imitating a material design made and made from whitened silver. Fastened to the basket is a rectangular panel with the engraved initials ":" and the date "1865 XXV 1890 1 January." On the handles there are traces of two hallmarks: "" and the emblem of the city of Moscow.
Circa 1889.
Silver (875 assay), stamped and engraved
7.134.124.7
673.0 g.
State of preservation: slightly bent

41. Cross, gilded silver, four-pointed, on a round support, framed with tracery volutes. Topped by a crown with rosette. Inside the cross, under mica, there is a wooden carved crucifixion. The cross, crown and volutes are decorated with beaded filigree, multicolored enamel and pearls, as well as rose-colored glass elements in clusters. There is a double support, with the upper one in openwork from filigree and beading. The support and the crest are joined by a screw on which there is mounted a rosette of leaves with engraved design.
Kiev, 18th century.
Silver (875), pearls, enamel, filigree, chasing, engraving
20.314.610.6
395.8 g.
State of preservation: base is bent; the screw connecting the cross with the base is missing a piece; 13 supports for decoration and pearls are empty; one rose colored-glass element in the cluster is broken; the rosette is missing two leaves.

42. Goblet in the form of a tree whose crown contains a cup. The base has the shape of a hill with an outline decorated with grass and flowers. The cup is gilded inside; along its rim there is a ribbon with engraved inscription in German and with 3 shields affixed containing engraved coats of arms. Four hallmarks: 84, ... 1855, the mark on the bottom is illegible
1855.
Silver (875), chasing, engraving
22.215.0
1040.1 g.
State of preservation: on the base two holes were drilled.

43. Teapot with hinged lid, silver with gilding inside. Shaped like a flattened sphere with curving spout and handle, with two ivory plates. Stands on four bent legs. The body is decorated with chased medallions executed in vegetal pattern with volutes. Between the medallions there are bas relief four-petal rosettes.
Late 19th century
Silver (875), bone; chasing, carving
16.225.016.0
1131.5 g.
State of preservation: legs are deformed

44. Coffee pot with hinged lid, silver, gilded inside. Shaped like a flattened sphere with high neck and curved spout and handle with two ivory elements. Stands on four bent legs. The body is decorated with chased medallions executed in a vegetal pattern with volutes. Between the medallions there are bas relief four-petal rosettes
Late 19th century
Silver (875), bone; chasing, carving
25.524.314.8
1342.9 g.

45. Milk pitcher, silver, gilded inside; shaped like a flattened sphere with shaped neck and handle and with a wide spout. Stands on four bent legs. The body is decorated with chased medallions filled with a vegetal design and volutes. Between the medallions there are bas relief four-petal rosettes
Late 19th century.
Silver (875); chasing, carving
12.614.310.8
522.3 g.
State of preservation: spout is bent, gilding is worn

46. Sugar bowl with lid, silver, gilded inside; shaped body. Stands on four bent legs, with two shaped handles. Decorated with chased and carved ornamentation consisting of flowers in cartouches, palmettos of vegetal scrolls and leaves
19th century.
Silver (875); chasing, carving
17.112.213.6
988.0 g.
State of preservation: legs deformed

47. Sugar bowl, silver, oval with shaped rim. Stands on four legs. Has a reversible intricate handle, decorated with chased ornamentation consisting of intertwined volutes and leaves
Silver (875); chasing, carving
14.131.527.1
1264.2 g.
State of preservation: oxidation present

48. Chalice with enamel, silver, on a stem, round in cross-section. Inside and partially outside gilded with stylized vegetal ornamentation made from multicolored enamel: pale blue, green, white and rose. With the engraved initials and date 19 IV 1911. On the bottom there are two hallmarks: [.] and in an oval, the silver assay mark 84 and depiction of a woman's head
1911.
Silver (875), enamel; cloisonne enamel
6.611.6
217.66 g.

49. Tankard with hinged lid, with niello, gilded inside and partially outside. On the body there are four medallions. In the middle one there are the engraved initials "PhB." The side ones have depictions of St Basil's cathedral and the Ivan the Great Belltower. The fourth medallion is empty. Around the medallions there is stylized vegetal ornamentation. Along one part is the inscription " ...." (Beer is no wonder and mead..." On the lid the medallion contains the date "XL" and there is stylized vegetal ornamentation. On the bottom there are 3 hallmarks: [../1874], [84] and the emblem of the city of Moscow
1874
Silver (875); carving, niello
17.315.310.9
265.05 g.

50. Chalice, gilded silver, with four enamel medallions depicting the Virgin Mary, Jesus Christ, John the Baptist and Jesus Christ, surrounded by frames made of colorless glass elements. Between the depictions there are inserted flower garlands and the heads of cherubs. On the upper edge of the chalice there is an engraved inscription. The lower part is decorated with floral and leafy ornamentation in relief. The stem is in the shape of a baluster with floral ornamentation in relief. On the lower part of the stem there are four enamel inserts with depiction of the Last Supper, Jesus Christ and two apostles at the table, the prayer over the chalice, the bearing of the cross and the deposition in the tomb. The base is decorated with a cluster of grapes and four heads of cherubs, as well as a fascia of leafy ornamentation. Along the edge of the chalice there are 4 hallmarks: []; [/1824]; [84] and the emblem of the city of Moscow
1824.
Silver (875), enamel, glass; chasing, engraving
39.120.514.1
1490.5 g.
State of preservation: edges of the base are dented; there is an empty cluster

51. Cross - reliquary, gilded silver, four-pointed with multi-blade extensions at the ends and handles. On the obverse, chased depictions of the Crucifixion with pearl and carved Urals gems in setting around the aureole, the Last Supper, the Descent from the Cross, the deposition in the tomb, the procession to hell. On the handle is the instrument of the Passion. On the reverse side there are cartouches in relief with engraved inscriptions. On the handle there is the hallmark ""
1685 - 1694.
Silver (750), pearls
41.524.52.8
1138.0 g.
State of preservation: gilding worn in places; there are two empty clusters in the aureole; the pearls and not well fixed

52. Cross - reliquary, gilded silver, four-pointed with three-blade extensions at the ends and at the handle. On the obverse there are five seals and a cross with depiction in niello of the Crucifixion and saints, God the Father, the skull and bones. Along the edge the cross is outlined in low pearl and green glass elements. The reverse side of the cross is smooth. On its sides there are engraved inscriptions. On the cross there are three hallmarks: 1793/, , and the emblem of the city of Moscow
1793.
Silver (875), pearls, glass, wood; carving, niello, engraving
38.022.02.8
1200.0 g.
State of preservation: in the upper part of the cross, pearls are missing

53. Cross - reliquary, gilded silver, four-pointed with multi-blade extensions at the ends and at the handle. On the obverse there are four insert seals with niello depictions of the Crucifixion, God the Father and the Apostle Paul. Below on the handle there are chased depictions of the instruments of the Passion. On the reverse there is chased stylized floral ornamentation with pearl strings along a karfan-treated metal background. Three hallmarks: /, .. and the emblem of the city of Moscow with the date 1797
1797.
Silver (875); chasing, engraving, niello
37.223.22.0
666.6 g.
State of preservation: dented, bent, niello and gilding are worn

54. Cross - reliquary, gilded silver, four-pointed with three-blade extensions on three ends and an extension on the handle. On the obverse there is a relief depiction of the Crucifixion and saints, God the Father and the instruments of the Passion. On the reverse side there are five round seals with engraved inscriptions; a background of curling bas relief vegetal ornamentation. Inside there is a wooden cross. Two hallmarks: [AR] and the emblem of the city of Moscow with the date 1743.
1743.
Silver (750), wood; chasing, engraving
31.218.02.0
469.0 g.
State of preservation: gilding is worn, slightly dented, scratched

55. Cross - reliquary, gilded silver, four-pointed with three-blade extensions at the ends and on the handle. On the obverse, a cast insert of the Crucifixion with tracery crown decorated in pearl. On the handle and the ends of the cross there are depictions of the Last Supper, the Descent from the Cross, the Deposition in the Tomb, the Resurrection. On the handle there is a bas relief depiction of the Passion. On the reverse side there are five round seals with engraved inscriptions; the background is decorated with winding vegetal ornamentation. On the handle there is an engraved inscription indicating ownership and date. Three hallmarks: [1731], IΘ and a depiction of the two-headed eagle with the initials "HS".
1731.
Silver (750), pearls
48.531.02.7
1267.0 g
State of preservation: on the obverse, many of the clusters are empty - decorative elements are missing

56. Cross - reliquary, gilded silver, four-pointed with three-blade extensions at the ends and at the handle. On the obverse, there is an inserted enamel four-point (Orthodox) cross on copper with depiction of the Crucifixion. Along the sides and above there are three enamel images with depiction of saints and God the Father surrounded by frames made of colorless glass elements with crowns above. On the handle there is a round enamel surface depicting a skull and bones and the prayer over the chalice, as well as rounded frames made of colorless glass. On the reverse side, in the center is an engraved depiction of the cross. Three hallmarks: [], [84], [1807]
1807.
Silver (875), enamel, glass, copper; chasing, engraving
40.025.01.5
827.8 g.
State of preservation: on the cross and two enamel medallions, the enamel is damaged - chipped and cracked; 23 clusters are empty

57. Silver cross, four-pointed with three-blade extensions at the ends, on a rectangular pedestal over a stepped base. The cross and the pedestal have a floral design and are covered in multicolored enamel. The cross and pedestal carry depictions of the Crucifixion, skull and bones and the four Evangelists; carved, made of bone, at three ends of the cross there are three amethysts each in round clusters, with rays in the middle of the cross having three aquamarines each. Under the Crucifixion there is an oval medallion of enamel depicting the Madonna. The pedestal is decorated with a turquoise, amethysts, almandines, chrysolites, garnets and two twigs made of malachite; in the bottom, a small copper plate on wooden foundation with engraved inscription. In the black leather case, the inside is lined with velvet and silk
19th century.
Silver (750), gemstones, copper, wood; chasing, carving, engraving
24.19.3
Net weight = 120.0 g.
Gross Weight = 204.0 g.
State of preservation: the plate at the bottom of the pedestal is falling off; the leather on the case is worn and torn

58. Cross - reliquary, gilded silver, four-pointed (Orthodox) with three-blade extensions at three ends and handles, with shaped lower end. On the obverse there is a cast Crucifixion. On the sides, a bas relief depiction of saints. At the upper end - God the Father and the Holy Spirit. Below, the procession into hell and a full-length depiction of St Jacob. At the middle of the cross, there are openwork vegetal volutes. On the reverse, there are five rhomboid seals surrounded by an ornamentation consisting of crowns and flowers with leaves. Along the background there are engraved inscriptions showing the date and ownership of the cross. Along the edge there is a free-form fascia made of pearls. Inside there is a wooden cross.
Silver (750), wood; chasing, casting, engraving
37.520.51.7
782.0 g.
State of preservation: worn, slightly dented

59. Chalice, gilded silver. The cup is smooth and has a bent rim and openwork housing. The stem is shaped like a baluster. The base is round and convex. The housing has the shape of a squamosal net with pearl along the upper edge, with four oval filigree parts depicting the Crucifixion, the Virgin Mary, Jesus Christ and John the Baptist. The stem has been chased with a design of narrow shallow indentations. On the base are four filigree oval sections with depictions of the Prayer over the chalice, the bearing of the cross, Pilate's judgment and the flagellation. Between the medallions are the chased heads of cherubs and garlands of leaves and flowers. At the bottom of the base are three hallmarks: , [] and the emblem of the city of Moscow with the date 1780
1780.
Silver (875), enamel; forging, chasing, carving, painting
31.512.919.5
1266.0 g.
State of preservation: lower part of the housing and edge of the base are bent; gilding inside is worn and scratched

60. Chalice, gilded silver. The cup is smooth, with turned-up rim and openwork gilded housing. The stem has the shape of a baluster. The base is funnel-shaped. The casing has a funnel-shaped edge made of intertwined stylized stalks, with four bas relief heads of six-winged seraphims alternating with oval enamel sections depicting the Crucifixion, the Virgin Mary, Jesus Christ and John the Baptist surrounded by frames made of faceted colorless glass. On the stem there are chased acanthus leaves. The upper part of the foundation has narrow, shallow depressions; the lower part has frames made of colorless glass containing bas relief scenes of the flagellation (two scenes), the Crucifixion and descent from the cross, between which are the figures of angels. On the base there are 4 hallmarks: [/1856], [], [84] and the emblem of the city of Moscow, enamel on copper
1856.
Silver (875), enamel, glass,copper; casting, forging, chasing, carving, painting
30.513.319.0
1411.0 g.
State of preservation: three sections on the cup are badly broken; one cluster on the lower part of the frame is empty

61. Chalice, gilded silver. There is a double cup with turned-up rim. The stem has the shape of three female figures. The base is funnel-shaped. The first cup is smooth, with superimposed fascia consisting of palmettos; decorated with turquoise and colorless glass. The second cup has three bas relief depictions of Jesus Christ, John the Baptist and the Virgin Mary surrounded by oval frames made of colorless glass; and between the medallions there are two bas relief garlands of flowers, and heads of cherubs below. Between the stem and the cup there is a connecting rosette and plug. On the base are three bas relief scenes: two with depictions of the Crucifixion and one of the descent from the cross. Between the depictions are three rows of lilac-colored glass surrounded by turquoises. Four hallmarks: [/1824], [], [84] and the emblem of the city of Moscow
1824.
Silver (875), gemstones, glass; casting, forging, carving, chasing
40.315.321.3
2518.0 g.
State of preservation: the fascia of palmettos is broken into four parts; many of the clusters are missing glass elements and two clusters are missing turquoises; on the base one cluster is empty; a cup has come loose

62. Chalice, gilded silver. The cup is smooth, with turned-up rim and openwork gilded housing. The stem has the shape of a baluster. The base is rounded and convex. The housing has the shape of intertwined rocaille volutes, with four enamel sections depicting the Crucifixion, the Virgin Mary, Jesus Christ and John the Baptist. The stem is cast with four convex parts. On the base are four enamel oval areas depicting the prayer over the chalice, the bearing of the cross and two scenes of flagellation; between the medallions there is a chased rocaille ornamentation and under the medallions there are flowers which alternate with carved cartouches containing the carved inscriptions: " ... 1773 10 ..." ("this vessel was made for ...the merchant Fedor Petrov, son of Panov...1773 March 10"). The hallmarks are "" and the date "1772." The other hallmarks are illegible.
1772.
Silver (750), enamel; forging, casting, chasing, carving, painting
30.013.017.8
1232.2 g.
State of preservation: the chalice is bent and dented, three sections are chipped, three have cracks

63. Cross, gilded, four-pointed (Orthodox) with cast Crucifixion and crown of roses, on a silver cross with dark blue enamel on the obverse and ruby on the reverse. The housing of the cross is made of jasper in oval gilded frames with carinate top and inserts of roses and four rubies. In the upper part is a crown with roses; in the lower part, a pendant in the form of shield with a large ruby in the center and roses along the sides. In the middle of the cross there are rays of roses and four rubies along the corners. All the frames of roses are silver. Two hallmarks: "" and in a circle the depiction of a male head in profile to the right
19th century.
Gold 583 = 50.75 g; silver 875 = 20.0 g.; 109 roses, 10 rubies, jasper
15.78.7
79.9 g.
State of preservation: the cross with crucifixion comes off; part of the roses are heavily soiled

64. Chalice, gilded silver. Cup with turned-up rim. Faceted stem. The upper part of the base is faceted; the lower part is funnel-shaped. The cup is fitted with an openwork housing of flowers, leaves and palmettos. On the housing are four oval enamel medallions depicting Jesus Christ, the Virgin Mary, Jesus Christ and John the Baptist. The medallions are surrounded by frames made of uncolored glass with ribbons above. On the facets of the stem there are convex edges. On the upper part of the base there are four rectangular enamel overlays depicting the prayer over the chalice, the deposition in the tomb, the bearing of the cross, and Christ in prison. The overlay is surrounded with frames of colorless glass with ribbons above. The base is decorated with two fascia of chased ornamentation: alternating heads of cherubs and baskets of flowers, as well as a fascia consisting of flowers and leaves. On the base there are 4 hallmarks: /1882, , 84 and the emblem of the city of Moscow. On the cup there the 4 hallmarks: , /1884, and the emblem of the city of Moscow.
Base - 1882, cup - 1884.
Silver (875), enamel, glass
36.513.520.0
1210.0 g.
State of preservation: base is dented; there are empty clusters

65. Chalice, gilded silver. Cup with turned-up rim. The stem has the shape of a round sphere with six-pointed stars and with sheaves of grain emerging from it gathered by a ribbon and pointed down from the cup. The base is funnel-shaped. The cup is decorated with overlaid symbols of the Evangelists, with clusters of grapes and enamel medallions surrounded by frames made of colorless glass and depicting Jesus Christ, the Virgin Mary, Jesus Christ and John the Baptist. Along the upper edge there is a fascia of amethysts. On the base are four enamel plates surrounded by frames made of colorless glass depicting the prayer over the chalice, Christ amidst the brigands, the Crucifixion, the deposition in the tomb; and between the plates are bas relief heads of six-winged seraphims. Along the edge of the base and on the bottom there is an engraved inscription explaining that the chalice was donated to the Iversky Monastery. On the base are four hallmarks: /1830, , 84 and the emblem of the city of Moscow
1830.
Silver (875), enamel, glass, chasing, carving, engraving, amethysts
39.214.719.3
1862.0 g.
State of preservation:: on the cup one medallion has come off (saved separately); on another medallion nearly all the enamel is broken; one is chipped; the edges of the base are dented; on the base the frame with glass has come off; many of the clusters are empty; three amethysts are missing - eight are present but they fall out of the clusters; enamel on copper

66. Chalice, gilded silver. The cup has three oval enamel medallions in frames made of glass and depicting Jesus Christ, the Virgin Mary and John the Baptist; between the medallions are overlaid garlands of roses and on the upper edge there is a cluster of grapes made from colorless glass. The stem has the shape of three female figures. The base is funnel-shaped, with an upper part in the shape of a flattened sphere decorated with three eight-sided enamel plates surrounded by frames of colorless glass and depicting the Last Supper, the prayer over the chalice and the bearing of the cross, between which are rosettes of colorless glass. On the base there are three bas relief scenes: the Crucifixion, the descent from the cross, the deposition in the tomb. Between the depicitons there is a strip of colorless glass with four inserts made of amethysts. Four hallmarks: "", "/1829", "84" and the emblem of the city of Moscow. Enamel on copper
1829.
Silver (875), enamel, glass, amethyst; chasing, engraving, carving, copper
41.014.422.0
2588.0 g.
State of preservation: there are empty clusters missing glass; three amethysts are missing; three enamel inserts are chipped and cracked; the chalice is shaky; enamel on copper

67. Icon on wood of Our Lady of Kazan, in a silver, largely gilded setting (oklad), with silver openwork aureole. The edge of the setting has the shape of a frame with chased geometric ornamentation. Along the four corners are bas relief bouquets of roses and other flowers. The back side of the icon is fitted with a raspberry colored silk. On the silver oklad there are 4 hallmarks: "/1879", "", "84" and the emblem of the city of Moscow
1879.
Silver, wood, silk; painting, chasing, engraving
26.522.0
851.0 g.

68. Icon on wood of the Archangel Gabriel in solid silver setting (oklad) with chased full-length depiction of the Archangel Gabriel and in the upper left corner, Jesus Christ in the clouds; with two gilded silver aureoles in the form of radiating light. The edges of the setting have the shape of a frame with bas relief palmettos and rosettes of flowers. The back side of the panel is covered with brown velvet. On the silver oklad there are 4 hallmarks: "", "/1834", "84" and the emblem of the city of Petersburg
1834.
Silver, wood, painting, stamping
31.026.0
1180.7 g.

69. Icon on wood of Our Lady of Smolensk, in a gilded silver setting (oklad) with red glass in a cluster. Along the edge of the frame there is chased ornamentation in the form of palmettos. The back side of the icon is covered with red velvet.
19th century
Silver, wood, velvet, chasing, painting
32.028.0
1946.0 g.
State of preservation: on the dress there are two clusters missing elements; the setting is dented; rays of the aureole are bent and partly broken; the painting has been damaged

70. Icon on wood of the Saint Prince Vsevolod in gilded silver chased setting (oklad) with golden aureole. Depicted full length in an ermine mantle, with armor on the left. Along the edge of the frame there are overlays along the corners. Four hallmarks: "/1826", "", "84" and the emblem of the city of Petersburg.
1826.
Silver, wood; chasing, carving, painting
27.020.5
979.0 g.
State of preservation: on the setting below there is an insert missing as well as part of the inset decoration on the frame

71. Icon on wood of John the Much-Suffering in solid silver, gilded and chased setting (oklad) with golden aureole. In the upper part are bas relief figures of three angels. Along the edge there is ornamentation consisting of vases and flowers as well as a fascia of mother of pearl; the background is kanfar-technique metalwork. There are 4 hallmarks: , "1793/", "1.1" and the emblem of the city of Moscow.
1793.
Silver, wood, chasing, painting.
31.026.0
1413.0 g.
State of preservation: wooden board has cracked

72. Icon on wood of Christ the Almighty in gilded silver setting (oklad), with chased riza and frame. The background of the setting is decorated with small faceted vegetal ornamentation. The aureole and corners of the frame are covered with multicolored enamel. The back of the icon is covered with velvet. On the silver setting there are 4 hallmarks: "." and the two-headed eagle, "/1893", 84 and the emblem of the city of Moscow.
1893
Silver, wood, enamel, velvet; painting, chasing, engraving, enamel.
31.026.0
1500.0 g.

73. Icon on wood of Christ the Almighty in a gilded silver setting (oklad), with golden aureole. Along the sides there are depictions of two saints. Along the corners there is large rocaille ornamentation. The face is covered with mica. The back is covered with calico. Four hallmarks: "", "IC", Θ and the emblem of the city of Moscow.
Late 18th century.
Silver, wood, mica; painting, chasing
31.526.0
1371.0 g.
State of preservation: the wooden board has bent; one slat is coming off; the edges of the setting are dented and the upper part is torn.

74. Icon on wood of Our Lady of Kazan in gilded silver setting (oklad) and with golden aureole, decorated with beading and turquoise. The frame and background are decorated. The aureole consists of palmettos alternating with six-winged seraphims. Along the edges are two angels. The back of the icon is covered in silk.
19th century.
Silver, wood, turquoises; painting, chasing, beading.
35.028.0
1745.0 g.
State of preservation: edges of the setting are dented, torn, and parts of the lower edge are missing; in the upper part the aureole is coming off; one cluster of turquoises is empty; the silk is cut

75. Icon on wood of Our Lady of Kazan in gilded silver setting (oklad), decorated with bas relief rocaille ornamentation and with gilded aureole in the shape of rays. The back of the icon is covered in raspberry colored velvet. Four hallmarks: "/1843", "", "84" and the emblem of the city of Petersburg.
1843.
Silver, wood, velvet; chasing, painting.
32.027.0
1376.0 .
State of preservation: aureole is dented, ends are partly broken; painting has been damaged.

76. Icon on wood of Christ the Almighty in gilded silver setting (oklad) with gilded aureole in the form of rays. The oklad and aureole are decorated with overlaid enamel sections with inscriptions. Along the edge of the setting, frames made of bas relief vegetal ornamentation. The back is covered in silk. The silver setting has 4 hallmarks: "/1837", "", "84" and the emblem of the city of Moscow.
1837.
Silver, wood, enamel, silk; chasing, painting.
31.026.0
1378.0 g.
State of preservation: one enamel insert on the aureole is missing; the painting has been damaged; the silk is cut.

77. Silver charm-frame, rectangular with faceted ornamentation, with handle and ring, with oval photograph of a portrait of Peter the Great. The handle has two hallmarks: [84], []
Late 19th century.
Silver, paper, mica, engraving
2.61.7
2.06 g.
78. Silver pitcher (kungan) with hinged lid, heavily incrusted with turquoise. Shaped handle made of ivory.
Silver, turquoises, bone; forging, inlay work
28.314.011.0
Gross weight = 795.0 g.
Net weight = 700.0 g.
State of preservation: the turquoises have fallen out in places and there are empty clusters; part of the turquoise has been damaged.

79. Egg-shaped charm made of red glass in gilded silver openwork basket with glass bottom, with a leaf of clover, on a gilded silver ringlet, with hallmark of 84 grade silver and woman's head in profile
Late 19th century.
Silver (875)
1.91.1
3.52 g

80. Cross - reliquary, wooden, eight-pointed, in gilded silver frame in the same shape. On the cross there is a painted depiction of the Crucifixion with saints. Under mica in a frame on the obverse is an engraved ornament; on the reverse, a silver cross. There are two hallmarks: "" and in a circle the depiction of a male head in profile facing right
Late 19th century
Silver (875), wood, mica, painting
1.022.311.4
212.1 g.

81. Icon with depiction on mother of pearl of Serafim Sarovsky with an axe against a forest background, in gilded silver setting (oklad) with multicolored enamel, with an oval opening surrounded by white enamel band of pearls. Handle and ringlet, wooden base. Dark rose velvet covers the reverse. Two hallmarks: and in an oval the 84 assay mark, depiction of a woman's head in profile and the letters ""
Late 19th century
Silver (875), mother of pearl, wood, enamel, velvet
8.87.1
74.5 g.
State of preservation: painting is scratched

82. Icon on wood, rectangular, with painted depiction of Our Lady of Georgia, in a gilded silver setting (obramlenie) with engraved ornamentation. The frames and aureole are decorated with multicolored cloisonne enamel. The riza is sewn with kafim pearls. On the reverse is an engraved inscription and the signatures of four of Maria Fedorovna's ladies in waiting with the date "10 May 1883."
1883.
Silver (875), enamel, kafim pearls - 20 g., wood
9.58.1
187.9 g.

83. Icon with depiction of the Virgin Mary. A bas relief silver engraved riza with two stars and a similar aureole. Decorated on the edges with red and green enamel. Background is silver, gilded, engraved, with overlaid letters on the sides. In a gilded silver shaped setting (obramlenie). Decorated with multicolored enamel and the inscription: ", ..." ("joy, comfort"). Above, there is a movable shaped handle. The reverse side is smooth, gilded and has two hallmarks: in an oval, the depiction of a woman's head in profile facing to the right and 84 silver assay mark, and part of a hallmark with the letter "".
Late 19th century.
Silver (875), enamel
12.38.3
242.7 g.

84. Icon on wood, triptych with painted depiction of Our Lady of Kazan and two Archangels, under mica, in a silver frame with bas relief of vegetal ornamentation and with six gemstones in clusters: two emeralds, a ruby, two aquamarines and a rose tourmaline. On the frame there are two hallmarks: "" and "84".
Late 19th century.
Silver (875°), wood, 2 emeralds = 3 carats.; 1 ruby = 3/4 carat; tourmaline, aquamarines, brocade, mica.
9.311.4
125.8 g.

85. Icon on wood, semi-oval, with painting depicting St Panteleimon, in gilded silver frame with ornamentation of cloisonne enamel in pale tones. On the reverse, a silver plaque with engraved inscription. On the frame are two hallmarks: "." and in an oval hallmark "84", plus a depiction of a head in profile facing left.
Late 19th century
Silver (875°), enamel, wood, painting, engraving.
16.810.8
445.0 g.

86. Icon on wood of Our Lady of Kazan, in a silver frame and with a silver aureole and openwork crown decorated with cloisonne enamel of white, light blue, green and dark blue tones. Along the corners there are four ring pendants in the shape of clusters of grapes from seven pearls with three gilded leaves. The back of the icon is covered with material.
Silver ( 875°), enamel, wood, painting, chasing, filigree.
13.010.0
200.0 g.
State of preservation: corners of the frame are damaged, torn; in places the enamel has crumbled; pendants have separated from the icon and on two of them a silver part is missing; one pendant is missing a pearl.

87. Icon on wood of Our Lady of Iversk in gilded silver setting (oklad) with overlaid chased clothing and openings for the head, hands and legs, and with similar overlaid openwork aureole with an overlaid chased aureole of flowers and leaves of lily of the valley. Overlaid setting (obramlenie) along the side covered with a gilded grille with opening at the corners and inscriptions in blue paint. In the middle of the frame there are oval depressions with inlaid garlands of flowers in them. The reverse side is covered with lilac colored satin. The oklad has 5 hallmarks: "", "/1866", "84" and the emblem of Moscow.
1866.
Silver (875°), wood.
31.326.5
2066.0 g.

88. Icon of The Almighty Lord in gilded silver setting (oklad), with silver filigree riza, silver aureole, decorated with cloisonne multicolored enamel. The frame is decorated with bas relief vegetal ornamentation. The back side is covered in red velvet.
2nd half of the 19th century
Silver (875°), wood, enamel, velvet, painting; chasing.
23.317.8
818.5 g.

89. Icon on wood depicting Our Lady of Kazan, completely covered by a silver setting (oklad), decorated with cloisonne multicolored enamel with floral ornamentation and with a similar aureole with crown and tsata decoration. Along the corners are overlaid sections in the shape of tulips. The back side is covered in raspberry colored velvet. There are 4 hallmarks on the oklad: "", "/1894", "84" and the emblem of the city of Moscow.
1894.
Silver (875°), enamel, wood, painting, cloisonne enamel.
22.718.3
1370.0 g.
State of preservation: enamel is damaged, rubbed, two inserts along the corners have been lost; pendants from the tsata are kept separately and parts of two of them have been lost.

90. Icon on wood with depiction of the Ozerianskaya Virgin Mary with Child in a gilded silver setting (oklad), with bas relief oxidized silver riza with overlaid double aureole and crown of multicolored cloisonne enamel bearing silver inscriptions and letters in dark blue enamel. The back side is covered with raspberry colored velvet. On the oklad there are 2 hallmarks: "" and the 84 silver assay mark in an oval, as well as a depiction of a woman's head in profile looking to the right.
Second half of the 19th century
Silver (875°), enamel, wood, velvet, painting.
26.622.0
1052.0 g.
State of preservation: edges of the setting are dented.

91. Icon on wood of St Sofia in the form of an angel seated on a bench. To the left is the Virgin Mary with Christ in radiant light; to the right, John the Baptist with three gilded silver aureoles having three amethysts and six aquamarines. Over them is a depiction of Christ and still higher, angels. In a gilded silver frame with inserted filigree setting holding four gemstones along the corners: cornelian, chrysoprase, rhodonite-orlets and blue stone from the Urals. On the reverse side there is blue brocade. On the oklad there are 2 hallmarks: "" and the depiction of a head in profile facing right.
Late 19th century.
Silver (875°), wood, amethysts, aquamarines, cornelian, chrysoprase, rhodonite-oprlets, Urals gemstones, brocade, painting, filigree.
26.522.0
1175.5 g.

92. Icon on wood of St Sophia in the form of an angel seated on a bench. To the left side is the Virgin Mary with Christ in radiating light; to the right, John the Baptist. Over them are six angels in the heavenly vault. In a gilded silver frame with bas relief floral ornamentation. In the corners are four overlaid squares decorated with multicolored cloisonne enamel. Below there is an overlaid silver plaque with inscription in enamel. The back side is covered in raspberry colored velvet. On the frame and plaque are two hallmarks: 1 and depiction of a female head in a circle.
Late 19th century.
Silver (875°), enamel, wood, velvet, painting, chasing.
31.126.7
1595.0 g.
State of preservation: frame is slightly dented below.

93. Icon on wood of Lord the Almighty in a partially gilded, chased silver setting (oklad) covering the surface except for openings for the face and hands. Gilded silver aureole. Decorated with multicolored cloisonne enamel. On the corners of the long sides of the oklad are shaped gilded silver overlaid sections with the same multicolored enamel. Below there is a silver plaque with inscription in dark blue enamel, and a similar inscription on the Evangel. The back side is covered with raspberry colored satin. On the oklad there are 2 hallmarks: "" and in a rectangle the 84 silver assay and the emblem of the city of Moscow.
Late 19th century.
Silver (875°), enamel, wood, silk, painting, chasing, engraving.
31.026.9
1535.0 g.

94. Icon on wood of the Sign of Our Lady, in a gilded silver filigree setting (oklad) and in a smooth gilded silver frame, with two overlaid silver aureoles. On the aureole of Our Lady there are two framed aquamarines and an amethyst. On the oklad there are four overlaid gilded silver plaques in the shape of triangles, decorated with four gemstones in frames: emerald, tourmaline, aquamarine and amethyst. The back side of the icon is covered in red brocade bearing a silver drawing. On the frame are two hallmarks: "" and in an oval, the depiction of a woman's head.
Silver (875°), wood, brocade, l emerald = 10 carats., 3 aquamarines, 2 amethysts., 1 tourmaline, painting, filigree.
31.326.7
1438.0 g.
State of preservation: gilding is worn, frame is dented, brocade is cut.

95. Icon on wood depicting Our Lady Skoroposlushnitsa, with double silver aureole, decorated with multicolored cloisonne enamel, with four gilded overlaid plates with inscriptions and letters in blue enamel, in a silver frame with smooth gilded sides and convex obverse shaped like columns, decorated with multicolored cloisonne enamel. The back side of the icon is covered with dark cherry-colored velvet and has an attached gilded plaque with inscription in dark blue enamel. On the frame there are 4 hallmarks: "., "/1891," "84" and the emblem of the city of Moscow.
1891.
Silver (875°), enamel, wood, velvet, painting.
26.520.0
1272.0 g.
State of preservation: enamel and painting have been damaged.

96. Icon on wood with depiction of Our Lady of Kazan in double smooth gilded aureole with crown, decorated with two amethysts and four aquamarines. In the gilded silver frame an enamel pattern in the shape of small green leaves lined up in two rows and separated by a gold band placed aslant. In the corners and middle of each side of the frame are eight round overlaid sections with blue enamel alternating with a golden pattern and white eagles. The back side of the icon is covered in lilac-colored velvet. On there frame there are two hallmarks: "" and in an oval, the depiction of a woman's head in profile facing right and the assay mark 84.
Late 19th century.
Silver (875°), enamel, wood, 2 amethysts, 4 aquamarines, velvet, painting, cloisonne enamel.
26.722.2
1058.0 g.
State of preservation: small scratches on the lacquer; on the aureole and crown there are four holes for missing decorations; edges of the setting are dented; velvet is worn

97. Icon on wood of the Assembly of Saints in a silver frame with gilded bas relief of vegetal ornamentation. Decorated with inlaid gemstones in clusters: five emeralds, four sapphires, eight almandines and two turquoises. Along the edge of the frame are two convex fasciae of tinted multicolored cloisonne enamel. The back side is covered in raspberry colored velvet. On the frame there are 3 hallmarks: "", " /1893" and the emblem of the city of Moscow.
1893.
Silver (875°), enamel, wood, velvet 5 emeralds = 40 carats; 4 Ceylon sapphires = 15 carats; 2 turquoises; 8 almandines.
40.732.8
3103.0 g
State of preservation: lacquer is cracked.

98. Icon on wood of Our Lady of Vladimir. Waist-length depiction. In a gilded silver frame with bas relief vegetal ornamentation. The corners and the middle of the sides of the frame are decorated with overlays of multicolored cloisonne enamel. The back side of the icon is covered in lilac-colored velvet. On the frame there are two hallmarks: "." and in an oval the silver assay mark 84, and the depiction of a woman's head facing to the left.
Late 19th century.
Silver (875°), enamel, wood, velvet, cloisonne enamel, painting.
31.226.8
2070.0 g.
State of preservation: lacquer is cracked; edges of the frame are bent

99. Icon in wood of the Holy Trinity, in gilded and chased silver setting (oklad), with three silver and multicolored enamel aureoles and three gilded staffs. In a gilded silver frame with rounded top inside. Decorated with multicolored cloisonne enamel. Three overlaid round badges in the corners. The back side of the icon is covered in lilac-colored velvet with an attached gilded silver plaque with inscription in blue enamel. On the frame are two hallmarks: "", "." and in an oval, the 84 silver assay mark and depiction of a woman's head in profile.
Late 19th century.
Silver (875°), enamel, wood, velvet, painting; chasing, cloisonne enamel.
35.531.3
4107.0 g.
State of preservation: one circular insert with enamel has come off and is saved separately; two parts with enamel are missing.

100. Three-part icon (skladen) in gilded silver, decorated with multicolored pitted enamel; the leaves are bound by a cross, decorated with red and dark blue enamel that is attached to the right leaf. Inside there is painting on copper with depiction of the Savior, St Catherine and Sergius of Radonezh. Has a handle, which bears two hallmarks: in an oval, the 84 silver assay mark and the emblem of the city of Petersburg, and the letters "."
Late 19th century.
Silver, enamel, copper, painting; pitted enamel.
7.35.7
161.0 g.
State of preservation: painting has been damaged.

101. Three-part icon (skladen) carved from wood of the cypress tree, in a setting (oklad) of oxidized silver. On the leaves there is ornamentation imitating basket weaving. Above, there are three silver crosses. The back side is smooth; there is a grip and hook. On the oklad are 4 hallmarks: ".", ". /1...", ". 4", and the emblem of the city of Moscow.
Late 19th century.
Silver (875°), cypress wood; carving.
2.417.37.4
476.8 g.
State of preservation: wooden carving is broken; separate elements are missing; two crosses are bent.

102. Beaker, gilded silver, six-faceted; on the stem is the kneeling figure of an angel. The base is shaped. The cup, stem and base and decorated with inlaid lapis lazuli. On the reverse side of the pedestal is the inscription: "Froment menrige 1846".
1840s
Silver (875°), lapis lazuli.
23.611.4
628.0 g.

103. Pendant egg made of rose-red veined jasper, in a silver filigree setting with round rosettes at the ends. In the upper rosette a sapphire and four mother of pearl inserts have been set; in the lower rosette, there is a lapis lazuli. The rosettes are joined by two crosses consisting of a sapphire and four drop-shaped pearls each between the crosses along a round mother of pearl insert. There is a pendant in the form of a chain with carnelian. Two chains come from the upper rosette; they are linked above by a cross piece on which there is attached a brown moon-shaped stone; above is a double ring.
Silver (875°), 3 sapphires = 1.5 carats; kafim pearl, mother of pearl.
12.85.0
129.59 g.

104. Inkstand in the form of a silver egg covered with dark blue enamel on a network background. Stands on three legs in the shape of volutes. Has a silver button with a sapphire and an overlaid element in the shape of a crown with 16 rosettes. Gilded inside, with a rubber stopper on a spring.
Late 19th century.
Silver (875°), 16 rosettes, 1 sapphire, enamel, rubber.
6.53.9
151.7 f.

105. Sugar bowl, chased silver, in the form of a square woven basket. Gilded inside and with a semicircular twisted handle. On the bottom are two hallmarks: "", 84/ and the emblem of Petersburg with the date 1883
1883.
Silver 84°
16.021.821.8
767.1 g.

106. Icon of the Miracle of St George and the Dragon. Upper part covered with a silver and multicolored enamel setting (oklad). In a silver frame with vegetal ornamentation placed on mica. Along its corners, the frame is connected by four silver rectangular overlaid elements decorated in filigree, dark blue enamel. Five inserts in clusters: in the: in the center is a tourmaline; along the corners are turquoises. The reverse side is covered in rose-colored silk fabric with a vegetal design woven using golden thread (18th century fabric). There are two hallmarks on the frame: " " with a triangle in an oval, and a woman's head in profile facing right with the 84 silver assay mark.
Icon from the 17th -18th century, from from the end of the 19th - beginning of the 20th century
Wood, silver (84°), fabric, mica, tourmalines, turquoises; painting, carving, chasing.
31.026.8
1679.0 g.
State of preservation: in the lower right part of an insert a turquoise is missing.

107. Icon with depiction of Nikola. In the upper part it is covered with a silver and multicolored enamel setting (oklad). Has three aureoles. The central aureole is decorated with low pearls, two tourmalines and an emerald. In a silver frame with cut vegetal ornamentation placed on mica. Along its corners the frame is joined by four silver rectangular overlaid elements decorated with filigree, blue enamel and five inserts in clusters: in the center, tourmaline and in the corners - turquoise. The back side is covered in pale blue silk damask with a floral pattern (19th century material) and has a silver plaque with inscription about the presentation of the icon to G.M. Kuznetsov by the Moscow Old Believers' Society of the Rogozhsky Cemetery. On the frame there are two hallmarks: " -" and a triangle in an oval, as well as a woman's head in profile facing right and 84°.
Icon and aureoles date from the 17th - 18th century. Frame - late 19th century.
Wood, silver (84°), textile, mica, tourmalines, turquoises and kafim pearls,emerald; painting, carving, chasing
30.827.0
2015.0 g.
State of preservation: on the lower left part of an insert tourmalines are missing.

108. Icon on wood with waist-length depiction of Lord the Almighty. Covered with a gilded silver setting (oklad) with openings for the head and arms. Has a silver aureole decorated with multicolored enamel. Gospel covered in dark blue enamel and a similar inscription - Lord the Almighty ( ). Along the edge of the oklad there is a stylized vegetal ornamentation. The back side is covered in raspberry colored velvet. The oklad has the hallmark "" and another which is illegible.
19th century.
Silver, enamel, wood, velvet, painting, chasing, engraving.
27.022.8
999.0 g.
State of preservation: setting is slightly dented; painting is covered with dirt; there are traces of old mold.

109. Icon on wood with depiction of Our Lady of Kazan. In a full setting (oklad) of silver with gilding having openings for the head and arms. With a gilded silver aureole having an openwork edge. Chased riza of the Virgin and Child. Along the edge of the oklad there is stylized vegetal ornamentation. The back side of the icon is covered in raspberry colored velvet. On the aureole there are two hallmarks: "" and "8".
19th century.
Silver, wood, velvet, painting; chasing, engraving.
27.022.8
777.0 g.
State of preservation: two corners of the setting are dented - the upper left and lower right; a crown on the left side is missing; the velvet is worn and in one place it is torn.

110. Silver brooch in the shape of an oval, wavy leaf. Covered with bright blue enamel, with a branch and flower, with two leaves and volute with bud. Decorated with diamonds and rosettes. The reverse side of the leaf is gilded and has part of a golden fastener 1st half of the 19th century.
Silver, gold, enamel, diamonds and 95 small rosettes; engraving, gilding.
5.13.7
21.77 g.
State of preservation: the flower on the branch is broken and some of the petals with gemstones have been lost; there are empty clusters; the fastener is broken and only part is present.

111. Icon on wood depicting the Resurrection in the middle and Twelve Festival Days in vignettes. In a gilded and chased silver setting (oklad) which copies the same subjects as are on the icon and has openings for the faces, hands and figures. With 18 aureoles of saints decorated with turquoise. A single aureole for Christ, decorated with turquoise and paste. The vignettes are framed in pearls. In the upper part there are engraved inscriptions. The center has a frame of bas relief stylized leaves. Along the edge of the oklad is a chased frame of acanthus leaves, with rosettes along the corners. The oklad has 4 hallmarks: "/1821"; "84", "Θ" and the emblem of the city of Moscow.
Moscow, 1821.
Silver, turquoise, paste, wood; chasing.
3.835.731.3
687.5 g.

112. Silver cigar case, rectangular, with a hinged lid, decorated with multicolored enamel in a stylized vegetal pattern; gilted background with metalworking in the kanfar technique. On the lid there is an overlaid element with silver monogram. The back side has a section for matches with hinged lid. On the opposite side there is a wick. Hallmarks: ""; "84" and the emblem of the city of Moscow.
Moscow, 1880s.
Silver, enamel, cord, carving, engraving
2.09.56.0
237.56 g.
State of preservation: the enamel is chipped along the edge.

113. Icon on wood of Our Lady of Vladimir, in a riza with river pearls, mother of pearl and colored glass and in a chased silver setting (oklad) decorated with stylized vegetal ornamentation, with gilded aureole and a rosette of glass elements. The reverse side of the panel is covered in raspberry colored velvet. The rosette on the aureole is a later addition.
1st half of the 18th century.
Wood, silver, pearls, mother of pearl, glass, velvet, painting, chasing, sewing.
33.027.0
weight of the setting = 344.95 g.
weight of the riza = 37.73 g.
State of preservation: along the edges the painting and foundation are damaged; the setting is work and dented on the edges; the pearls on the riza have come off in places. On the aureole there are breaks; on the rosette there are empty clusters where the glass is missing

114. Silver tankard, gilded inside, broadening out at the top, with a handle ending at the top in a man's head in helmet. In the upper part of the tankard there are three oval medallions in eight-sided frames having overlaid depictions of antique subjects. The frames are decorated with a vegetal design. Along the lower edge of the body there are also overlaid stamped depictions of three dancing graces and cupid, repeated thrice. Along the edge of the tankard there is a bas relief fascia consisting of vegetal design, volutes and vases with swans. At the bottom there are 4 hallmarks: "P.MULLER"; "/1830", "84" and, in a circle, the emblem of Petersburg. Silversmith Peter Muller, Petersburg.
1830.
Silver, chasing, stamping, engraving.
15.59,87.5
288.91 g.
State of preservation: inside there are spots; the bottom is somewhat bent.

115. Ladle (kovsh), large and decorative, in partly gilded silver, with enamel along filigree, and with two green glass elements and an aventurine in clusters. The enamel on the body is located in four areas with stylized vegetal design and birds made in green, rose and turquoise tones; the sides of the handle are similarly executed. Along the upper edge of the ladle which is decorated in white string pearls and the upper side of the handle, there is a floral ornamentation on a dark red background. At one end of the ladle is a small barrel as decoration. On the bottom there are traces of hallmarks.
Late 19th century.
Silver, glass, enamel.
23.010.012.0
400.0 g.
State of preservation: gilding is very worn.

116. Pendant brooch, golden, in the form of a floral twig consisting of a flower, a bud and three leaves. The lower part of the brooch is framed in a volute. Pin and eye closure to suspend from clothing. In the flower there is one large diamond. In the leaves there are 11 brilliants. On a clasp in 56 or 54(?) assay gold.
End of the 19th century, beginning of the 20th century.
Gold (56°), 12 diamonds.
4.23.0
10.63 g.
State of preservation: worn.

117. Icon on wood of Nicholas the Miracle-Worker in a chased silver setting (oklad), with aureole in the shape of rays and miter in the middle. The riza on the setting is in high relief, with chased vegetal design, the Gospel and a cross. In the upper part of the oklad there is a depiction of saints in the clouds. Along the edge there is a bas relief frame consisting of acanthus leaves. The hallmarks: "", "/1835", "84" and the emblem of the city of Moscow.
Moscow, 1835.
Silver (84°), wood.
3.031.526.5
Silver (875) = 334.0 g.
State of preservation: on the setting there are dents, deformations; the ends of the aureole are bent and two are broken; several rays are missing. The painting is damaged. The back of the wooden board has been eaten by beetles.

118. Icon on wood of the Joy to All Who Grieve, in a chased silver setting (oklad) with aureole. Along the edge of the oklad is a frame with bas relief vegetal design. On the oklad there are ornamental frames with inscriptions. The hallmarks: "", "84", "/1827" and the emblem of the city of Moscow
Silver (84°), wood, painting, chasing, carving.
3.331.725.7
State of preservation: there are cracks on the icon, peeling, chips of the paint layer, puffing up; dowels are damaged, chipped. The setting is slightly dented, worn, scratched; the edges are bent.

119. Icon on wood of Nicholas the Miracle Worker in a chased silver setting (oklad) with aureole, with rays decorated with (colored) paste glass and ornamentation in colored glass. The riza on the oklad is in high relief, with a chased vegetal design and enamel Gospel. In the upper part there is a depiction of Christ and the Virgin in the clouds and enamel overlays with inscriptions: two rectangular and two oval. Along the edge of the oklad there is a high frame of chased acanthus leaves. Along the corners there are overlaid rosettes with paste glass. The hallmarks: "I", "/1825", "84" and the emblem of the city of Moscow.
Moscow, 1825. The icon has a later addition of lamp with colored glass in clusters and an insert - a small glass holder made of rose-colored glass. End of the 19th century.
Silver (875°), wood, enamel, glass, chasing.
33.528.54.5
net weight. = 4710.0 g.
lamp - 8.55.8
State of preservation: aureole is broken at the top and a piece is held separately; part is missing; 5 inserts with paste are missing; in the lower part two clusters with paste are missing and one cluster is empty; the rays are missing 5 clusters with paste. A decoration in the form of a ribbon with colored glass and paste is held separately: it has 7 empty clusters and one broken ray. There is an empty cluster on the lower left of the rosette; in the center there are chips and cracks on the enamel of the gospel. On the lower left of the rosette a cluster is empty; in the center there are chips and cracks on the enamel of the gospel. The setting is work and in places it is bent and there are scratches. The frame is worn and in places it is bent and there are scratches. The leg for attaching the lamp is missing.

120. Icon on wood of Our Lady of Iversk in gilded and chased silver setting (oklad) with overlaid relief riza. Fine engraved ornamentation. Silver aureole decorated with multicolored enamel along filigree in the form of a floral pattern. The background of the oklad is a small net; along the edge a frame formed of geometric ornamentation. Below there is the inscription in dark blue enamel: "i . ". Hallmarks: "", "/1894", "84" and the emblem of the city of Moscow.
Moscow, 1894.
Silver 84° (875°), enamel, wood, painting, chasing.
22.317.7
gross weight. = 577.5
net weight = 130.0 g.
State of preservation: the edges of the setting are dented, the corners are bent, signs of wear. The silk is torn.

121. Icon on wood of Our Lady of Kazan in a gilded silver setting (oklad) with ornamental engraved frame. The panel is covered from below by a rose-colored velvet. In wooden icon case. Hallmarks: "/1891", "84" and the emblem of the city of Moscow
Moscow, 1891.
Silver (875°), wood, tempera, velvet; gilding, engraving.
22.518.0
Net weight: 230 g
State of preservation: setting is worn, on the icon the paint layer has swollen.

122. Icon on wood of St Alexander Nevsky in Prayer, waist length. In a silver setting (oklad) with stylized ornamentation on the fields: the aureole is decorated with multicolored enamel along filigree; below, in the center, there is an overlaid plaque with the inscription: ". . ." Hallmarks on the plaque: ../1894, 84, emblem of Moscow and Khlebnikov under a two-headed eagle.
Moscow, 1894
Silver, wood, chasing, filigree, enamel, tempera
36.629.1
Gross weight - 1576.5 g.
State of preservation: considerable loss of enamel; gilding very worn; spots, traces of lacquer; edge deformed; nails made of non-precious metal.

123. Small ladle in gilded silver with shaped handle. Decorated with vegetal ornamentation with colored enamel along filigree. On the handle there is an overlaid gilded monogram "A" under a crown. Inside the ladle there is an engraved inscription: "19 IX 1927". On the bottom are two hallmarks: .., a woman's head in profile and the silver assay mark 84,
Moscow, 1896-1903
Gold, silver, enamel, gilding
5.013.28.0
155.88 g.
State of preservation: gilding worn; dark spots; oxidation; on the handle of the ladle there is a small opening; the crown has come off (stored separately)

124. Icon on wood the the Madonna with Child, in a silver setting (oklad) with enamel along filigree. The oklad is in the shape of a frame decorated with stylized vegetal ornamentation, overlaid corners and two aureoles. The reverse side of the icon is covered in velvet. On the lower frame there are the hallmarks: ".", "/1890", "84" and the emblem of the city of Moscow.
Moscow, 1890.
Silver, wood, enamel, velvet, filigree.
23.018.03.5
795.0 g.
State of preservation: one square part has been lost, the enamel has chips and parts are lost; slightly deformed; there are dents on the metal, scratches, dirt.

125. Icon on wood of Savior, the Almighty, in a gilded silver setting (oklad) with enamel and filigree. The aureole, the sides of the clothing and the corners are decorated with white, pale blue, green, dark blue and red enamel. The clothing is made of four types of filigree. In the left hand of the Savior is an open Gospel. Along the lower edge are the hallmarks: "", "/1896", "84" and the emblem of the city of Moscow. All the enameled overlays have the hallmarks "", "84" and the emblem of the city of Moscow.
Moscow, 1896.
Silver, wood, enamel; filigree, chasing, engraving, painting.
26.822.22.8
1102.7
State of preservation: setting is work, spotted; minor loss of enamel; filigree is deformed, scratches. The background of the setting is very deformed. Cracks and dents in the paint layer.

126. Silver cigar case with hinged lid. On the lid there is a depiction on enamel of a woman with an umbrella. Hallmarks: "ΨS", "935".
Silver, enamel, nonprecious metals.
1.08.86.3
Gross weight.=113.01 g.
Net weight.=108.0 g.
State of preservation: worn, dents, scratches.

127. Icon of St Nikola with vignettes of his life, in a gilded silver setting (oklad) with overlays of multicolored enamel and a silver overlaid aureole. Along the lower border there are the hallmarks: "." and under a two-headed eagle, the factory.
3rd quarter of the 19th century.
Silver, nonprecious metals, wood, painting, enamel; engraving, gilding, chasing.
31.127.12.4
Gross weight = 768.2 g.
Net weight of silver ( 875°) = 764.0 g.
State of preservation: scratches, spots, wear, missing two round inserts in the lower part, spots. Mountings of the lining are made of nonprecious metals.

128. Icon of the Apostles Peter and Paul in gilded silver setting (oklad) with chased and engraved vegetal ornamentation; with 3 overlaid aureoles, the Gospel and plaques with inscriptions in multicolored enamel. On the background, an engraved depiction of a cathedral. The reverse side of the icon is covered in silk. Along the border of the icon there is the Savior and on overlaid riza there are the hallmarks: "" - the silversmith and the assay inspector I. Lebedkin and the standard "84".
Moscow, 1896-1908.
Silver, nonprecious metal, wood, silk, engraving, gilding, painting.
31.226.71.2
Gross weight of setting = 511.0 g.
Net weight of silbver (875°) = 510.0 g.
State of preservation: scratches, dents, wear, deformation, nails made from nonprecious metal.

129. Icon of St Nikola in chased silver setting (oklad) with overlaid gilded silver aureole. Chased and engraved vegetal ornamentation on the background. Three overlaid aureoles. Along the lower edge, there is the inscription: " 1 . 30/ 1/4 ". Hallmarks on the oklad and aureole: "/1865" - the assay master A.S. Kudrin, the assay standard "84" and the city hallmark of Nizhny Novgorod, as well as "" - a silversmith (?).
Nizhny Novgorod, 1865.
Silver, wood, chasing, gilding, engraving, painting.
Gross weight of the setting = 538
Net weight of the silver ( 875°) = 538.0
State of preservation: scratches, wear, deformation; part of the aureole is broken; there is swelling on the painting, loss of paint, peeling.

130. Icon of St Mary of Egypt, in chased silver setting (oklad) with six silver overlaid elements with inscriptions and two aureoles. On the corners of the oklad are chased roses. On the lower edge there are the hallmarks: "/1876" - the assay master A.S. Kudrin, the silver standard "84", the city hallmark of Nizhny Novgorod, "" - the silversmith I.I. Udalov. On the reverse side the icon is covered with velvet. I.I. Udalov, N. Novgorod
1876.
Silver, wood, chasing, gilding, engraving, painting.
36.131.22.8
Gross weight of the setting = 868.3 g.
Net weight of silver = 868.3 g.
State of preservation: scratches, wear, spots.

131. Cigarette case with white transparent enamel on a guilloche silver background with rims of colored gold and sapphire; the button of the fastening framed in gold. On the rim, the lid and bottom there are hallmarks.
Late 19th century.
Gold, silver, 1 sapphire; chasing, enamel.
9.86.12.0
158.64 g.
State of preservation: worn, scratched, cracks in the enamel, the solder is in nonprecious metal.

132. Clasp brooch made from a pendant with two suspended elements. In the center of the brooch and at the end of the pendants there are one emerald each (3 pcs). Around the emeralds and on the pendants there are four diamonds and 86 roses. No hallmarks.
Late 19th century.
Gold, silver, diamonds, roses, emeralds.
5.42.8
7.38 g.
State of preservation: solder is from nonprecious metal; there are cracks in the emeralds, chips, scratches, wear, soiled.

133. Golden brooch with sapphire (asterisk) and four diamonds on a strap. No hallmark. In a leather case.
Late 19th century
Gold, diamonds
Length - 5.3
7.25 g.
State of preservation: scratches, wear, spots
134. Golden ring with diamond and pearl. No hallmark. In a case marked "" (Faberge).
Diameter -2.1
3.44 .
State of preservation: dents, scratches, wear, soldering; the ring has an insert of solder.

135. Icon on wood of Our Lady of Smolensk, Odigitria in a gilded silver setting (oklad) with doubled aureole and pearl riza. Hallmarks: "/1", ".. ", 1760s. The silver mark "76" has been scratched out.
Silver, roses, emeralds and low grade pearls; gilding, velvet
35.631.13.2
2044.8 g.
State of preservation: setting is dented, deformed; edges torn, scratched; metal on the rim partly lost, generally dirty; wear, gilding in places is missing; nails and loop on the reverse side are made of nonprecious metal; pearls have no luster, low quality, peeling. Velvet is soiled.

136. Icon of Our Lady of Czestochowa in gilded silver setting (oklad) with filigree riza, with doubled enamel aureole and four silver enamel overlays with inscriptions. Hallmarks: "" -atelier owner S.I. Zharov, Moscow assay administration with "84" silver standard.
Silver, satin, glass; filigree, enamel on filigree
30.826.83.3
755.6 g.
State of preservation: dirty, enamel worn, chipped; gilding very thin, scratches.

137. Icon on wood of Nikolai the Miracle Worker in chased silver frame (the frame has been selected from another icon). Saints are on the frame. No hallmarks. Russia.
2nd half of the 19th century.
Silver, chasing, wood, tempera.
32.026.5
1671.2 g.
State of preservation: frame is dented; on the aureole metal is missing in places, tears, soiled in general; paint layer is peeling.

138. Gilded silver egg, with multicolored enamel on filigree. On the flatter end, a two-headed eagle. Hallmarks: "84," by the Moscow Assay Administration.
1908-1917.
Silver, gilding, casting, enamel, filigree.
8.57.2
132,2 .
State of preservation: enamel is cracked; gilding is worn, scratched; inside the metal is broken.

139. Powder case, silver, round, with a hinged lid. Gilded inside. The entire surface is covered with stylized vegetal ornamentation in enamel. Hallmarks: "6", "84", by the Moscow Assay Administration.
1908-1917.
Silver, gilding, casting, enamel.
7.02.0
96.2 g.
State of preservation: gilding very worn; enamel is chipped.

140. Icon on wood of Lord the Almighty in a gilded stamped silver setting (oklad) with overlaid enamel aureole and enamel overlays. In raspberry colored silk. Hallmarks: "", "84" by the Moscow Assay Administration, 1908-1917. On the reverse side, a paper sticker - ".. . . . 23721 126-."
Silver (875), gilding, enamel, silk, wood, oil paint; stamping.
17.514.2
325.0 g.
State of preservation: soiled, worn, inserts are badly attached; silk is torn, cut.

141. Icon on wood of Our Lady of Iversk in a gilded stamped silver setting (oklad) with overlaid gilded silver aureole, with enamel overlays, in a wooden icon case. Hallmarks: "", "84" of the Moscow Assay Administration, 1899-1907.
Silver, gilding, enamel, velvet, wood; stamping
22.017.5
382.0 g.
State of preservation: worn, soiled, gilding worn, breaks in the metal, velvet worn.

142. Icon on wood of Our Lady of Kazan in a gilded silver setting (oklad) with enamel overlays in the corners and overlaid enamel aureole. Filigree riza decorated in beading. Dressed in lilac-colored velvet. Hallmarks: "", "84", city of Moscow
Silver (875), gilding, wood, velvet, enamel, filigree, beading, oil paint
26.822.0
484.7 g.
State of preservation: gilding worn, enamel worn, scratched, chipped, lost in places; filigree broken and partly lost (5 cm); on the sides there is considerable loss of metal, breaks (7.9 cm above, 10 cm below), cracks, loss of the paint layer from the wooden base.

143. Icon on wood of Our Lady of Vladimir in gilded and stamped silver setting (oklad) with overlaid gilded silver aureole, dressed in blue velvet. Hallmarks: "", "84" of the Petersburg Assay Administration, 1899-1907.
Silver (875), gilding, wood, velvet, stamping
26.522.0
692.9 g
State of preservation: soiled, gilding very worn, breaks in the metal and loss, traces of nails.

144. Icon on wood of Our Lady (Fedorovskaya) in silver setting (oklad) with overlaid chased gilded silver aureole (possibly unmatched). On the back there is the inscription: " 1842 " (1842, Yakov Vyalov). Hallmarks: "", ":/184..", "84" of the city of Nizhny Novgorod.
Silver (875), gilding, wood, chasing, pointille, tempera.
32.327.5
463.3 g.
State of preservation: worn, dirty, deformed, aureole is poorly attached; painting is dirty, loss of the paint layer from the wooden base.

145. Icon on wood of Our Lady (Strastnaya) in a chased silver setting (oklad) with traces of gilding, with overlaid gilded silver aureole. Hallmarks on the oklad: "/1848", "84", "", city of Moscow.
875, , , , .
31.224.9
343.1 g.
State of preservation: soiled, worn, deformed, cracks and loss of metal, traces of nails.

146. Icon on wood of the Savior, the Almighty in gilded stamped silver setting (oklad) and frame, with enamel overlays, with overlaid gilded silver aureole, decorated with four violet glass elements. Hallmarks: "", "84", Moscow Assay Administration, 1908-1917. On the background under the aureole there is scratched out - " " (background gilded).
Silver (875), wood, glass, gilding, enamel, stamping, engraving.
30.526.0
628.7 g.
State of preservation: worn, dirty, gilding worn, aureole has come off (stored separately).

147. Icon on wood of Saints Pelagey, Paraskev, Andrew, the Martyr Irene, the Martyr Claudia depicted full length, in a chased silver setting (oklad) with traces of gilding. In the upper part is the Protection of the Virgin. Hallmarks: "84", "", city of Moscow.
Silver (875), wood, gilding, chasing, engraving, pointille.
29.024.0
307.4 g.
State of preservation: setting is dirty, dented, breaks at the corners. The Virgin's aureole is dented. Painting has been redone, soiled.

148. Icon on wood of Our Lady, Comfort and Joy in gilded and stamped silver setting (oklad) with overlaid gilded silver aureole, dressed in raspberry colored silk. Hallmarks: "", "84", Moscow Assay Administration.
1908-1917.
Silver (875), silk, wood, gilding, stamping, engraving, oil paint.
35.530.0
799.9 g.
State of preservation: gilding worn, spots, dirt, traces of corrosion; silk is torn.

149. Icon on wood of Our Lady (Tolgskaya) in chased silver setting (oklad). In the fields, St. Sergius and St. Merimian. Dressed in lilac colored velvet. Hallmarks: "", "84", Moscow Assay Administration.
1908-1917.
Silver (875), wood, velvet, chasing, engraving, pointille, tempera.
31.526.5
448.3 g.
State of preservation: setting soiled, worn, dented, deformed; velvet torn; wooden board has split; loss of painting from the board.

150. Icon on wood of the Savior, the Almighty in a stamped silver setting (oklad) with traces of gilding, with overlaid enamel aureole, dressed in red velvet. Hallmarks: "84", "I", Moscow Assay Administration.
1908-1917.
Silver (875), velvet, wood, gilding, enamel; stamping
18.015.0
36.3 g.
State of preservation: setting is dented, worn, dirty, breaks in the metal and losses, traces of nails; velvet has faded, torn, worn.

151. Silver lamp, partly gilded, with stylized chased vegetal ornamentation, on three chains and with a lid. Hallmarks: city of Moscow, 84 ./1884, "" - silversmiths O.F. Mukhin, A.A. Mukhin.
1884
Silver, gilding, casting, chasing, carving, pointille
57.010.010.0
269.4 g.
State of preservation: gilding very worn, solder, spots

152. Icon on wood of the Savior, the Almighty in chased silver setting with overlaid gilded silver aureole. Hallmarks: "", "84", ":/1834", city of Kostroma; silversmith F.S. Syromiatnikov.
1834
Silver, gilding, chasing, wood, tempera
30.026.0
1367.9 g.
State of preservation: deformation, corrosion, spots, dirt, losses of painting

153. Icon on wood of Lord the Almighty in chased and gilded silver setting (oklad) with overlaid gilded silver aureole, decorated with eight enamel overlaid sections, and dressed in rose-colored velvet. Hallmarks: "/1824", "84", city of Moscow. "" - Matvei Grechushnikov
1824
Silver, gilding, chasing, enamel, wood, tempera, velvet.
31.526.8
1364.1 g
State of Preservation: deformation, wear, dirt, fabric is faded, torn.

154. Icon on wood of Savior, the Almighty in a chased and gilded silver setting (oklad) with overlaid gilded silver aureole, decorated in colorless glass and turquoise. On the background - four overlaid sections of white enamel. Dressed in rose-colored velvet. Hallmarks: "84"", "AK/1857", "", city of Moscow
Silver, gilding, chasing, enamel, turquoises, glass, wood, oil paint, velvet.
31.426.7
1319.4 g
State of preservation: slight deformation, loss of the paint layer; velvet is torn, dirty, faded.

155. Icon on wood of Our Lady of Tikhvin in a selected chased silver frame with overlaid double silver aureole. Hallmarks: city of Moscow, "1793/", illegible.
Wood, oil paint, silver, chasing.
28.522.0
850.5 g
State of preserfvation: loss of metal at edges of the frame, on the aureole; aureole is painted

156. Icon on wood of Our Lade of Mercy (Umilenie) in a chased and gilded silver setting (oklad) with double gilded silver aureole. Riza decorated with filigree and beading, with a mounting of colored foil. Dressed in rose-colored crepe. On the lower edge there are the hallmarks: "/1846" - the assay master A.A. Kovalsky, "" - the silversmith N. Mikhailov, the emblem of Moscow, the assay standard "84". Master N. Mikhailov, Moscow
1846.
Wood, tempera, silver; chasing, beading, filigree, gilding
315.27.5
2052.7 g.
State of preservation: soiled, worn, breaks in the filigree and losses; setting is deformed; holes from nails, dents, scratches.

157. Salt cellar, silver, in the shape of a jug. Along the entire surface it is decorated with floral ornamentation in painted enamel over false filigree and beading. Hallmarks: "" - the silversmith F.D. Mishukov; Moscow Assay Administration with assay inspector Ivan Lebedkin - "".
Silver, casting, beading, enamel
4.17.47.4
94,27 g.
State of preservation: traces of clay, dirt, worn, small loss of enamel.

158. Silver tea canister, partly gilded, with lid and plug. On its lateral sides are views of Moscow in niello. On the borders there is stylized vegetal ornamentation. On the bottom, on the lid and on the plug there are hallmarks: "" - the factory of Vasily S. Semenov, "/189" - the assay master Anatoly Appolonovich Artsibashev, the emblem of Moscow and "84"
Purchased via the Expert Procurement Commission of the State Hermitage from I.V. Knoroz for 2500 rubles (together with -9592)
Silver, niello, carving, engraving, gilding, pointille
11.76.86.8
369.2 g.
State of preservation: worn, dirty, scratches

159. Sugar bowl with hinged lid, partly gilded. On the lateral sides views of Moscow in niello. Along the borders, stylized vegetal ornamentation. On the bottom and on the lid the hallmarks: "" - the factory of Vasily S. Semenov, "/1890" - the assay master Lev Federovich Oleksa, the emblem of Moscow and "84"
Silver, niello, carving, engraving
9.06.86.8
288.9 g.
State of preservation: worn, dirty, scratches

160. Silver plate, gilded, decorated with colored enamel; in the central medallion - birds looking to the left.
Faked to appear to date from the 19th century; false hallmarks.
Silver (916), gilding, enamel, pointille
11.911.9
150.5 g.
State of preservation: worn, scratches.

161. Silver plate, gilded, decorated with colored enamel; in the central medallion - birds looking to the right.
Faked to appear to date from the 19th century; false hallmarks.
Silver (916), gilding, enamel, pointille
12.112.1
160.55 g.
State of preservation: worn, scratches.

162. Gilded silver beaker; entire surface decorated in multicolored enamel.
Faked to appear to date from the 19th century; false hallmarks.
Silver (916), gilding, filigree, enamel
13.06.45.3
287.1 g.
State of preservation: worn, scratches.

163. Gilded silver beaker; entire surface decorated with colored enamel.
Faked to appear to date from the 19th century; false hallmarks
Silver (916), gilding, filigree, enamel
13.46.55.2
301.4 g
State of preservation: worn, scratches.

164. Easter egg, silver; entire surface decorated with colored painted enamel.
Faked to appear to date from the 19th century; false hallmarks.
Silver, gilding, filigree, enamel
10.78.68.6
496.1 g.
State of preservation: gilding worn, spots.

165. Figurine of a frog made of green jasper with glass eyes; in the mouth a golden arrow with 18 leicosapphires and enamel. Fake Faberge; false hallmarks.
Gold (583), jasper, glass, tiger eye, leicosapphire, enamel
4.89.9
277.5 g.
State of preservation: the top is not attached, stone is chipped

166. Figurine of rhinoceros made of crocodelite; eyes of leicosapphires. Fake Faberge.
Gold (750/583), leicosapphires, enamel
6.213.84.9
521.6 g.
State of preservation: cracks in the stone

167. Figurine of bear made of obsidian playing with a golden and enamel drum; the eyes, decoration of the chain and drum are made from leicosapphires. Fake Faberge.
Gold, silver, obsidian, leicosapphires, enamel
15.010.09.5
1006.9 g.
State of preservation: stone is scratched

168. Figurine of a monkey seated on a pillow with a ladle in its hands; made of semiprecious stones. Fake Faberge.
Gold (750), silver (750), obsidian, jasper, cacholong, enamel, diamonds, roses
12.68.28.4
755.6 g.
State of preservation: chips on the enamel, ladle not well attached

169. Icon on wood of Our Lady of the Sign (Znamenie) in a gold-embroidered setting (oklad), riza of mother of pearl, decorated with glass, in a gilded silver frame with filigree and beading. Hallmarks: "BG" - an unknown master, "/1867" - an unknown assay master; city hallmark of Petersburg and "84" assay standard.
Petersburg, 1867.
Silver, gilding, filigree, beading, gold stitching, crushed mother of pearl, glass, shells
26.922.7
380.9 g. - frame
State of preservation: deformation, spots, loss of filigree in places, two glass elements are missing.

170. Icon on wood of the Annunciation, in chased silver setting (oklad) with three overlaid gilded silver aureoles. Hallmarks: "" - an unknown master, "/1834" - the assay master, city mark of Petersburg, "84".
Petersburg, 1834
Wood, tempera, silver, chasing, gilding.
23.418.2
910.7
State of preservation: deformation, worn scratches.

171. Icon on wood of Our Lady of Kazan, Joy to All Who Grieve in chased silver setting (oklad). The figure of the Madonna has a gilded silver riza and aureole. Dressed in red velvet. Hallmarks: "" - owner of a silversmith atelier V.A. Kovalevsky, "/1841" - the assay master, city mark of Moscow, "84". Kovalevsky Workshop, Moscow
1841.
Wood, oil paint, silver, gilding, chasing, velvet
22.916.7
538.7 g
State of preservation: deformation, gilding worn.

172. Icon on wood of Our Lady of Kazan, in chased and gilded silver setting (oklad) with double gilded silver aureole, dressed in violet velvet. Hallmarks: "", "/1888", "84", city mark of Petersburg. Petersburg
1888.
Silver, gilding, chasing.
26.821.9
989.0 g
State of preservation: gilding worn, spots

173. Icon on wood of Our Lady of Kazan in gilded silver setting (oklad) with overlaid enameled silver aureole, dressed in Bordeaux colored velvet. Hallmarks: "", "/1893" - the assay master A. A. Artsibashev, "84", city mark of Moscow.
Moscow, 1893.
Wood, oil paint, silver, stamping, gilding, enamel.
17.814.3
325.9 g.
State of preservation: gilding is worn, enamel has been lost on the aureole.

174. Icon on wood of Our Lady of Iversk, in chased silver setting (oklad) with overlaid gilded silver aureole, dressed in blue velvet. Hallmarks: "" - an unknown silversmith, the Petersburg Assay Administration. 1899-1908.
Petersburg, 1899-1908
From the Dzerzhinsk District Financial Department
Wood, oil paint, velvet, silver, chasing, gilding.
22.518.3
792.6 g.
State of preservation: deformation, gilding is worn.

175. Icon on wood of Our Lady of Kazan, in stamped silver setting (oklad) with traces of gilding and double silver and enamel aureole, dressed in brown velvet. Hallmarks: "/1895" - the assay master, city of Moscow, last quarter of the 19th century, "84".
Velvet, silver, gilding, enamel, wood, oil paint; stamping.
26.522.3
948.5 g
State of preservation: deformation, cracks, breaks and loss of metal; aureole is not fixed down.

176. Icon on wood of the Martyred St. Kunsha, in chased and gilded silver setting (oklad) with overlaid gilded silver aureole, dressed in violet velvet. Hallmarks: "", "/1895" - the assay master A.A. Artsibashev, city mark of Moscow of the last quarter of the 19th century, "84".
Wood, oil paint, silver, gilding, enamel, stamping, velvet.
26.822.3
1076.2 g.
State of preservation: deformation, wear, spots

177. Icon on wood of the Savior Nerukotvorny ("Not Made by Human Hands") in a stamped and partially gilded silver setting (oklad) with overlaid silver and enamel aureole. Hallmarks: "", Moscow Assay Administration, 1899-1908.
Silver, gilding, stamping, enamel, wood, oil paint, velvet.
22.317.9
566.2 g
State of preservation: deformation, aureole is bent, loss of enamel, velvet is faded.

178. Icon on wood of the Burning Bush in chased and gilded silver setting (oklad) with two overlaid plaques with niello inscription. Dressed in violet velvet. Hallmarks: "", "/1835" - the assay master M. Karpinsky, "84", the city of Petersburg
Wood, tempera, silver, gilding, chasing, niello.
35.330.7
2879.9 g.
State of preservation: deformation, spots, scratches.

179. Icon on wood of St Nil Stolbensky in chased and gilded silver setting (oklad). Hallmarks: city of Moscow with the date "1771", "/I" - unknown silversmith
Silver, gilding, chasing, wood, tempera.
33.128.4
1776.1 g.
State of preservation: aureole has been lost, deformation, scratches.

180. Figurine of seal made of jasper with red stone eyes.
Fake Faberge. 1980s.
Jasper, carving, polishing.
5.45.63.3
53.16 g.
State of preservation: worn.

181. Figurine of courtier made of semiprecious stones.
Fake Faberge. 1980s
Chalcedony, obsidian, lapis lazuli, nephrite, jasper, enamel.
10.75.23.7
155.3 g.
State of preservation: enamel lost on the belt, wear.

182. Figurine of a seated pug dog made of chalcedony with eyes of white colored stone, wearing a collar, decorated in black enamel.
Fake, 1980s.
Chalcedony, metal, enamel
12.012.27.1
1210.4 g.
State of preservation: worn

183. Figurine of a seated monkey made of chalcedony with eyes of colorless stones, in a case.
Fake Faberge, 1980s.
Chalcedony, carving.
9.15.25.2x.5.2
296.7 g.
State of preservation: worn

184. Rectangular silver cigar case with rounded corners. On the obverse, an enamel overlay. Gilded inside. Button with blue glass. Hallmark of the Moscow Assay Administration, 1908-1917.
Silver, glass, enamel, gilding.
1258712 mm
Gross weight = 230.0 g.
Net weight = 215.0 g.
State of preservation: worn, scratched, dented, dirty, enamel is worn, chipped.

185. Icon on wood of St John, St Evdokia, and the seven young men of Ephesus, in a silver setting (oklad) with three overlaid gilded silver aureoles. Hallmarks: ".182..", "84", "", city mark of Nizhny Novgorod.
Silver, chasing, gilding, wood, tempera.
25.021.5
1259.4 g.
State of preservation: worn, deformation, breaks and loss of metal, loss of rays of the aureole, significant loss of the paint layer with ground, cracks, hard craquelure.

186. Icon of the Savior, the Almighty in a chased and gilded silver setting (oklad) with overlaid gilded silver and enamel aureole and enamel overlay. Dressed in red velvet. Hallmarks: "", 84, Moscow Assay Administration, 1908-1917.
Silver, chasing, gilding, enamel, wood, oil paint, velvet.
22.317.9
508.4 g.
State of preservation: breaks, scratches, wear, spots; pigment layer of the painting has been lost in places, wear.

187. Icon of Our Lady of Tikhvin in chased silver setting (oklad) with overlaid silver and enamel aureole and four enamel overlaid sections. Reverse side dressed in violet velvet. Hallmarks: "", "84", "", head facing left, 1899-1908, Moscow.
Silver, chasing, enamel, wood, tempera, velvet, carton, , , , , , , pointille
17.914.5
365.1 g.
State of preservation: dents, traces of nails, scratches, wear, traces of gilding, enamel missing in places.

188. Icon of Our Lady of Kazan in chased and gilded silver setting (oklad) with overlaid gilded silver aureole with colored enamel and an overlaid section in enamel. Reverse side dressed in red velvet. Hallmarks: "", city of Moscow, 1908-1917.
Silver, gilding, chasing, enamel, wood, tempera
26.622.3
817.9 g.
State of preservation: scratches, wear, breaks, deformation, dents.

189. Icon on wood of Lord, the Almighty in stamped and gilded silver setting (oklad) with overlaid gilded silver aureole. Dressed in red velvet.
Silver, gilding, stamping, wood, oil paint.
31.026.5
998.2 g.
State of preservation: deformation on the edges, very soiled in general, break on the riza; loss of pigment layer down to the wood.

190. Icon on wood of St. Peter, St Alexei and St. Ustin (full length) in gilded silver setting (oklad) with three overlaid gilded aureoles and the figure of the Savior above. Dressed in lilac colored velvet. Hallmarks: "/1829", "84", "", city of Moscow
Silver, gilding, chasing, wood, tempera.
30.27.5
1638.5 g.
State of preservation: aureole on the figure of the Savior has been lost; very heavily soiled, deformation along the edges, large losses of pigment layer down to the wood; crack in the wooden board, loss of paint along the crack. Painting is worn; velvet has faded and is torn.

191. Chalice, gilded silver with engraved medallions and inscriptions on the cup and chased stem. Hallmarks: "", "/1852", "84", city of Moscow.
Silver, gilding, chasing, engraving, pointille.
28.011.415.0
455.6 g.
State of preservation: worn, dirty, gilding worn, deformation, spots, oxidation.

192. Icon on wood of St John the Theologian in Silence, in a chased silver setting (oklad), with two selected saints on the fields, with three overlaid silver aureoles. Hallmarks: "", "/1876", "84", city of Petersburg. Inscription: ".1..32." with a poincon
Silver, wood, tempera, chasing, pointille.
35.829.7
2177.8 g.
State of preservation: setting is deformed, dirty, part near the upper left is broken, spots, considerable part of the painting has beens lost, peeling, dirty, wear.

193. Icon on wood of Our Lady of Kazan in a chased silver setting (oklad) with overlaid gilded silver aureole. Hallmarks: "/1850", "", 84, city of Petersburg
Silver, gilding, chasing, wood, tempera.
31.526.5
1268.2 g.
State of preservation: worn, dirty, aureole is dented, deformation along the edges; breaks in the metal and parts missing; on the icon pigment layer has been lost in places down to the wood.

194. Icon of Our Lady, Joy to All Who Grieve in a chased and gilded silver setting (oklad) with gilded silver overlaid aureole, overlaid casts with colorless glass on the aureole and two green glass elements on the cross; with two overlaid sections with niello inscriptions. Hallmarks: "84", "", city of Moscow/1799.
Silver, gilding, glass, wood, tempera, niello, chasing, engraving, pointille.
28.523.7
1163.8 g.
State of preservation: deformation, has lost a considerable part of the inserts with glass elements, dents, spots, wear; loss of the paint layer in places.

195. Icon on wood of the Madonna with Child in a stamped and gilded silver setting (oklad), with double gilded aureole. Reverse side covered with fabric. Hallmarks: "", "/1867", "84", city of Moscow
Silver, gilding, wood, oil paint; stamping
30.926.2
1044.7 g.
State of preservation: setting is deformed, along the edges there are breaks and loss of metal in places; gilding is worn; heavily soiled in general; pigment layer is lost in many places down to the wood.

196. Icon of the Madonna with Child with four saints in the fields, in a chased silver setting (oklad) with chased and gilded silver aureole. Hallmarks: "", "", "84", city of Petersburg
Silver, gilding, wood, tempera; chasing, engraving, pointille.
32,226.4
1573.3 g.
State of preservation: deformation, dirt, dents, breaks on the aureole; details are partly broken off; wooden base is warped; losses of the paint layer along the edges, scratches, wear.

197. Icon of Our Lady, Joy to All Who Grieve in a chased and gilded silver setting (oklad) with gilded silver aureole. Hallmarks: " I", "", city of Petersburg, "1802", "84".
Silver, gilding, wood, oil paint; engraving, chasing, pointille.
33.827.1
1677.7
State of preservation: breaks in the metal, traces of nails, deformation, wear, corrosion, wear, losses of paint layer, craquelure.

198. Icon on wood of Selected Saints Before the Icons of Our Lady (Tolgskaya), Our Lady of Joy to All Who Grieve, and Our Lady of Vladimir, in a chased silver setting (oklad) with 22 overlaid aureoles. Hallmarks: "", "/1844", "84", city of Petersburg. Inscription on the upper edge: " 1 . 23/3 ."
Silver, chasing, wood, traces of gilding, tempera, pointille, engraving.
35.531.0
1826.5
State of preservation: breaks and loss of metal along the edges, breaks on the field, breaks on the aureoles, deformation, dents, heavily soiled, corrosion; corner of the icon is broken off, chipped, cracked, peeling, wear, losses to the pigment layer.

199. Three-part icon of Our Lady Ease My Sorrow; the Resurrection; and the Old Testament in a chased silver setting (oklad) with overlaid aureoles of the Virgin. Hallmarks: "[]", "", "84", "1816", city of Petersburg.
Silver, wood, oil paint; chasing, engraving, pointille.
36.027.0
2029.0 g.
State of preservation: rays of the aureole are broken off; breaks in the metal, with loss, dents, scratches, scale; on the paint layer there are traces of nails, losses, wear.

200. Brush, round, in a gilded silver setting, decorated with colored enamel on filigree.
Silver, enamel, gilding, wood, bristles.
D - 4,6
22.1 g.
State of preservation: flaws, scratches, deformation, spots.

201. Brush, round, in a gilded silver setting, decorated with colored enamel on filigree
Silver, enamel, gilding, wood, bristles.
D - 4,6
22.1 g.
State of preservation: flaws, scratches, deformation, spots.

202. Holder for chalk, gilded silver, decorated with colored enamel on filigree.
Silver, enamel, gilding.
L - . 4,9
7.1 g.
State of preservation: flaws, scratches, deformation, spots.

203. Holder for chalk, gilded silver, decorated with colored enamel on filigree, with a piece of chalk
Silver, enamel, gilding.
L. 7.8
14.8 g
State of preservation: flaws, scratches, deformation, spots.

204. Frame for a photograph, desktop, oval, with a retractable leg. Band of the frame in lilac-colored transparent enamel on a guilloche background. The frame is decorated on the external edge; on the inner edge by a sprig of laurel leaf. In the upper part of the frame there are overlaid laurel garlands, crossed torches intertwined with ribbons. Hallmarks: "", "".
Petersburg, 1899-1903, Faberge & Co.
Silver, enamel, wood, glass.
16.012.0
315.3 g.
State of preservation: missing three screws for attaching the back wall; flaws, scratches, deformation, spots. Cracks in the wood.

205. Set of knives and forks in a wooden case lined with green velvet and silk. Two-tine forks, silver, gilded on the handle - with pseudo-antique ornamentation. Hallmarks: ". " (Grachev Brothers Ltd), Petersburg Assay Administration.
1908-1917.
Dimensions of the case: 36.324.14.4
Silver, gilding, casting.
19.21.6
31.1 g.
State of preservation: gilding worn, very soiled.

206. Two-tine fork, silver, gilded, pseudo-antique decoration on the handle. Hallmarks: ". " (Grachev Brothers Ltd), Petersburg Assay Administration.
1908-1917.
Silver, gilding, casting
19.21.6
31.2 g.
State of preservation: gilding worn, very soiled.

207. Two-tine fork, silver, gilded, pseudo-antique decoration on the handle. Hallmarks: ". " (Grachev Brothers, Ltd), Petersburg Assay Administration.
1908-1917
Silver, gilding, casting
19.21.6
32.1 g.
State of preservation: gilding worn, very soiled.

208. Two-tine fork, silver, gilded, pseudo-antique decoration on the handle. Hallmarks: ". " (Grachev Brothers Ltd), Petersburg Assay Administration.
1908-1917
Silver, gilding, casting
19.21.6
31.4 g
State of preservation: gilding worn, very soiled.

209. Caviar scoop, silver, gilded, pseudo-antique decoration on the handle. Hallmarks: ". " (Grachev Brothers Ltd, Petersburg Assay Administration.
1908-1917.
Silver, gilding, casting
16.32.1
34.3 g.
State of preservation: gilding worn, very soiled.

210. Cheese knife, silver, gilded, pseudo-antique decoration of the handle. Hallmarks: ". " (Grachev Brothers Ltd), Petersburg Assay Administration.
1908-1917.
Silver, gilding, casting
19.41.8
43.4 g.
State of preservation: gilding worn, very soiled.

211. Fork, rounded, four-tine, silver, gilded, pseudo-antique decoration of the handle. Hallmarks: ". " (Grachev Brothers Ltd), Petersburg Assay Administration
1908-1917
Silver, gilding, casting
16.23.1
34.9 g.
State of preservation: gilding worn, very soiled.

212. Service knife with broad, semi-circular blade, silver, gilded, pseudo-antique decoration of the handle. Hallmarks: ". " (Grachev Brothers Ltd), Petersburg Assay Administration
1908-1917.
Silver, gilding, casting
20.12.4
50.6 g.
State of preservation: gilding worn, very soiled.

213. Icon on wood of Our Lady of Kazan in a gilded silver setting (oklad) with double gilded silver aureole, decorated with white, red and green glass; on the fields - the Guardian Angel and St Nikifor. Hallmarks: "", Moscow Assay Administration, 1908-1917.
MF - ME Fukhtikov, owner
Silver, gilding, glass, wood, oil paint
22.218.2
728.2 g
State of preservation: very dirty, spots, corrosion, breaks in the metal along the edges with loss of metal.

214. Icon on wood of a four-part Our Lady of Kazan, Resurrection of Christ, St George, and Selected Saints: Nikola, Anna, Anastasia, Nikita. Selected saints on the fields. Above - the Old Testament Trinity. In a chased silver setting (oklad). Hallmarks: 1794/- assay master A.I. Vikhlyaev, /- an unknown alderman, city mark of Moscow.
Wood, tempera, silver, nonprecious metal (solder); chasing, carving.
32.027.5
414.8 g.
State of preservation: icon is worn; in the lower part a large amount of the painting layer has been lost (down to the wood). Setting is deformed. Breaks along the edges with loss of metal.

215. Gold pendant in the form of stylized vegetal volutes, decorated with 9 diamonds and roses, white gold casta. Hallmark on the chain: "" - an unknown jeweler, Petersburg Assay Administration 1908-1917, assay standard - 56
Purchased via the Expert Procurement Commission of the State Hermitage from A.N. Nemilov for 12 000 rubles
Gold, casting, diamonds, roses
6.23.9, chain 49.2
16.97 g.
State of preservation: worn, soiled.

216. Lady's cigar case, rectangular, with rounded corners, silver, gilded inside. Its entire surface is decorated with polychrome enamel on filigree with depiction of flowers and leaves. Hallmarks: "", "", "/1883", "84", city mark of Moscow, last quarter of the 19th cerntury.
Gift of N.A. Yasinskaya
Silver, gilding, casting.
3.29.85.6
157.0 g.
State of preservation: worn, indentations on the enamel, scratches, crumbling at some points.

217. Pectoral cross, four-sided (Orthodox), silver, gilded. On the cross there is a Crucifixion scene on overlaid blue enamel background. Around the enamel there are pearls. The ends of the cross are shaped, decorated with rosettes with amethysts and pearls. On the top there is an amethyst and three pearls. Hallmarks: "" and the Moscow Assay Administration, 1896-1903.
Silver, gilding, casting, pearls, amethysts
14.59.5
191.8 g.
State of preservation: missing two pearls - one in the rosette; the cross is worn, scratches; enamel is chipped.

218. Gold signet ring, decorated with 5 diamonds, 24 roses and 7 emeralds. Hallmark of the Petersburg Assay Administration, 1908-1917
Purchased via the Expert Procurement Commission of the State Hermitage from I.M. Strzhalkovskaya for 50 000 rubles
Gold, diamonds, roses, emeralds; casting.
2.72.0
5.12 .
State of preservation: 7 empty clusters; soiled, worn

219. Hand-held oval mirror in a silver setting, with bas relief depiction of irises on the reverse side. Hallmarks: ".", Moscow city hallmark of the end of the 19th century with 84 silver standard. Moscow, K. Faberge & Co.
Purchased from A.S. Kholonin for 5 000 000
Silver, stamping
24.816.3
375.2 g.
Soiled, worn, indentations on the metal; mirror is worn; glass is chipped, scratched; the amalgam has darkened.

220. Desk clock with week-long mechanism; face in white enamel; round frame; on a background of yellow enamel there are decorations in the form of floral garlands tied with a ribbon. Hallmarks: "" - master, "", " 1890", "88". Faberge & Co., master artist M. Perkhin
1890s
Silver, enamel, casting; chasing
12.511.02.0
390.86 g.
State of preservation: the plaque on the reverse has been lost; one screw is missing; the mechanism has shifted

221. Silver cigar case. Inside and out, partly gilded. Its entire surface decorated with painted enamel vegetal ornamentation. Hallmarks: - an unknown silversmith, the Moscow District Assay Administration and the initials of the assay inspector Ivan Lebedin - ".." Moscow.
1896-1903.
Purchased via the Expert Procurement Commission of the State Hermitage from V.S. Shimon for 86 880, 00 rubles.
Silver, painted enamel, filigree, pointille, gilding, glass
10.07.8
Gross weight - 201.1 g.
State of preservation: worn, scratched, gilding inside is heavily worn, all along the surface there are small chips in the enamel
Description, dimensions, weight

222. Gilded silver frame, square, with patterned blue enamel, bone back plate. Silver mark on the frame and leg: '' and silver mark in the oval - '88' as well as depiction of woman's head in profile facing right.
Early 19th century.
Silver, enamel, bone, glass
6.86.8 cm
79.76 g.

223. Flat oval flask made of rock crystal, neck with cap in a frame shaped like a crown with enamel on gold; crown of 300 rubies and 24 pearls.
19th century
11.44.93.0 cm
102.55 g..
Gold, rubies, pearl, rock crystal, enamel

224. Open gold watch; guilloche ornament on the lid and on the edge and rim - a carved ridge; white face with Arabic numerals. Breguet 2436
First quarter of the 19th century
6.36.3
198.66 g.

225. Figurine of rabbit, in cast silver with eyes of red colored stone. Imitation Faberge.
1980s.
10.515.28.2
598.3 g.
Silver, casting, chasing, stone

226. Engraved copper seal, with elongated handle of blue enamel with silver vegetal pattern; at the end - an engraved copper top.
19th century.
5.71.3
Copper, engraving, enamel

 

 

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