Gellée, Claude, dit Le Lorrain, ca. 1602-1682

Italian Landscape

France, 1648

Until nearly the mid-1630s, Lorrain's paintings did not have a very clear subject. Most commonly they were simple and unpretentious genre scenes and pastorals which were characteristic of French and Italian landscape painting at the start of the 17th century. In the Italian Landscape the artist used his favourite motif of a herd of cattle returning from pasture and crossing a stream. In the distance he has depicted a bridge and on the hill is a rural villa. Further on there is a broad plain with a river, hills and structures. In the foreground there are the figures of shepherdesses playing reed-pipes, a shepherd leaning over them, high trees, thick bushes and thick, succulent grass. The mild, warm light of the evening sun envelops the figures. Everything around is imbued with the calm of a peaceful evening. Lorrain's canvases draw our attention due to the artist's very special view of nature. His paintings and the works of several other 17th-century landscape artists have been described as "ideal landscapes". In the world of his painting, there is no place for raging elements: storms, lightings, thunder and floods. Nothing disturbs the harmony and peace which, it seems, have always reigned over the part of nature which the great master imagined and captured on canvas.


Italian Landscape







75x100 сm

Acquisition date:

Entered the Hermitage in 1772; acquired from the collection of L.A. Crozat, Baron de Thiers, in Paris

Inventory Number: