The international museum community shares the conviction that illegal traffic in archaeological artistic, and ethnic objects must be firmly discouraged. We should, however, recognize that objects acquired in earlier times must be viewed in the light of different sensitivities and values, reflective of that earlier era. The objects arid monumental works that were installed decades and even centuries ago in museums throughout Europe and America were acquired under conditions that are not comparable with current ones.
Over time, objects so acquired-whether by purchase, gift, or partage - have become part of the museums that have cared for them, and by extension part of the heritage of the nations which house them. Today we are especially sensitive to the subject of a work's original context, but we should not lose sight of the fact that museums too provide a valid and valuable context for objects that were long ago displaced from their original source.
The universal admiration for ancient civilizations would not be so deeply established today were it not for the influence exercised by the artifacts of these cultures, widely available to ail international public in major museums. Indeed, the sculpture of classical Greece, to take but one example, is an excellent illustration of this point and of the importance of public collecting. The centuries - long history of appreciation of Greak art began in antiquity, was renewed in Renaissance Italy, and subsequently spread through the rest of Europe and to the Americas. Its accession into the collections of public museums throughout the world marked the significance of Greek sculpture for mankind as a whole and its enduring value for the contemporary world. Moreover, the distinctly Greek aesthetic of these works appears all the more strongly as the result of their being seen and studied in direct proximity to products of other great civilizations.
Calls to repatriate objects that have belonged to museum collections for many years have become an important issue for museums. Although each case has to be judged individually, we should acknowledge that museums serve not just the citizens of one nation but the people of every nation. Museums are agents in the development of culture, whose mission is to foster knowledge by a continuous process of reinterpretation. Each object contributes to that process. To narrow the focus of museums whose collections are diverse and multifaceted would therefore be a disservice to all visitors.
Signed by the Directors of:
The Art Institute of Chicago
Bavarian State Museum, Munich (Alte Pinakothek, Neue Pinakothek)
State Museums, Berlin
Cleveland Museum of Art
J. Paul Getty Museum, Los Angeles
Solomon R. Guggenheim Museum, New York
Los Angeles County Museum of Art
Louvre Museum, Paris
The Metropolitan Museum of Art New York
The Museum of Fine Arts, Boston
The Museum of Modern Art, New York
Opificio delle Pietre Dure, Florence
Philadelphia Museum of Art
Prado Museum, Madrid
Rijksmuseum, Amsterdam
State Hermitage Museum, St Petersburg
Thyssen-Bornemisza Museum, Madrid
Whitney Museum of American Art, New York
