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The works of the master smiths of Tula In Russia the art of the weapon-makers of Tula has long been synonymous
with unsurpassed craftsmanship: a brilliant combination of originality
of design, high technical quality in the treatment of the metal and beauty
in the artistic finish. The Tula master smiths' virtuoso working of steel
and their dogged pursuit of perfection in the decoration of arms and items
of secular use were the preconditions for the emergence of a highly distinctive
and interesting tendency in Russian decorative art of the 18th and 19th
centuries. The craftsmen of Tula first attained prominence, though, back
in the sixteenth century when smiths living in the settlement outside
the fortress fulfilled state commissions for the production of arquebuses
and matchlocks. In 1712 a factory was established here and in time the
city became the centre of the Russian arms industry. In the early 18th
century, besides weapons, the craftsmen were actively engaged in the production
of domestic items and this gave rise to the development of a distinctive
handicraft in Tula. As the years went by, distinctive features arose that
made the artistic products of the city unique and demand for them rose
both within Russia and abroad. It is known that on more than one occasion
Catherine II presented Tula products to foreigners who appreciated the
combination of blued steel and gilding as well as the skill with which
the decoration was executed. Undoubtedly the interests of the state called
above all for the development of the arms industry, but the items of domestic
use astonished Europeans with their unusualness, exquisite and precise
workmanship, and that served to raise Russia's international prestige.
The archives contain records of the finest products of the Tula factory
being included in diplomatic gifts. A whole variety of light fixtures,
boxes, ink-stands, umbrellas, furniture, toilet sets with mirrors, buckles
and seals - all made of steel, not, it would seem, a "jeweller's
metal" - were luxury items and amazed those who saw them with the
opulence and virtuosity of the decorative devices employed.
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